Biblio

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2012
Adiloglu, K., Anniés R., Wahlen E., Purwins H., & Obermayer K. (2012).  A Graphical Representation and Dissimilarity Measure for Basic Everyday Sound Events. IEEE Transactions on Audio, Speech, and Language Processing. Abstract
application/pdf iconAdiloglu_etal_TASP_DissimSounds.pdf
2009
Adiloglu, K., Anniés R., Purwins H., & Obermayer K. (2009).  Visualisation and Measurement Assisted Design . Abstract
application/pdf iconAdiloglu_et_al_CLOSED_Deliverable5.2.pdf
2008
Adiloglu, K., Anniés R., Purwins H., & Obermayer K. (2008).  Representations and Predictors for Everyday Sounds .
2007
Anniés, R., Martínez E., Adiloglu K., Purwins H., & Obermayer K. (2007).  Classification Schemes for Step Sounds Based on Gammatone-Filters. NIPS-Workshop Music, Brain, & Cognition. Abstract
Martínez, E., Adiloglu K., Anniés R., Purwins H., & Obermayer K. (2007).  Perceptual Representations for Classification of Everyday Sounds. Audio Mostly . Abstract
Purwins, H., Blankertz B., & Obermayer K. (2007).  Toroidal Models in Tonal Theory and Pitch-Class Analysis. Computing in Musicology (Tonal Theory for the Digital Age ). 15, 73–98. Abstract
2006
Susini, P., Misdariis N., Lemaitre G., Houix O., Rocchesso D., Polotti P., et al. (2006).  Closing the loop of sound evaluation and design. Perceptual Quality of Systems. Abstract
2005
Purwins, H., Normann I., & Obermayer K. (2005).  Unendlichkeit - Konstruktion akustischer Paradoxien. (Manfred Stahnke, Ed.).Mikrotöne und mehr – Auf György Ligetis Hamburger Pfaden. 39-80.
2004
Purwins, H., Graepel T., Blankertz B., & Obermayer K. (2004).  Correspondence analysis for visualizing interplay of pitch class, key, and composer. (Guerino Mazzola, Thomas Noll, Emilio Luis-Puebla, Ed.).Perspectives in Mathematical and Computational Music Theory. 432-454. Abstract
Purwins, H., Blankertz B., Dornhege G., & Obermayer K. (2004).  Scale Degree Profiles from Audio Investigated with Machine Learning. Audio Engineering Society Convention. Abstract
2002
Purwins, H., Blankertz B., & Obermayer K. (2002).  Automated Harmonic Music Analysis. International Neuroscience Summit.
2001
Purwins, H., Blankertz B., & Obermayer K. (2001).  Constant Q Profiles for Tracking Modulations in Audio Data. International Computer Music Conference. 407-410.
Normann, I., Purwins H., & Obermayer K. (2001).  Oktavambiguität als Konkurrenz zwischen Tonhöhe und Klangfarbe. DAGA. Abstract
Normann, I., Purwins H., & Obermayer K. (2001).  Spectrum of Pitch Differences Models the Perception of Octave Ambiguous Tones. International Computer Music Conference. 274-276. Abstract
2000
Purwins, H., Blankertz B., & Obermayer K. (2000).  Computing auditory perception. Organised Sound. 5(3), 159-171. Abstract
Purwins, H., Blankertz B., & Obermayer K. (2000).  A new method for tracking modulations in tonal music in audio data format. International Joint Conference on Neural Network (IJCNN'00). 6, 270-275. Abstract
1999
Blankertz, B., Purwins H., & Obermayer K. (1999).  Constant Q profiles and toroidal models of inter-key relations. CCRMA affiliates meeting.
Blankertz, B., Purwins H., & Obermayer K. (1999).  Toroidal models of inter-key relations in tonal music. VI. International Conference on Systematic and Comparative Musicology. Abstract
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