Biblio

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C
Cano, P., Koppenberger M., Ferradans S., Martinez A., Gouyon F., Sandvold V., et al. (2004).  MTG-DB A Repository for Music Audio Processing. Abstract
Cano, P., Koppenberger M., Wack N., G. Mahedero J., Aussenac T., Marxer R., et al. (2005).  Content-based Music Audio Recommendation. ACM Multimedia. Abstract
Cano, P., Fabig L., Gouyon F., Koppenberger M., Loscos A., & Barbosa A. (2004).  Semi-Automatic Ambiance Generation. Abstract
Cano, P., Koppenberger M., Wack N., G. Mahedero J., Masip J., Celma Ò., et al. (2005).  An Industrial-Strength Content-based Music Recommendation System. 28th Annual International ACM SIGIR Conference. Abstract
Cano, P., Kaltenbrunner M., Gouyon F., & Batlle E. (2002).  On the use of Fastmap for audio information retrieval and browsing. Abstract
Cano, P., Gómez E., Gouyon F., Herrera P., Koppenberger M., Ong B., et al. (2006).  ISMIR 2004 Audio Description Contest. Abstract
Celma, Ò., Gómez E., Janer J., Gouyon F., Herrera P., & Garcia D. (2004).  Tools for Content-Based Retrieval and Transformation of Audio Using MPEG-7 The SPOffline and the MDTools. 25th AES International Conference. Metadata for Audio. Abstract
D
Dixon, S., Gouyon F., & Widmer G. (2004).  Towards Characterisation of Music via Rhythmic Patterns. Abstract
Domingues, M. A., Gouyon F., Jorge A. M., Leal J. P., Vinagre J., Lemos L., et al. (2013).  Combining Usage and Content in an Online Recommendation System for Music in the Long-Tail. International Journal of Multimedia Information Retrieval. 2(Hybrid Music Information Retrieval), 3-13. Abstract
Domingues, M. A., Gouyon F., Jorge A. M., Leal J. P., Vinagre J., Lemos L., et al. (2012).  Combining Usage and Content in an Online Music Recommendation System for Music in the Long-Tail. 4th International Workshop on Advances in Music Information Research.
G
G. Mahedero, J., Cano P., Martinez A., Gouyon F., & Koppenberger M. (2005).  Natural language processing of lyrics. Abstract
Gómez, E., Gouyon F., Herrera P., & Amatriain X. (2003).  MPEG-7 for Content-based Music Processing. Abstract
Gómez, E., Gouyon F., Herrera P., & Amatriain X. (2003).  Using and enhancing the current MPEG-7 standard for a music content processing tool. Abstract
Gouyon, F., Widmer G., Serra X., & Flexer A. (2006).  Acoustic Cues to Beat Induction. A Machine Learning Perspective. Music Percepcion. UCPress. 24, 177-188. Abstract
Gouyon, F., Herrera P., Martins L. G., & Müller M. (2012).  Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012.
Gouyon, F., Dixon S., Pampalk E., & Widmer G. (2004).  Evaluating rhythmic descriptors for musical genre classification. Abstract
Gouyon, F., & Herrera P. (2003).  Determination of the Meter of musical audio signals Seeking recurrences in beat segment descriptors. Abstract
Gouyon, F., Widmer G., & Serra X. (2005).  Acoustic Cues to Beat Induction A Machine Learning Perspective. 10th Rhythm Perception and Production Workshop. 24(2), 177-188. Abstract
Gouyon, F. (2000).  Extraction de descripteurs rythmiques dans des extraits de musiques populaires polyphoniques. Abstract
Gouyon, F., & Herrera P. (2001).  Exploration of techniques for automatic labeling of audio drum tracks instruments. Abstract
Gouyon, F., Herrera P., Gómez E., Cano P., Bonada J., Loscos A., et al. (2008).  Content Processing of Music Audio Signals. (Polotti, P., Rocchesso, D., Ed.).Sound to Sense, Sense to Sound: A State of the Art in Sound and Music Computing. 83-160. Abstract
Gouyon, F. (2005).  A computational approach to rhythm description --- Audio features for the computation of rhythm periodicity functions and their use in tempo induction and music content processing. Department of Information and Communication Technologies. Abstract
Gouyon, F., & Herrera P. (2003).  A beat induction method for musical audio signals. 4th WIAMIS - Special session on audio segmentation and digital music. Abstract
Gouyon, F. (1999).  Detection and Modeling of transient regions in musical signals. Abstract
Gouyon, F., Herrera P., & Cano P. (2002).  Pulse-dependent analyses of percussive music. Abstract
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