Biblio

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Gouyon, F., Herrera P., Martins L. G., & Müller M. (2012).  Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012.
Gouyon, F., & Herrera P. (2003).  Determination of the Meter of musical audio signals Seeking recurrences in beat segment descriptors. Abstract
Gouyon, F., Herrera P., & Cano P. (2002).  Pulse-dependent analyses of percussive music. Abstract
Gouyon, F., & Herrera P. (2003).  A beat induction method for musical audio signals. 4th WIAMIS - Special session on audio segmentation and digital music. Abstract
Gómez-Marín, D., Jordà S., & Herrera P. (2017).  Drum rhythm spaces: from global models to style-specifc maps. 13th International Symposium on Computer Music Multidisciplinary Research (CMMR). 80-91.
Gómez-Marín, D., Jordà S., & Herrera P. (2016).  Rhythm Spaces. 4th International Workshop on Musical Metacreation (MUME 2016). Abstract
Gómez-Marín, D., Jordà S., & Herrera P. (2015).  PAD and SAD: Two awareness-weighted rhythmic similarity distances. 16th International Society for Music Information Retrieval (ISMIR) Conference. Abstract
application/pdf iconpad and sad.pdf
Gómez-Marín, D., Jordà S., & Herrera P. (2015).  Evaluating rhythm similarity distances: The effect of inducing the beat. Rhythm production and perception workshop. 57.
Gómez-Marín, D., Jordà S., & Herrera P. (2015).  Strictly Rhythm: Exploring the effects of identical regions and meter induction in rhythmic similarity perception. 11th International Symposium on Computer Music Multidisciplinary Research, CMMR 2015. Abstract
application/pdf iconFull text
Gómez-Marín, D., Jordà S., & Herrera P. (2016).  Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity Perception. (Kronland-Martinet R., Aramaki M., Ystad S., Ed.).Music, Mind, and Embodiment. CMMR 2015. 449-463.
Gómez Cañón, J. S., Herrera P., Gómez E., & Cano E. (2019).  The emotions that we perceive in music: the influence of language and lyrics comprehension on agreement. Workshop-Symposium on Research Methods in Music and Emotion. Abstract
Gómez, E., & Herrera P. (2008).  Comparative Analysis of Music Recordings from Western and Non-Western traditions by Automatic Tonal Feature Extraction. Empirical Musicology Review. 3(3), 140-156. Abstract
Gómez, E., Haro M., & Herrera P. (2009).  Music and geography: content description of musical audio from different parts of the world. 10th International Society for Music Information Retrieval Conference. Abstract
Gómez, E., Peterschmitt G., Amatriain X., & Herrera P. (2003).  Content-based melodic transformations of audio for a music processing application. Abstract
Gómez, E., & Herrera P. (2006).  Evaluation and applications of tonal profiles for automatic music tonality description. Abstract
Gómez, E., Gouyon F., Herrera P., & Amatriain X. (2003).  Using and enhancing the current MPEG-7 standard for a music content processing tool. Abstract
Gómez, E., & Herrera P. (2004).  Automatic Extraction of Tonal Metadata from Polyphonic Audio Recordings. AES. Abstract
Gómez, E., & Herrera P. (2006).  The song remains the same identifying versions of the same piece using tonal descriptors. Abstract
Gómez, E., Gouyon F., Herrera P., & Amatriain X. (2003).  MPEG-7 for Content-based Music Processing. Abstract
Gómez, E., & Herrera P. (2004).  Estimating The Tonality Of Polyphonic Audio Files Cognitive Versus Machine Learning Modelling Strategies. 5th International Society for Music Information Retrieval (ISMIR) Conference. 92-95. Abstract
application/pdf iconGómezHerrera-ISMIR-2004-page-92.pdf
Gómez, E., Herrera P., & Gómez-Martín F. (2013).  Computational Ethnomusicology: perspectives and challenges. Journal of New Music Research. 42(2), 111-112.
Gómez, E., Ong B., & Herrera P. (2006).  Automatic Tonal Analysis from Music Summaries for Version Identification. AES 121th Convention. Abstract
Gómez, E., & Herrera P. (2008).  Comparative analysis of music recordings from western and non-western traditions by automatic tonal feature extraction and data mining. 4th Conference on Interdisciplinary Musicology (CIM08).
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Fuhrmann, F., & Herrera P. (2011).  Quantifying the relevance of locally extracted information for musical instrument recognition from entire pieces of music. International Society for Music Information Retrieval Conference (ISMIR). Abstract
application/pdf iconismir11_ffuhrmann_sup.pdf
application/pdf iconismir11_ffuhrmann.pdf
Fuhrmann, F., Haro G. G., & Herrera P. (2009).  Scalability, generality and temporal aspects in automatic recognition of predominant musical instruments in polyphonic music. Conference of the International Society for Music Information Retrieval (ISMIR). Abstract
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