Biblio
] Filters: First Letter Of Title is R [Clear All Filters]
(2012). A Rule-Based Evolutionary Approach to Music Performance Modeling.
IEEE Transactions on Evolutionary Computation. 16(1), 96 - 107. Abstract
(2015). A Rule-Based Approach to Extracting Relations from Music Tidbits.
2nd Workshop on Knowledge Extraction from Text, WWW 2015. Abstract
(2013). The roles of superficial amygdala and auditory cortex in music-evoked fear and joy.
NeuroImage. 81(1), 49-60.
(2014). The Role of Personalization and Multiple EEG and Sound Features Selection in Real Time Sonification for Neurofeedback.
International Conference on Physiological Computing Systems.
(2009). The Role of Loudness in Detection of Surprising Events in Music Recordings.
7th Triennial Conference of European Society for the Cognitive Sciences of Music (ESCOM), 2009. Abstract
(2010). Rocking around the clock eight days a week: an exploration of temporal patterns of music listening.
1st Workshop On Music Recommendation And Discovery (WOMRAD), ACM RecSys, 2010, Barcelona, Spain. Abstract
(2007). A Roadmap for Sound and Music Computing.
(, Ed.). Abstract
(2017). Rhythmic Concatenative Synthesis for Electronic Music: Techniques, Implementation, and Evaluation.
Computer Music Journal. 41(2), 21-37.
(2005). The Rhythm Transform: Towards A Generic Rhythm Description.
International Computer Music Conference. 1311. Abstract
(2016). Rhythm Spaces.
4th International Workshop on Musical Metacreation (MUME 2016). Abstract
(2013). A Review Of Real-Time Eeg Sonification Research.
The 19th International Conference on Auditory Display (ICAD-2013).
(2005). A review of automatic rhythm description systems.
Computer Music Journal. 29, Abstract
(2005). A Review of Audio Fingerprinting.
The Journal of VLSI Signal Processing. 41, 271 - 284. Abstract
(2013). Representing Music as Work in Progress.
Structuring Music through Markup Language: Designs and Architectures. 119-134.
