Biblio

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Slizovskaia, O., Gómez E., & Haro G. G. (2016).  Automatic musical instrument recognition in audiovisual recordings by combining image and audio classification strategies. 13th Sound and Music Computing Conference (SMC 2016). Abstract
application/pdf iconpostprint version
Gómez, E., & Bonada J. (2008).  Automatic Melodic Transcription of Flamenco Singing. Fourth Conference on Interdisciplinary Musicology (CIM08). Abstract
Gómez, E., & Herrera P. (2004).  Automatic Extraction of Tonal Metadata from Polyphonic Audio Recordings. AES. Abstract
Ong, B., Gómez E., & Streich S. (2006).  Automatic Extraction of Musical Structure Using Pitch Class Distribution Features. Abstract
Gómez, F., Pikrakis A., Mora J., Díaz-Báñez J. M., & Gómez E. (2011).  Automatic Detection of Ornamentation in Flamenco Music. 4th International Workshop on Machine Learning and Music, Held in Conjunction with the 25th Annual Conference on Neural Information Processing Systems (NIPS 2011).
application/pdf iconMML-paper-2011.pdf
Gómez, P., Pikrakis A., Mora J., Díaz-Báñez J. M., Gómez E., Escobar Borrego F., et al. (2012).  Automatic Detection of Melodic Patterns in Flamenco Singing by Analyzing Polyphonic Music Recordings. III Interdisciplinary Conference on Flamenco Research (INFLA) and II International Workshop of Folk Music Analysis (FMA). Abstract
Puiggròs, M., Gómez E., Ramirez R., Serra X., & Bresin R. (2006).  Automatic characterization of ornamentation from bassoon recordings for expressive synthesis. 9th International Conference on Music Perception and Cognition. Abstract
Maestre, E., & Gómez E. (2005).  Automatic characterization of dynamics and articulation of expressive monophonic recordings. AES 118th Convention. Abstract
Gomes, L., Cano P., Gómez E., Bonnet M., & Batlle E. (2003).  Audio Watermarking and Fingerprinting For Which Applications?. Journal of New Music Research. 32, Abstract
Cano, P., Batlle E., Gómez E., Gomes L., & Bonnet M. (2005).  Audio Fingerprinting Concepts and Applications.. 233-245. Abstract
Cano, P., Gómez E., Batlle E., Gomes L., & Bonnet M. (2002).  Audio Fingerprinting Concepts and Applications. Abstract
Serrà, J., & Gómez E. (2008).  Audio cover song identification based on tonal sequence alignment . IEEE International Conference on Acoustics, Speech and Signal processing (ICASSP). 61-64. Abstract
Serrà, J., Gómez E., & Herrera P. (2010).  Audio cover song identification and similarity: background, approaches, evaluation, and beyond. (Ras, Z., A. A. Wieczorkowska, Ed.).Advances in Music Information Retrieval. 274, 307-332. Abstract
application/pdf iconjserra10coveridreview.pdf
Cabrera, J. J., Díaz-Báñez J. M., Escobar Borrego F., Gómez E., Gómez F., & Mora J. (2009).  Aproximación interdisciplinar al análisis melódico de los cantes a capella. I Congreso Interdisciplinar Investigación y Flamenco.
application/pdf iconcofla-INFLA2009.pdf
Valero-Mas, J. J., Salamon J., & Gómez E. (2015).  Analyzing the influence of pitch quantization and note segmentation on singing voice alignment in the context of audio-based Query-by-Humming. Sound and Music Computing Conference.
application/pdf iconValero-Salamon-Gomez-SMC2015.pdf
Gómez, E., Guastavino C., Gómez F., & Bonada J. (2012).  Analyzing Melodic Similarity Judgements in Flamenco a Cappella Singing. International Conference on Music Perception and Cognition.
application/pdf iconICMPC-2012-flamenco.pdf
Salamon, J., Bittner R., Bonada J., Bosch J. J., Gómez E., & Bello J. P. (2017).  An Analysis/Synthesis Framework for Automatic F0 Annotation of Multitrack Datasets. 18th International Society for Music Information Retrieval Conference. Abstract
application/pdf icon164_Paper.pdf
Cuesta, H., Gómez E., Martorell A., & Loáiciga F. (2018).  Analysis of Intonation in Unison Choir Singing. 15th International Conference on Music Perception and Cognition (ICMPC).
Schedl, M., Eghbal-Zadeh H., Gómez E., & Tkalcic M. (2016).  An analysis of agreement in classical music perception and its relationship to listener characteristics. 17th International Society for Music Information Retrieval Conference (ISMIR 2016). 578-583. Abstract
Fonseca, E., Gong R., Bogdanov D., Slizovskaia O., Gomez E., & Serra X. (2017).  Acoustic scene classification by ensembling gradient boosting machine and convolutional neural networks. Workshop on Detection and Classification of Acoustic Scenes and Events. Abstract
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Porcaro, L., & Gómez E. (2019).  20 Years of Playlists: A Statistical Analysis on Popularity and Diversity. 20th Conference of the International Society for Music Information Retrieval (ISMIR 2019). Abstract
Pauwels, J., O’Hanlon K., Gómez E., & Sandler M. B. (2019).  20 Years of automatic chord recognition from audio. International Society for Music Information Retrieval (ISMIR). Abstract
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Herrera, P., & Gómez E. (2015).   Life Soundtracking: promises and challenges of automated systems aimed to recovering meaningful music for Alzheimer's patients. International Workshop on Quantitative and Qualitative Music Therapy Research. 19. Abstract
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Molina-Solana, M., Arcos J. L., & Gómez E. (2010).   Identifying violin performers by their expressive trends . Intelligent Data Analysis. 14(5), 555-571. Abstract
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Gómez-Martín, F., Díaz-Báñez J. M., Gómez E., & Mora J. (2014).   Flamenco music and its computational study. BRIDGES: Mathematical Connections in Art, Music, and Science.
application/pdf iconCOFLA-Bridges.pdf
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