Biblio
] Filters: Author is Xavier Serra [Clear All Filters]
(2007). Synthesis of the Singing Voice by Performance Sampling and Spectral Models.
IEEE Signal Processing Magazine. 24, 67-79. Abstract
(2001). Spectral Approach to the Modeling of the Singing Voice.
111th AES Convention. Abstract
(2008). Voice Processing and Synthesis by Performance Sampling and Spectral Models.
Department of Information and Communication Technologies. Abstract
(2001). Singing Voice Synthesis Combining Excitation plus Resonance and Sinusoidal plus Residual Models.
International Computer Music Conference. Abstract
(2018). MusicCritic: A technological framework to support online music teaching for large audiences.
33rd World Conference of International Society for Music Education (ISME). 13-20. Abstract
(2005). Content-based Music Audio Recommendation.
ACM Multimedia. Abstract
(2000). Voice Morphing System for Impersonating in Karaoke Applications.
International Computer Music Conference. Abstract
(2005). An Industrial-Strength Content-based Music Recommendation System.
28th Annual International ACM SIGIR Conference. Abstract
(2016). NACTA: construyendo el futuro de la tradición del jingju.
Itinerarios, Espacios, Contextos: XIV congreso de la Sociedad de Etnomusicología, IX congreso de IASPM España. Abstract
(2014). Creating a Corpus of Jingju (Beijing Opera) Music and Possibilities for Melodic Analysis.
15th International Society for Music Information Retrieval Conference. 313-318. Abstract
(2017). Quantitative analysis of the relationship between linguistic tones and melody in jingju using music scores.
4th International Digital Libraries for Musicology workshop (DLfM 2017). 41-44. Abstract
(2015). Comparison of the singing style of two jingju schools.
16th International Society for Music Information Retrieval (ISMIR) Conference. 507-513. Abstract
(2017). A collection of music scores for corpus based jingju singing research.
18th International Society for Music Information Retrieval Conference. 46-52. Abstract
(2018). The musical dimension of Chinese traditional theatre: An analysis from computer aided musicology.
Departament d'Humanitats. xxiv + 458. Abstract
(2016). Melodic transformation processes in the arrangements of jingju banshi.
Fourth International Conference On Analytical Approaches To World Music (AAWM 2016). Abstract
(2018). An open corpus for the computational research of Arab-Andalusian music.
5th International Conference on Digital Libraries for Musicology (DLfM 2018). 78-86. Abstract
(2006). Bridging the Music Semantic Gap.
Workshop on Mastering the Gap: From Information Extraction to Semantic Representation. 187, Abstract
(2008). Music Recommendation and Discovery in the Long Tail.
Department of Information and Communication Technologies. Abstract
(2019). Automatic Dastgah Recognition Using Markov Models.
14th International Symposium on Computer Music Multidisciplinary Research (CMMR). 51-58. Abstract
(2000). Using the Sound Description Interchange Format within the SMS Applications.
International Computer Music Conference. Abstract
(2000). Singing Voice Impersonator Application for PC.
International Computer Music Conference. Abstract
(2018). Automatic makam recognition using chroma features.
International Workshop on Folk Music Analysis. Abstract
