Biblio

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Mayor, O., Loscos A., & Bonada J. (2004).  Real-Time Spectral Synthesis For Wind Instruments. Abstract
Adiloglu, K., Anniés R., Purwins H., & Obermayer K. (2008).  Representations and Predictors for Everyday Sounds .
Miscellaneous
Jordà, S. (2003).  Reactable Kick Off.
application/pdf iconreacTableKickOff2003.pdf
Master Thesis
Freixes, M. (2012).  Rapaloid: Adapting an Existing Framework for Emotional Speech Prosody Generation. Abstract
Garcia, D. (2007).  Rapid Prototyping for Audio Applications. Abstract
Parra-Damborenea, J. (2014).  Reactblocks: A 3D Tangible Interface for Music Learning. Abstract
application/pdf iconJaime-Parra-Master-Thesis-2014.pdf
Pérez-López, A. (2014).  Real-Time 3D Audio Spatialization Tools for Interactive Performance. Abstract
Papiotis, P. (2010).  Real-time Accompaniment Using Lyrics-Matching Query-by-Humming (QBH). Abstract
Jiménez-Sauma, J. (2018).  Real-Time Multi-Track Mixing For Live Performance. Abstract
Hinojosa, R. (2003).  Realtime Algorithmic Music Systems From Fractals and Chaotic Functions Toward an Active Musical Instrument. Abstract
Suárez, A. M. (2015).  Reducing Bias in the Probabilistic Evaluation of Audio Music Similarity. Abstract
application/pdf iconAdriana-Suarez-Master-thesis-2015.pdf
Arredondo Garrido, J. (2017).  Retrieval of Drum Samples by High-Level Descriptors. Abstract
Correya, A. A. (2017).  Retrieving Ambiguous Sounds Using Perceptual Timbral Attributes in Audio Production Environments. Abstract
Jade, C. (2016).  Rhythm alternation using interval sets. Abstract
Nistal, J. (2016).  Rhythmic arrangement from finger-tapping audio signals. Abstract
application/pdf iconJavier-Nistal-Master-thesis-2016.pdf
Journal Article
Koduri, G. K., Gulati S., Rao P., & Serra X. (2012).  Rāga Recognition based on Pitch Distribution Methods. Journal of New Music Research. 41, 337-350. Abstract
Geiger, G., Alber N., Jordà S., & Alonso M. (2010).  The Reactable: A Collaborative Musical Instrument for Playing and Understanding Music. Her&Mus. Heritage & Museography. 36-43. Abstract
Pons, J., Janer J., Rode T., & Nogueira W. (2016).  Remixing music using source separation algorithms to improve the musical experience of cochlear implant users. The Journal of the Acoustical Society of America. 140(6), 4338--4349. Abstract
Cano, P., Batlle E., Kalker T., & Haitsma J. (2005).  A Review of Audio Fingerprinting. The Journal of VLSI Signal Processing. 41, 271 - 284. Abstract
Gouyon, F., & Dixon S. (2005).  A review of automatic rhythm description systems. Computer Music Journal. 29, Abstract
Nuanáin, C. Ó., Herrera P., & Jordà S. (2017).  Rhythmic Concatenative Synthesis for Electronic Music: Techniques, Implementation, and Evaluation. Computer Music Journal. 41(2), 21-37.
Koelsch, S., Skouras S., Fritz T., Herrera P., Bonhage C., Küssner M. B., et al. (2013).  The roles of superficial amygdala and auditory cortex in music-evoked fear and joy. NeuroImage. 81(1), 49-60.
Ramirez, R., Maestre E., & Serra X. (2012).  A Rule-Based Evolutionary Approach to Music Performance Modeling. IEEE Transactions on Evolutionary Computation. 16(1), 96 - 107. Abstract
Conference Paper
Pons, J., & Serra X. (2019).  Randomly weighted CNNs for (music) audio classification. 44th IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP2019). Abstract
Jordà, S. (2006).  The reacTable. International Conference on Computer Graphics and Interactive Techniques, ACM SIGGRAPH.
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