Biblio
Filters: Author is Emilia Gómez [Clear All Filters]
Visual music transcription of clarinet video recordings trained with audio-based labelled data.
ICCV 2017 Workshop on Computer Vision for Audio-Visual Media (CVAVM). Abstract
(2017).
Using Voice Suppression Algorithms to improve Beat Tracking in the Presence Of Highly Predominant Volcals.
International Conference on Acoustics, Speech, and Signal Processing (ICASSP 2013). Abstract
(2013).
Combination of Audio Tempo Estimation Approaches (MIREX 2011 Submission).
6th Music Information Retrieval Evaluation eXchange (MIREX). Abstract
(2011).
MIREX 2012: MULTI FEATURE BEAT TRACKER (ZDG1 AND ZDG2).
7th Music Information Retrieval Evaluation eXchange (MIREX). Abstract
(2012).
Improving Beat Tracking in the presence of highly predominant vocals using source separation techniques: Preliminary study.
The 9th International Symposium on Computer Music Modeling and Retrieval (CMMR) . 583-590.
(2012).
Comparative evaluation and combination of automatic rhythm description systems.
Department of Information and Communication Technologies. Abstract
(2013).
Multi-feature beat tracking.
IEEE/ACM Transactions on Audio, Speech, and Language Processing. 22(4), 816 - 825 . Abstract
(2014).
Da-TACOS: A dataset for cover song identification and understanding.
International Society for Music Information Retrieval (ISMIR). Abstract
(2019).
Music classification using high-level models.
Music Information Retrieval Evaluation eXchange (MIREX) extended abstract. Abstract
(2010).
(2015).
What is the Effect of Audio Quality on the Robustness of MFCCs and Chroma Features?.
15th International Society for Music Information Retrieval Conference. 573-578. Abstract
(2014).
Correlations Between Musical Descriptors and Emotions Recognized in Beethoven’s Eroica.
Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM). Abstract
(2015).
Forum on transcription.
Twentieth-Century Music. 11(1), 101-161.
(2014).
Automatic musical instrument recognition in audiovisual recordings by combining image and audio classification strategies.
13th Sound and Music Computing Conference (SMC 2016). Abstract
(2016).
Musical Instrument Recognition in User-generated Videos using a Multimodal Convolutional Neural Network Architecture.
ACM International Conference on Multimedia Retrieval. Abstract
(2017).
Correspondence between audio and visual deep models for musical instrument detection in video recordings.
18th International Society for Music Information Retrieval Conference (ISMIR2017, LBD). Abstract
(2017).
End-to-End Sound Source Separation Conditioned On Instrument Labels.
2019 International Conference on Acoustics, Speech, and Signal Processing. Abstract
(2019).
Audio cover song identification based on tonal sequence alignment .
IEEE International Conference on Acoustics, Speech and Signal processing (ICASSP). 61-64. Abstract
(2008).
A cover song identification system based on sequences of tonal descriptors.
Music Information Retrieval Evaluation eXchange (MIREX) extended abstract. Abstract
(2007).
Chroma Binary Similarity and Local Alignment Applied to Cover Song Identification.
IEEE Transactions on Audio, Speech and Language Processing. 16(6), 1138-1151. Abstract
(2008).
Audio cover song identification and similarity: background, approaches, evaluation, and beyond.
( , Ed.).Advances in Music Information Retrieval. 274, 307-332. Abstract
(2010).
Statistical analysis of chroma features in western music predicts human judgments of tonality.
Journal of New Music Research. 37(4), 299-309. Abstract
(2008).
Improving binary similarity and local alignment for cover song detection.
Music Information Retrieval Evaluation eXchange (MIREX) extended abstract. Abstract
(2008).
Transposing Chroma Representations to a Common Key.
IEEE CS Conference on The Use of Symbols to Represent Music and Multimedia Objects. 45-48. Abstract
(2008).