Biblio
] Filters: Author is Emilia Gómez [Clear All Filters]
(2016). Music Information Retrieval:
Overview, Recent Developments and Future Challenges.
17th International Society for Music Information Retrieval (ISMIR) Conference. 11-12. Abstract
(2014). Music Information Retrieval: Recent Developments and Applications.
Foundations and Trends in Information Retrieval. 8(2-3), 127-261. Abstract
(2010). Music classification using high-level models.
Music Information Retrieval Evaluation eXchange (MIREX) extended abstract. Abstract
(2009). Music and geography: content description of musical audio from different parts of the world.
10th International Society for Music Information Retrieval Conference. Abstract
(2017). Multimedia Technologies for Enriched Music Performance, Production and Consumption.
IEEE Mutlimedia Magazine . 24(01), 20-23. Abstract
(2006). A Multilingual Web-based Educational System for Professional Musicians.
(, Ed.).Current Developments in Technology-Assisted Education, Proceedings of Fourth International Conference on Multimedia and Information and Communication Technologies in Education. Abstract
(2018). A multidisciplinary task-based perspective for evaluating the impact of AI autonomy and generality on the future of work.
Workshop on architectures and evaluation for generality, autonomy and progress in AI, IJCAI-ECAI 2018, AAMAS 2018 AND ICML 2018.
(2014). Multi-feature beat tracking.
IEEE/ACM Transactions on Audio, Speech, and Language Processing. 22(4), 816 - 825 . Abstract
(2005). Mucosa a music content semantic annotator.
6th International Conference on Music Information Retrieval (2005). Abstract
(2017). Monoaural Audio Source Separation Using Deep Convolutional Neural Networks.
13th International Conference on Latent Variable Analysis and Signal Separation (LVA ICA2017).
(2017). Monaural score-informed source separation for classical music using convolutional neural networks.
18th International Society for Music Information Retrieval Conference.
(2006). Modeling Expressive Music Performance in Bassoon Audio Recordings.
Intelligent Computing in Signal Processing and Pattern Recognition. 345, 951-957.
(2019). A Model for Evaluating Popularity and Semantic Information Variations in Radio Listening Sessions.
1st Workshop on the Impact of Recommender Systems (ImpactRS), at the 13th ACM Conference on Recommender Systems (RecSys 2019). Abstract
(2012). MIREX 2012: MULTI FEATURE BEAT TRACKER (ZDG1 AND ZDG2).
7th Music Information Retrieval Evaluation eXchange (MIREX). Abstract
(2018). MIRages: an account of music audio extractors, semantic description and context-awareness, in the three ages of MIR.
Information and Communication Technologies. 241+xiii. Abstract
(2014). MIR.EDU: AN OPEN-SOURCE LIBRARY FOR TEACHING SOUND AND MUSIC DESCRIPTION.
International Society for Music Information Retrieval conference. Late Breaking Demo.
(2015). Melovizz: A Web-based tool for Score-Informed Melody Extraction Visualization.
ISMIR (Late Breaking Demo).
(2012). Melody, Bass Line, and Harmony Representations for Music Version Identification.
21st International World Wide Web Conference (WWW 2012): 4th International Workshop on Advances in Music Information Research (AdMIRe 2012). Abstract
(2007). Melody Transcription from Music Audio Approaches and Evaluation.
IEEE Transactions on Audio, Speech and Language Processing. 15, 1247-1256. Abstract
(2014). Melody extraction in symphonic classical music: a comparative study of mutual agreement between humans and algorithms.
9th Conference on Interdisciplinary Musicology – CIM14.
(2011). Melody Extraction from Polyphonic Music: MIREX 2011.
6th Music Information Retrieval Evaluation eXchange (MIREX 2011) extended abstract. Abstract
(2014). Melody Extraction from Polyphonic Music Signals: Approaches, Applications and Challenges.
IEEE Signal Processing Magazine. 31(2), 118-134. Abstract
