Biblio
Filters: Author is Perfecto Herrera [Clear All Filters]
(2012).
(2003).
A beat induction method for musical audio signals.
4th WIAMIS - Special session on audio segmentation and digital music. Abstract
(2003).
Drum rhythm spaces: from global models to style-specifc maps.
13th International Symposium on Computer Music Multidisciplinary Research (CMMR). 80-91.
(2017).
Rhythm Spaces.
4th International Workshop on Musical Metacreation (MUME 2016). Abstract
(2016).
PAD and SAD: Two awareness-weighted rhythmic similarity distances.
16th International Society for Music Information Retrieval (ISMIR) Conference. Abstract
(2015).
Evaluating rhythm similarity distances: The effect of inducing the beat.
Rhythm production and perception workshop. 57.
(2015).
Strictly Rhythm: Exploring the effects of identical regions and meter induction in rhythmic similarity perception.
11th International Symposium on Computer Music Multidisciplinary Research, CMMR 2015. Abstract
(2015).
Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity Perception.
( , Ed.).Music, Mind, and Embodiment. CMMR 2015. 449-463.
(2016).
The emotions that we perceive in music: the influence of language and lyrics comprehension on agreement.
Workshop-Symposium on Research Methods in Music and Emotion. Abstract
(2019).
Comparative Analysis of Music Recordings from Western and Non-Western traditions by Automatic Tonal Feature Extraction.
Empirical Musicology Review. 3(3), 140-156. Abstract
(2008).
Music and geography: content description of musical audio from different parts of the world.
10th International Society for Music Information Retrieval Conference. Abstract
(2009).
(2006).
(2003).
(2006).
Estimating The Tonality Of Polyphonic Audio Files Cognitive Versus Machine Learning Modelling Strategies.
5th International Society for Music Information Retrieval (ISMIR) Conference. 92-95. Abstract
(2004).
Computational Ethnomusicology: perspectives and challenges.
Journal of New Music Research. 42(2), 111-112.
(2013).
Automatic Tonal Analysis from Music Summaries for Version Identification.
AES 121th Convention. Abstract
(2006).
Comparative analysis of music recordings from western and non-western traditions by automatic tonal feature extraction and data mining.
4th Conference on Interdisciplinary Musicology (CIM08).
(2008).
Quantifying the relevance of locally extracted information for musical instrument recognition from entire pieces of music.
International Society for Music Information Retrieval Conference (ISMIR). Abstract
(2011).
Scalability, generality and temporal aspects in automatic recognition of predominant musical instruments in polyphonic music.
Conference of the International Society for Music Information Retrieval (ISMIR). Abstract
(2009).