Biblio

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Gómez, E., & Herrera P. (2008).  Comparative analysis of music recordings from western and non-western traditions by automatic tonal feature extraction and data mining. 4th Conference on Interdisciplinary Musicology (CIM08).
Gómez, E., Guerrero A., & Rodríguez S. (2018).  CANTE FLAMENCO TECH: Aprendizaje del cante con la ayuda de la tecnología. V Congreso Interdisciplinar INVESTIGACIÓN Y FLAMENCO (INFLA). Abstract
application/pdf iconcante-flamenco-tech.pdf
Gómez, E., Guastavino C., Gómez F., & Bonada J. (2012).  Analyzing Melodic Similarity Judgements in Flamenco a Cappella Singing. International Conference on Music Perception and Cognition.
application/pdf iconICMPC-2012-flamenco.pdf
Gómez, E., Gouyon F., Herrera P., & Amatriain X. (2003).  MPEG-7 for Content-based Music Processing. Abstract
Gómez, E., & Bonada J. (2008).  Automatic Melodic Transcription of Flamenco Singing. Fourth Conference on Interdisciplinary Musicology (CIM08). Abstract
Gómez, E., Klapuri A., & Meudic B. (2003).  Melody Description and Extraction in the Context of Music Content Processing. Journal of New Music Research. 32, Abstract
Gómez, E., Ong B., & Herrera P. (2006).  Automatic Tonal Analysis from Music Summaries for Version Identification. AES 121th Convention. Abstract
Gómez, F., Pikrakis A., Mora J., Díaz-Báñez J. M., & Gómez E. (2011).  Automatic Detection of Ornamentation in Flamenco Music. 4th International Workshop on Machine Learning and Music, Held in Conjunction with the 25th Annual Conference on Neural Information Processing Systems (NIPS 2011).
application/pdf iconMML-paper-2011.pdf
Gómez, E., & Herrera P. (2006).  Evaluation and applications of tonal profiles for automatic music tonality description. Abstract
Gomez, E., Blaauw M., Bonada J., Chandna P., & Cuesta H. (2018).  Deep Learning for Singing Processing: Achievements, Challenges and Impact on Singers and Listeners. Keynote speech, 2018 Joint Workshop on Machine Learning for Music. The Federated Artificial Intelligence Meeting (FAIM), a joint workshop program of ICML, IJCAI/ECAI, and AAMAS.
Gómez, E., & Herrera P. (2004).  Estimating The Tonality Of Polyphonic Audio Files Cognitive Versus Machine Learning Modelling Strategies. 5th International Society for Music Information Retrieval (ISMIR) Conference. 92-95. Abstract
application/pdf iconGómezHerrera-ISMIR-2004-page-92.pdf
Gómez, E. (2000).  Tatouage de Signaux de Musique (Méthodes de synchronisation).
Gómez, E., Grachten M., Amatriain X., & Arcos J. L. (2003).  Melodic characterization of monophonic recordings for expressive tempo transformations. Abstract
Gómez, E. (2005).  Key estimation from polyphonic audio. Abstract
Gómez, E., Bonada J., & Salamon J. (2012).  Automatic Transcription of Flamenco Singing from Monophonic and Polyphonic Music Recordings. III Interdisciplinary Conference on Flamenco Research (INFLA) and II International Workshop of Folk Music Analysis (FMA). Abstract
application/pdf iconINFLA-FMA-Transcription_web.pdf
Gómez, E., Grachten M., Hanjalic A., Janer J., Jordà S., Julià C. F., et al. (2013).  PHENICX: Performances as Highly Enriched aNd Interactive Concert Experiences. SMAC Stockholm Music Acoustics Conference 2013, SMC Sound and Music Computing Conference 2013.
application/pdf iconPHENICX-smac2013-6.0.pdf
Gómez, E., Cano P., Gomes L., Batlle E., & Bonnet M. (2002).  Mixed Watermarking-Fingerprinting Approach for Integrity Verification of Audio Recordings. Abstract
Gómez, E., & Herrera P. (2008).  Comparative Analysis of Music Recordings from Western and Non-Western traditions by Automatic Tonal Feature Extraction. Empirical Musicology Review. 3(3), 140-156. Abstract
Gómez Cañón, J. S., Herrera P., Gómez E., & Cano E. (2019).  The emotions that we perceive in music: the influence of language and lyrics comprehension on agreement. Workshop-Symposium on Research Methods in Music and Emotion. Abstract
Gómez-Martín, F., Díaz-Báñez J. M., Gómez E., & Mora J. (2014).   Flamenco music and its computational study. BRIDGES: Mathematical Connections in Art, Music, and Science.
application/pdf iconCOFLA-Bridges.pdf
Gouyon, F., Herrera P., Gómez E., Cano P., Bonada J., Loscos A., et al. (2008).  Content Processing of Music Audio Signals. (Polotti, P., Rocchesso, D., Ed.).Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing. 83-160. Abstract
Gramunt, N., Desiré, Morera A., Gómez E., Herrera P., Nebot E., et al. (2019).  Lifesoundtrack: an intergenerational musical experience to promote wellbeing in people with dementia while increasing community awareness. 14th​ International Conference on Alzheimer's and Parkinson's Diseases. Abstract
Guastavino, C., Gómez F., Toussaint G., Marandola F., & Gómez E. (2009).  Measuring Similarity between Flamenco Rhythmic Patterns. Journal of New Music Research. 38(2), 129-138. Abstract
application/pdf iconGuastavinoEtAlJNMR2009.pdf
Guaus, E., & Gómez E. (2005).  Storage and Retrieval of relevant information from music master classes. 36th conference of the International Association of Sound and Audiovisual Archives (IASA). Abstract
H
Haro, G. G., Xambó A., Fuhrmann F., Bogdanov D., Gómez E., & Herrera P. (2010).  The Musical Avatar - A visualization of musical preferences by means of audio content description. 5th Audio Mostly Conference: A Conference on Interaction with Sound. Abstract
application/pdf iconavatar_AM2010.pdf
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