Biblio

Export 143 results:
Sort by: Author [ Title (Asc)] Type Year
Filters: First Letter Of Title is S  [Clear All Filters]
A B C D E F G H I J K L M N O P Q R [S] T U V W X Y Z   [Show ALL]
S
Cano, P., & Loscos A. (1999).  Singing Voice Morphing System based on SMS. Abstract
Ramesh, A. (2009).  Singing Voice Nasality Detection in Polyphonic Audio. Abstract
Gong, R., & Serra X. (2018).  Singing voice phoneme segmentation by hierarchically inferring syllable and phoneme onset positions. Interspeech 2018. Abstract
Dzhambazov, G., & Serra X. (2016).  Singing Voice Separation by Harmonic Modeling. Music Information Retrieval Evaluation eXchange (MIREX).
application/pdf iconreport.21.pdf
Bonada, J., Celma Ò., Loscos A., Ortolà J., & Serra X. (2001).  Singing Voice Synthesis Combining Excitation plus Resonance and Sinusoidal plus Residual Models. International Computer Music Conference. Abstract
Kenmochi, H., Serra X., & Bonada J. (2006).  Singing Voice Synthesizing Apparatus, Singing Voice Synthesizing Method, and Program for Realizing Singing Voice Synthesizing Method. Abstract
application/pdf iconUS7016841.pdf
Janer, J. (2008).  Singing-driven Interfaces for Sound Synthesizers. Department of Information and Communication Technologies. Abstract
Herrera, P. (1996).  Síntesi Musical Expressiva. Abstract
Salamon, J., Gómez E., & Bonada J. (2011).  Sinusoid Extraction and Salience Function Design for Predominant Melody Estimation. Proc. of the 14th Int. Conference on Digital Audio Effects (DAFx-11). 73-80. Abstract
application/pdf iconSalamonGomezBonada_DAFx11.pdf
Ferraro, A., Bogdanov D., & Serra X. (2019).  Skip prediction using boosting trees based on acoustic features of tracks in sessions. WSDM Cup Workshop 2019. Abstract
Gallardo, D., & Jordà S. (2013).  SLFiducials: 6DoF markers for tabletop interaction. Proceedings of the 2013 ACM international conference on Interactive tabletops and surfaces.
application/pdf iconITS13_CameraREADY.pdf
Roma, G., Zanin M., Herrera P., Toral S. L., Font F., & Serra X. (2012).  Small world networks and creativity in audio clip sharing. International Journal of Social Network Mining (IJSNM). 1(1), 112-127. Abstract
application/pdf iconpost-print
Resina, E. (1998).  SMS Composer and SMS Conductor: Applications for Spectral Modeling Synthesis Composition and Performance. International Conference on Digital Audio Effects. Abstract
Macias, B. (1998).  SMS3d: An application for the visualization of SMS data. International Conference on Digital Audio Effects. Abstract
Eakin, R. T., & Serra X. (2009).  SMSPD, LIBSMS and a Real-Time SMS Instruments. International Conference on Digital Audio Effects. Abstract
Loscos, A., & Resina E. (1998).  SMSPerformer A real-time synthesis interface for SMS. International Conference on Digital Audio Effects (DAFX). Abstract
Park, J., Celma Ò., Koppenberger M., Cano P., & Buldú J. M. (2007).  The social network of contemporary popular musicians. International Journal of Bifurcation and Chaos (IJBC). 17, 2281 - 2288. Abstract
Jordà, S. (2004).  Software, Arte, Sociedad . Cyberart: Desafíos para la identidad ubicua.
Hinojosa, R. (2003).  Some Projects and Reflections on Algorithmic Music. Abstract
Hinojosa, R. (2003).  Some Projects and Reflections on Algorithmic Music.. Springer Verlag. Lecture Notes in Computer Science (LNCS) Series. 2771, Abstract
Gómez, E., & Herrera P. (2006).  The song remains the same identifying versions of the same piece using tonal descriptors. Abstract
Julià, C. F., & Jordà S. (2009).  SongExplorer: a tabletop application for exploring large collections of songs. 10th International Society for Music Information Retrieval Conference. Abstract
Julià, C. F. (2008).  SongExplorer: Exploring Large Musical Databases Using a Tabletop Interface. Abstract
Mealla, S., Väljamäe A., Bosi M., & Jordà S. (2011).  Sonification of Brain and Body Signals in Collaborative Tasks Using a Tabletop Musical Interface. International Conference on Auditory Display (ICAD). Abstract
application/pdf iconbrain_and_body_sonif_camera_ready.pdf
Jordà, S. (2003).  Sonigraphical Instruments From FMOL to the reacTable*. Abstract
intranet