Biblio
Filters: Author is Gómez, E [Clear All Filters]
Computational Ethnomusicology: perspectives and challenges.
Journal of New Music Research. 42(2), 111-112.
(2013).
Discovering Expressive Transformation Rules from Saxophone Jazz Performances.
Journal of New Music Research. 34, 319-330. Abstract
(2005).
ESSENTIA: an open source library for audio analysis.
ACM SIGMM Records. 6(1), Abstract
(2014).
Evaluation and Combination of Pitch Estimation Methods for Melody Extraction in Symphonic Classical Music.
Journal of New Music Research . 45(2), 101-117.
(2016).
Forum on transcription.
Twentieth-Century Music. 11(1), 101-161.
(2014).
Hierarchical multi-scale set-class analysis.
Journal of Mathematics and Music: Mathematical and Computational Approaches to Music Theory, Analysis, Composition and Performance. 1-14. Abstract
(2014).
Mapping by Observation: Building a User-Tailored Conducting System From Spontaneous Movements.
Frontiers on Digital Humanities. Abstract
(2019).
Measuring Similarity between Flamenco Rhythmic Patterns.
Journal of New Music Research. 38(2), 129-138. Abstract
(2009).
Melodic Contour and Mid-Level Global Features Applied to the Analysis of Flamenco Cantes.
Journal of New Music Research . Abstract
(2016).
Melody Description and Extraction in the Context of Music Content Processing.
Journal of New Music Research. 32, Abstract
(2003).
Melody Extraction from Polyphonic Music Signals using Pitch Contour Characteristics.
IEEE Transactions on Audio, Speech and Language Processing. 20(6), 1759-1770. Abstract
(2012).
Melody Extraction from Polyphonic Music Signals: Approaches, Applications and Challenges.
IEEE Signal Processing Magazine. 31(2), 118-134. Abstract
(2014).
Melody Transcription from Music Audio Approaches and Evaluation.
IEEE Transactions on Audio, Speech and Language Processing. 15, 1247-1256. Abstract
(2007).
Multi-feature beat tracking.
IEEE/ACM Transactions on Audio, Speech, and Language Processing. 22(4), 816 - 825 . Abstract
(2014).
Multimedia Technologies for Enriched Music Performance, Production and Consumption.
IEEE Mutlimedia Magazine . 24(01), 20-23. Abstract
(2017).
Music Information Retrieval: Recent Developments and Applications.
Foundations and Trends in Information Retrieval. 8(2-3), 127-261. Abstract
(2014).
On the Interrelation between Listener Characteristics and the Perception of Emotion in Classical Orchestra Music.
IEEE Transactions on Affective Computing. Abstract
(2017).
Open Broadcast Media Audio from TV: A Dataset of TV Broadcast Audio with Relative Music Loudness Annotations.
Transactions of the International Society for Music Information Retrieval (TISMIR). 2(1), 43-51. Abstract
(2019).
Performance-based Interpreter Identification in Saxophone Audio Recordings.
IEEE Transactions on Circuits and Systems for Video Technology. 17, 356-364. Abstract
(2007).
Score-Informed Source Separation for Multichannel Orchestral Recordings.
Journal of Electrical and Computer Engineering. 2016, Abstract
(2016).
Semantic audio content-based music recommendation and visualization based on user preference examples.
Information Processing & Management. 49(1), 13-33. Abstract
(2013).
Statistical analysis of chroma features in western music predicts human judgments of tonality.
Journal of New Music Research. 37(4), 299-309. Abstract
(2008).
Tecnologías para el análisis del contenido musical de archivos sonoros y para la generación de nuevos metadatos.
Boletín de la Asocación Española de Documentación Musical. 14, 28-38. Abstract
(2011).
Tonal description of polyphonic audio for music content processing.
INFORMS Journal on Computing, Special Cluster on Computation in Music. 18, Abstract
(2006).
Tonal Representations for Music Retrieval: From Version Identification to Query-by-Humming.
International Journal of Multimedia Information Retrieval, special issue on Hybrid Music Information Retrieval. 2(1), 45-58. Abstract
(2013).