Biblio
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(Submitted). General-purpose Tagging of Freesound Audio with AudioSet Labels: Task Description, Dataset, and Baseline.
Workshop on Detection and Classification of Acoustic Scenes and Events. Abstract
(In Press). An open corpus for the computational research of Arab-Andalusian music.
5th International Conference on Digital Libraries for Musicology (DLfM 2018). Abstract
(In Press). Singing voice phoneme segmentation by hierarchically inferring syllable and phoneme onset positions.
Interspeech 2018. Abstract
(In Press). Physiopucks: Increasing User Motivation by Combining Tangible and Implicit Physiological interaction.
Transactions on Computer-Human Interaction (TOCHI).
(2018). Towards a Hybrid Assessment Model For Music Conservatory Entrance Exams.
2nd Int. Conf. on Education and Learning. Abstract
(2018). Automatic makam recognition using chroma features.
International Workshop on Folk Music Analysis. Abstract
(2018). Audio-aligned jazz harmony dataset for automatic chord transcription and corpus-based research.
International Society for Music Information Retrieval Conference. Abstract
(2018). Transfer Learning of Artist Group Factors to Musical Genre Classification.
WWW ’18 The Web Conference 2018. Abstract
(2018). A multidisciplinary task-based perspective for evaluating the impact of AI autonomy and generality on the future of work.
Workshop on architectures and evaluation for generality, autonomy and progress in AI, IJCAI-ECAI 2018, AAMAS 2018 AND ICML 2018.
(2018). MusicCritic: A technological framework to support online music teaching for large audiences.
33rd World Conference of International Society For Music Education (ISME). Abstract
(2018). Deep Learning for Singing Processing: Achievements, Challenges and Impact on Singers and Listeners.
Keynote speech, 2018 Joint Workshop on Machine Learning for Music. The Federated Artificial Intelligence Meeting (FAIM), a joint workshop program of ICML, IJCAI/ECAI, and AAMAS.
(2018). Natural Language Processing for Music Knowledge Discovery.
Journal of New Music Research. Abstract
(2018). CANTE FLAMENCO TECH: Aprendizaje del cante con la ayuda de la tecnología.
V Congreso Interdisciplinar INVESTIGACIÓN Y FLAMENCO (INFLA).
(2018). Makam recognition using extended pitch distribution features and multi-layer perceptrons.
Sound and Music Computing Conference (SMC). Abstract
(2018). Nawba Recognition for Arab-Andalusian Music Using Templates From Music Scores.
Sound and Music Computing Conference. Abstract
(2018). A Simple Fusion of Deep and Shallow Learning for Acoustic Scene Classification.
15th Sound & Music Computing Conference. Abstract
(2018). Connecting Time and Timbre: Computational Methods for Generative Rhythmic Loops in Symbolic and Signal Domains.
Department of Information and Communication Technologies. 257. Abstract
(2018). Tonality Estimation in Electronic Dance Music: A Computational and Musically Informed Examination.
Department of Information and Communication Technologies. 234.
(2018). Source Separation Methods for Orchestral Music: Timbre-Informed and Score-Informed Strategies.
Department of Information and Communication Technologies. 299. Abstract
(2018). Analysis of Intonation in Unison Choir Singing.
15th International Conference on Music Perception and Cognition (ICMPC).
(2018). Automatic playlist continuation using a hybrid recommender system combining features from text and audio.
Workshop on the RecSys Challenge 2018. Abstract
(2018). Automatic Transcription of Flamenco Guitar Falsetas.
International Workshop on Folk Music Analysis.
(2018). Multimodal Deep Learning for Music Genre Classification.
Transactions of the International Society for Music Information Retrieval. 1(1), 4-21. Abstract
(2018). Overcoming catastrophic forgetting with hard attention to the task.
The 35th International Conference on Machine Learning (ICML 2018) .
(2018). Using offline metrics and user behavior analysis to combine multiple systems for music recommendation.
RecSys 2018 Workshop on Offline Evaluation of Recommender Systems. Abstract
