Biblio
] Filters: Author is Emilia Gómez [Clear All Filters]
(2016). Score-Informed Source Separation for Multichannel Orchestral Recordings.
Journal of Electrical and Computer Engineering. 2016, Abstract
(2017). Monaural score-informed source separation for classical music using convolutional neural networks.
18th International Society for Music Information Retrieval Conference.
(2017). Generating data to train convolutional neural networks for classical music source separation.
Proceedings of the 14th Sound and Music Computing Conference. 227-233.
(2018). Source Separation Methods for Orchestral Music: Timbre-Informed and Score-Informed Strategies.
Department of Information and Communication Technologies. 299. Abstract
(2013). Fundamental frequency alignment vs note-based melodic similarity for singing voice assessment.
8th IEEE International Conference on Acoustics, Speech, and Signal Processing (ICASSP).
(2010). Identifying violin performers by their expressive trends .
Intelligent Data Analysis. 14(5), 555-571. Abstract
(2008). Learning Violinist's Expressive Trends .
International Workshop on Machine Learning and Music, Held in conjunction with ICML/COLT/UAI 2008. Abstract
(2008). Using Expressive Trends For Identifying Violin Performers.
International Conference on Music Information Retrieval. Abstract
(2010). Melodic Characterization and Similarity in A Cappella Flamenco Cantes.
International Society for Music Information Retrieval Conference (ISMIR) . Abstract
(2016). Melodic Contour and Mid-Level Global Features Applied to the Analysis of Flamenco Cantes.
Journal of New Music Research . Abstract
(2014). There are places I remember: Personalized automatic creation of music playlists for Alzheimer’s patients.
The Neurosciences and Music V.
(2015). FlaBase: Towards the Creation of a Flamenco Music Knowledge Base.
16th International Society for Music Information Retrieval Conference. Abstract
(2019). 20 Years of automatic chord recognition from audio.
International Society for Music Information Retrieval (ISMIR). Abstract
(2001). Pitch-based Solo Location.
Abstract
(2012). Tracking Melodic Patterns in Flamenco Singing by Analyzing Polyphonic Music Recordings.
13th International Society for Music Information Retrieval Conference (ISMIR 2012). Abstract
(2007). Melody Transcription from Music Audio Approaches and Evaluation.
IEEE Transactions on Audio, Speech and Language Processing. 15, 1247-1256. Abstract
(2017). Timbre Analysis of Music Audio Signals with Convolutional Neural Networks.
25th European Signal Processing Conference (EUSIPCO).
(2019). A Model for Evaluating Popularity and Semantic Information Variations in Radio Listening Sessions.
1st Workshop on the Impact of Recommender Systems (ImpactRS), at the 13th ACM Conference on Recommender Systems (RecSys 2019). Abstract
(2019). Music recommendation diversity: a tentative framework and preliminary results.
20th annual conference of the International Society for Music Information Retrieval (ISMIR). Abstract
(2019). 20 Years of Playlists: A Statistical Analysis on Popularity and Diversity.
20th Conference of the International Society for Music Information Retrieval (ISMIR 2019). Abstract
(2006). Automatic characterization of ornamentation from bassoon recordings for expressive synthesis.
9th International Conference on Music Perception and Cognition. Abstract
(2006). Modeling Expressive Music Performance in Bassoon Audio Recordings.
Intelligent Computing in Signal Processing and Pattern Recognition. 345, 951-957.
(2004). Understanding expressive transformations in saxophone jazz performances using inductive machine learning.
Sound and Music Computing Conference. Abstract
(2007). Performance-based Interpreter Identification in Saxophone Audio Recordings.
IEEE Transactions on Circuits and Systems for Video Technology. 17, 356-364. Abstract
