Biblio

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Rubio, X. (2003).  Un sistema de control de fluxe per síntesi i processament d'àudio en temps real.
Solis, H. (2006).  Understanding Collective Gestural Improvisations; a Computational Approach. Abstract
Ramirez, R., & Hazan A. (2005).  Understanding expressive music performance using genetic algorithms. Lecture Notes in Computer Science 3449. Abstract
Ramirez, R., Hazan A., Gómez E., & Maestre E. (2004).  Understanding expressive transformations in saxophone jazz performances using inductive machine learning. Sound and Music Computing Conference. Abstract
Won, M. (2017).  Understanding Internal Semantics of Deep Learning Models for Electronic Music. Abstract
Zhang, S., Caro Repetto R., & Serra X. (2017).  Understanding the expressive functions of jingju metrical patterns through lyrics text mining. 18th International Society for Music Information Retrieval Conference. 397-403. Abstract
Purwins, H., Normann I., & Obermayer K. (2005).  Unendlichkeit - Konstruktion akustischer Paradoxien. (Manfred Stahnke, Ed.).Mikrotöne und mehr – Auf György Ligetis Hamburger Pfaden. 39-80.
Srinivasamurthy, A., & Chordia P. (2012).  A Unified System for Analysis and Representation of Indian Classical Music using Humdrum Syntax. 2nd CompMusic Workshop.
application/pdf iconCompMusicWorkshop_2.pdf
Bogdanov, D., Serrà J., Wack N., Herrera P., & Serra X. (2011).  Unifying Low-level and High-level Music Similarity Measures. IEEE Transactions on Multimedia. 13(4), 687-701 . Abstract
Bonada, J., Blaauw M., Loscos A., & Kenmochi H. (2006).  Unisong A Choir Singing Synthesizer. Abstract
Lagrange, M., & Serrà J. (2010).  Unsupervised accuracy improvement for cover song detection using spectral connectivity network. International Society for Music Information Retrieval Conference (ISMIR) . 595-600. Abstract
application/pdf iconismir2010-102.pdf
Marchini, M., & Purwins H. (2011).  Unsupervised Analysis and Generation of Audio Percussion Sequences. (Ystad, Sølvi, Aramaki, Mitsuko, Kronland-Martinet, Richard, Jensen, Kristoffer, Ed.).Exploring Music Contents. 6684, 205-218.
Kosta, K., Marchini M., & Purwins P. (2012).  Unsupervised Chord-Sequence Generation from an Ausio Example. International Society for Music Information Retrieval Conference (ISMIR 2012). Abstract
application/pdf iconKosta_etal_ISMIR2012_Harmony.pdf
Serrà, J., Zanin M., Laurier C., & Sordo M. (2009).  Unsupervised detection of cover song sets: accuracy improvement and original identification. Conference of the International Society for Music Information Retrieval (ISMIR). 225-230. Abstract
Kosta, K. (2011).  Unsupervised Generation of Chord Sequences from a Sound Example. Abstract
application/pdf iconKosta-Katerina-Master-thesis-2011.pdf
Marchini, M. (2010).  Unsupervised Generation of Percussion Sequences from a Sound Example. Abstract
Marchini, M., & Purwins H. (2010).  Unsupervised Generation of Percussion Sound Sequences from a Sound Example. Sound and Music Computing Conference. Abstract
application/pdf iconMarchiniPurwinsContinuationSMC2010Final.pdf
Marxer, R., & Purwins H. (2010).  Unsupervised Incremental Learning and Prediction of Audio Signals. International Symposium on Music Acoustics. Abstract
application/pdf iconMarxerPurwinsUnsupervisedIncrementalPredictionAudioISMA2010.pdf
Marchini, M., & Purwins H. (2010).  An Unsupervised System for the Synthesis of Variations from Audio Percussion Patterns. 7th International Symposium on Computer Music Modeling and Retrieval (CMMR). 277-278. Abstract
application/pdf iconMarchiniPurwinsCMMR2010Demo.pdf
Nagi, A. (2010).  A User Configurable Voice Based Controller for Midi Synthesizer. Abstract
Haro, G. G., Xambó A., Fuhrmann F., Bogdanov D., Gómez E., & Herrera P. (2010).  User Evaluation Questionnaire for The Musical Avatar Project. Abstract
application/pdf iconAvatar_User_Evaluation.pdf
Schedl, M., Stober S., Gómez E., Orio N., & Liem C. C. S. (2012).  User-Aware Music Retrieval. (Müller, M., Goto, M., Markus Schedl, Ed.).Multimodal Music Processing. 3, 135-156.
Camurri, A., Volpe G., Vinet H., Bresin R., Maestre E., Llop J., et al. (2009).  User­-centric context­-aware mobile applications for embodied music listening. International ICST Conference on User Centric Media.
Gómez, E., Gouyon F., Herrera P., & Amatriain X. (2003).  Using and enhancing the current MPEG-7 standard for a music content processing tool. Abstract
Maestre, E., Hazan A., Ramirez R., & Pérez A. (2006).  Using concatenative synthesis for expressive performance in jazz saxophone. International Computer Music Conference. Abstract
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