Biblio

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2011
Zapata, J., & Gómez E. (2011).  Comparative evaluation and combination of audio tempo estimation approaches. (Audio Engineering Society, Ed.).AES 42nd Conference on Semantic Audio. Abstract
application/pdf iconAudio_tempo_comparison_Zapata_Gomez.pdf
application/pdf iconPoster_AES_42_Tempo_comparison_2011.pdf
Scholler, S., & Purwins H. (2011).  Sparse Approximations for Drum Sound Classification. IEEE Journal of Selected Topics in Signal Processing. 5(5), 933 - 940. Abstract
video/quicktime iconatomic_function_learning.mov
application/pdf iconScholler_Purwins_IEEE_JSTSP_2011_SparseDrumClass.pdf
application/zip iconsparse_classification_code.zip
Mealla, S., Väljamäe A., Bosi M., & Jordà S. (2011).  Sonification of Brain and Body Signals in Collaborative Tasks Using a Tabletop Musical Interface. International Conference on Auditory Display (ICAD). Abstract
application/pdf iconbrain_and_body_sonif_camera_ready.pdf
Vinceslas, L., Garcia F., Pérez A., & Maestre E. (2011).  Mapping Blowing Pressure and Sound Features in Recorder Playing. DAFX. 357-360. Abstract
application/pdf icon37_e.pdf
Salamon, J., Gómez E., & Bonada J. (2011).  Sinusoid Extraction and Salience Function Design for Predominant Melody Estimation. Proc. of the 14th Int. Conference on Digital Audio Effects (DAFx-11). 73-80. Abstract
application/pdf iconSalamonGomezBonada_DAFx11.pdf
Papiotis, P., Maestre E., Marchini M., & Pérez A. (2011).  Synchronization of intonation adjustments in violin duets: towards an objective evaluation of musical interaction. Proc. of the 14th Int. Conference on Digital Audio Effects (DAFx-11). Abstract
Gómez, F., Pikrakis A., Mora J., Díaz-Bañez J. M., & Gómez E. (2011).  Automatic Detection of Ornamentation in Flamenco Music. 4th International Workshop on Machine Learning and Music, Held in Conjunction with the 25th Annual Conference on Neural Information Processing Systems (NIPS 2011).
application/pdf iconMML-paper-2011.pdf
Martorell, A., & Gómez E. (2011).  Two-Dimensional Visual Inspection of Pitch-Space, Many Time-Scales and Tonal Uncertainty Over Time. 3rd International Conference on Mathematics and Computation in Music (MCM 2011). Abstract
application/pdf iconmcm2011-2.pdf
Bogdanov, D., Haro M., Fuhrmann F., Xambó A., Gómez E., & Herrera P. (2011).  A Content-based System for Music Recommendation and Visualization of User Preferences Working on Semantic Notions. 9th International Workshop on Content-based Multimedia Indexing. Abstract
application/pdf iconBogdanov-et-al-CBMI2011.pdf
Ioannidis, L., Gómez E., & Herrera P. (2011).  Tonal-based retrieval of Arabic and Middle-East music by automatic makam description. 9th International Workshop on Content-based Multimedia Indexing. Abstract
application/pdf iconcbmi2011_submission_13-5.pdf
Serrà, J., Kantz H., Serra X., & Andrzejak R. G. (2011).  Predictability of music descriptor time series and its application to cover song detection. IEEE Transactions on Audio, Speech, and Language Processing. 20(2), 514-525. Abstract
application/pdf iconIEEEPredictabilitySupplementary.pdf
application/pdf iconjserra11predictability.pdf
Sordo, M. (2011).  Semantic Annotation of Music Collections: A Computational Approach. 239. Abstract
Font, F., & Serra X. (2011).  Extending Sound Sample Descriptions through the Extraction of Community Knowledge. User Modeling, Adaptation and Personalization. LNCS 6787, 418-421. Abstract
application/pdf iconumap_final.pdf
Müller, M., & Serrà J. (2011).  Audio content-based music retrieval. Int. Soc. for Music Information Retrieval Conf. (ISMIR). Abstract
application/pdf icon2011_MuellerSerra_TutorialProposal-AudioRetrieval_ISMIR.pdf
Laurier, C. (2011).  Automatic Classification of Musical Mood by Content-Based Analysis. Abstract
application/pdf iconPhD_Cyril_Laurier_2011_Music_Mood_Classification.pdf
Kersten, S., & Purwins H. (2011).  Hybrid sparse models of water stream texture sounds. Audio-graphic Sound Synthesis Workshop at the 14th International Conference on Digital Audio Effects (DAFx).
Marxer, R. (2011).  Signal decomposition by a joint pitch, timbre and wideband model.
application/pdf iconsignal_decomposition.pdf
Pérez, A., Bonada J., Pätynen J., & Välimäki V. (2011).  Method for measuring violin sound radiation based on bowed glissandi and its application to sound synthesis. Journal of the Acoustical Society of America. 130(2), 1020-1029. Abstract
Bogdanov, D., Serrà J., Wack N., Herrera P., & Serra X. (2011).  Unifying Low-level and High-level Music Similarity Measures. IEEE Transactions on Multimedia. 13(4), 687-701 . Abstract
application/pdf iconbogadnov_IEEETMult2011.pdf
Mealla, S., Väljamäe A., Bosi M., & Jordà S. (2011).  Let Me Listen to Your Brain: Physiology-based Interaction in Collaborative Music Composition. Brain and Body Interfaces Workshop. ACM CHI Conference on Human Factors in Computing Systems. Abstract
application/pdf iconCHI2011_mealla.pdf
Mealla, S., Väljamäe A., & Jordà S. (2011).  Implicit Interaction in Collaborative Music Performances. FutureBNCI. 1.
application/pdf iconFutureBNCI-RAVE11-submission.pdf
Mayor, O., Bonada J., & Janer J. (2011).  Audio Transformation Technologies Applied to Video Games. 41st AES Conference: Audio for Games. Abstract
application/pdf iconaes41_AudioTransformationInVideoGames.pdf
Janer, J., Kersten S., Schirosa M., & Roma G. (2011).  An online platform for interactive soundscapes with user-contributed content. AES 41st International Conference on Audio for Games. Abstract
Molina, P., Haro M., & Jordà S. (2011).  BeatJockey: A new tool for enhancing DJ skills. New Interfaces for Musical Expression (NIME). 288-291. Abstract
application/pdf iconG20-Molina.pdf
Sarasúa, Á. (2011).  Active Learning for User-Tailored Refined Music Mood Detection. Abstract
application/pdf iconSarasua-Alvaro-Master-thesis-2011.pdf
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