Biblio

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Zapata, J., & Gómez E. (2013).  Using Voice Suppression Algorithms to improve Beat Tracking in the Presence Of Highly Predominant Volcals. International Conference on Acoustics, Speech, and Signal Processing (ICASSP 2013). Abstract
application/pdf iconZapata_Beat_tracking_Voice_Supression_ICASSP2013.pdf
De Boer, M., Bonada J., & Serra X. (2000).  Using the Sound Description Interchange Format within the SMS Applications. International Computer Music Conference. Abstract
Gallardo, D., Julià C. F., & Jordà S. (2013).  Using MTCF for live prototyping on tablet and tangible tabletop devices. TEI.
application/pdf icon2013 TEI13 MTCF Studio.pdf
Ricard, J., & Herrera P. (2003).  Using morphological description for generic sound retrieval. International Conference on Music Information Retrieval. Abstract
Molina-Solana, M., Arcos J. L., & Gómez E. (2008).  Using Expressive Trends For Identifying Violin Performers. International Conference on Music Information Retrieval. Abstract
Maestre, E., Hazan A., Ramírez R., & Pérez A. (2006).  Using concatenative synthesis for expressive performance in jazz saxophone. International Computer Music Conference. Abstract
Gómez, E., Gouyon F., Herrera P., & Amatriain X. (2003).  Using and enhancing the current MPEG-7 standard for a music content processing tool. Abstract
Camurri, A., Volpe G., Vinet H., Bresin R., Maestre E., Llop J., et al. (2009).  User­-centric context­-aware mobile applications for embodied music listening. International ICST Conference on User Centric Media.
Schedl, M., Stober S., Gómez E., Orio N., & Liem C. C. S. (2012).  User-Aware Music Retrieval. (Müller, M., Goto, M., Schedl, M., Ed.).Multimodal Music Processing. 3, 135-156.
Haro, M., Xambó A., Fuhrmann F., Bogdanov D., Gómez E., & Herrera P. (2010).  User Evaluation Questionnaire for The Musical Avatar Project. Abstract
application/pdf iconAvatar_User_Evaluation.pdf
Nagi, A. (2010).  A User Configurable Voice Based Controller for Midi Synthesizer. Abstract
Marchini, M., & Purwins H. (2010).  An Unsupervised System for the Synthesis of Variations from Audio Percussion Patterns. 7th International Symposium on Computer Music Modeling and Retrieval (CMMR). 277-278. Abstract
application/pdf iconMarchiniPurwinsCMMR2010Demo.pdf
Marxer, R., & Purwins H. (2010).  Unsupervised Incremental Learning and Prediction of Audio Signals. International Symposium on Music Acoustics. Abstract
application/pdf iconMarxerPurwinsUnsupervisedIncrementalPredictionAudioISMA2010.pdf
Marchini, M., & Purwins H. (2010).  Unsupervised Generation of Percussion Sound Sequences from a Sound Example. Sound and Music Computing Conference. Abstract
application/pdf iconMarchiniPurwinsContinuationSMC2010Final.pdf
Marchini, M. (2010).  Unsupervised Generation of Percussion Sequences from a Sound Example. Abstract
Kosta, K. (2011).  Unsupervised Generation of Chord Sequences from a Sound Example. Abstract
application/pdf iconKosta-Katerina-Master-thesis-2011.pdf
Serrà, J., Zanin M., Laurier C., & Sordo M. (2009).  Unsupervised detection of cover song sets: accuracy improvement and original identification. Conference of the International Society for Music Information Retrieval (ISMIR). 225-230. Abstract
Kosta, K., Marchini M., & Purwins P. (2012).  Unsupervised Chord-Sequence Generation from an Ausio Example. International Society for Music Information Retrieval Conference (ISMIR 2012). Abstract
application/pdf iconKosta_etal_ISMIR2012_Harmony.pdf
Lagrange, M., & Serrà J. (2010).  Unsupervised accuracy improvement for cover song detection using spectral connectivity network. International Society for Music Information Retrieval Conference (ISMIR) . 595-600. Abstract
application/pdf iconismir2010-102.pdf
Bonada, J., Blaauw M., Loscos A., & Kenmochi H. (2006).  Unisong A Choir Singing Synthesizer. Abstract
Bogdanov, D., Serrà J., Wack N., Herrera P., & Serra X. (2011).  Unifying Low-level and High-level Music Similarity Measures. IEEE Transactions on Multimedia. 13(4), 687-701 . Abstract
application/pdf iconbogadnov_IEEETMult2011.pdf
Srinivasamurthy, A., & Chordia P. (2012).  A Unified System for Analysis and Representation of Indian Classical Music using Humdrum Syntax. 2nd CompMusic Workshop.
application/pdf iconCompMusicWorkshop_2.pdf
Purwins, H., Normann I., & Obermayer K. (2005).  Unendlichkeit - Konstruktion akustischer Paradoxien. (Manfred Stahnke, Ed.).Mikrotöne und mehr – Auf György Ligetis Hamburger Pfaden. 39-80.
Ramírez, R., Hazan A., Gómez E., & Maestre E. (2004).  Understanding expressive transformations in saxophone jazz performances using inductive machine learning. Sound and Music Computing Conference. Abstract
Ramírez, R., & Hazan A. (2005).  Understanding expressive music performance using genetic algorithms. Lecture Notes in Computer Science 3449. Abstract
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