Biblio

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Gómez, E., & Herrera P. (2006).  Evaluation and applications of tonal profiles for automatic music tonality description. Abstract
Gomez, E., Blaauw M., Bonada J., Chandna P., & Cuesta H. (2018).  Deep Learning for Singing Processing: Achievements, Challenges and Impact on Singers and Listeners. Keynote speech, 2018 Joint Workshop on Machine Learning for Music. The Federated Artificial Intelligence Meeting (FAIM), a joint workshop program of ICML, IJCAI/ECAI, and AAMAS.
Gómez, E., Grachten M., Amatriain X., & Arcos J. L. (2003).  Melodic characterization of monophonic recordings for expressive tempo transformations. Abstract
Gómez, E. (2000).  Tatouage de Signaux de Musique (Méthodes de synchronisation).
Gómez, E. (2005).  Key estimation from polyphonic audio. Abstract
Gómez, E., Grachten M., Hanjalic A., Janer J., Jordà S., Julià C. F., et al. (2013).  PHENICX: Performances as Highly Enriched aNd Interactive Concert Experiences. SMAC Stockholm Music Acoustics Conference 2013, SMC Sound and Music Computing Conference 2013.
application/pdf iconPHENICX-smac2013-6.0.pdf
Gómez, E., Cano P., Gomes L., Batlle E., & Bonnet M. (2002).  Mixed Watermarking-Fingerprinting Approach for Integrity Verification of Audio Recordings. Abstract
Gómez, E., Bonada J., & Salamon J. (2012).  Automatic Transcription of Flamenco Singing from Monophonic and Polyphonic Music Recordings. III Interdisciplinary Conference on Flamenco Research (INFLA) and II International Workshop of Folk Music Analysis (FMA). Abstract
application/pdf iconINFLA-FMA-Transcription_web.pdf
Gómez, E., & Herrera P. (2008).  Comparative Analysis of Music Recordings from Western and Non-Western traditions by Automatic Tonal Feature Extraction. Empirical Musicology Review. 3(3), 140-156. Abstract
Gómez, E. (2006).  Tonal Description of Music Audio Signals. Department of Information and Communication Technologies. Abstract
Gómez, E., Peterschmitt G., Amatriain X., & Herrera P. (2003).  Content-based melodic transformations of audio for a music processing application. Abstract
Gómez, E., Cañadas F., Salamon J., Bonada J., Vera P., & Cabañas P. (2012).  Predominant Fundamental Frequency Estimation vs Singing Voice Separation for the Automatic Transcription of Accompanied Flamenco Singing. 13th International Society for Music Information Retrieval Conference (ISMIR 2012). Abstract
application/pdf iconMTGUJA-ISMIR2012-FINAL.pdf
Gómez, E., Herrera P., & Gómez-Martín F. (2013).  Computational Ethnomusicology: perspectives and challenges. Journal of New Music Research. 42(2), 111-112.
Gómez, E., Gouyon F., Herrera P., & Amatriain X. (2003).  Using and enhancing the current MPEG-7 standard for a music content processing tool. Abstract
Gómez, E. (2006).  Tonal description of polyphonic audio for music content processing. INFORMS Journal on Computing, Special Cluster on Computation in Music. 18, Abstract
Gómez, E., Schedl M., Serra X., & Hu X. (2016).  Music Information Retrieval:
 Overview, Recent Developments and Future Challenges. 17th International Society for Music Information Retrieval (ISMIR) Conference. 11-12. Abstract
Gómez, E., Haro M., & Herrera P. (2009).  Music and geography: content description of musical audio from different parts of the world. 10th International Society for Music Information Retrieval Conference. Abstract
Gómez, P., Pikrakis A., Mora J., Díaz-Báñez J. M., Gómez E., Escobar Borrego F., et al. (2012).  Automatic Detection of Melodic Patterns in Flamenco Singing by Analyzing Polyphonic Music Recordings. III Interdisciplinary Conference on Flamenco Research (INFLA) and II International Workshop of Folk Music Analysis (FMA). Abstract
Gómez Cañón, J. S., Herrera P., Gómez E., & Cano E. (2019).  The emotions that we perceive in music: the influence of language and lyrics comprehension on agreement. Workshop-Symposium on Research Methods in Music and Emotion. Abstract
Gómez-Martín, F., Díaz-Báñez J. M., Gómez E., & Mora J. (2014).   Flamenco music and its computational study. BRIDGES: Mathematical Connections in Art, Music, and Science.
application/pdf iconCOFLA-Bridges.pdf
Gouyon, F., Herrera P., Gómez E., Cano P., Bonada J., Loscos A., et al. (2008).  Content Processing of Music Audio Signals. (Polotti, P., Rocchesso, D., Ed.).Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing. 83-160. Abstract
Gramunt, N., Desiré, Morera A., Gómez E., Herrera P., Nebot E., et al. (2019).  Lifesoundtrack: an intergenerational musical experience to promote wellbeing in people with dementia while increasing community awareness. 14th​ International Conference on Alzheimer's and Parkinson's Diseases. Abstract
Guastavino, C., Gómez F., Toussaint G., Marandola F., & Gómez E. (2009).  Measuring Similarity between Flamenco Rhythmic Patterns. Journal of New Music Research. 38(2), 129-138. Abstract
application/pdf iconGuastavinoEtAlJNMR2009.pdf
Guaus, E., & Gómez E. (2005).  Storage and Retrieval of relevant information from music master classes. 36th conference of the International Association of Sound and Audiovisual Archives (IASA). Abstract
H
Haro, G. G., Xambó A., Fuhrmann F., Bogdanov D., Gómez E., & Herrera P. (2010).  The Musical Avatar - A visualization of musical preferences by means of audio content description. 5th Audio Mostly Conference: A Conference on Interaction with Sound. Abstract
application/pdf iconavatar_AM2010.pdf
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