Biblio

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Ramírez, R., Maestre E., & Serra X. (2012).  A Rule-Based Evolutionary Approach to Music Performance Modeling. IEEE Transactions on Evolutionary Computation. 16(1), 96 - 107. Abstract
Ramírez, R., & Hazan A. (2004).  Rule induction for expressive music performance modeling. Abstract
Koelsch, S., Skouras S., Fritz T., Herrera P., Bonhage C., Küssner M. B., et al. (2013).  The roles of superficial amygdala and auditory cortex in music-evoked fear and joy. NeuroImage. 81(1), 49-60.
Holonowicz, P., Herrera P., & Purwins H. (2009).  The Role of Loudness in Detection of Surprising Events in Music Recordings. 7th Triennial Conference of European Society for the Cognitive Sciences of Music (ESCOM), 2009. Abstract
Herrera, P., Resa Z., & Sordo M. (2010).  Rocking around the clock eight days a week: an exploration of temporal patterns of music listening. 1st Workshop On Music Recommendation And Discovery (WOMRAD), ACM RecSys, 2010, Barcelona, Spain. Abstract
application/pdf iconwomrad2010_submission_16.pdf
Cano, P., Batlle E., Mayer H., & Neuschmied H. (2002).  Robust Sound Modeling for Song Detection in Broadcast Audio. Abstract
Serra, X., Widmer G., & Leman M. (2007).  A Roadmap for Sound and Music Computing. (The S2S Consortium, Ed.). Abstract
Serra, X., Magas M., Benetos E., Chudy M., Dixon S., Flexer A., et al. (2013).  Roadmap for Music Information ReSearch. Abstract
application/pdf iconMIRES-Roadmap.pdf
Gouyon, F., Fabig L., & Bonada J. (2003).  Rhythmic expressiveness transformations of audio recordings swing modifications. Abstract
Guaus, E., & Herrera P. (2005).  The Rhythm Transform: Towards A Generic Rhythm Description. International Computer Music Conference. 1311. Abstract
Gouyon, F., & Dixon S. (2005).  A review of automatic rhythm description systems. Computer Music Journal. 29, Abstract
Cano, P., Batlle E., Kalker T., & Haitsma J. (2005).  A Review of Audio Fingerprinting. The Journal of VLSI Signal Processing. 41, 271 - 284. Abstract
Cano, P., Batlle E., Kalker T., & Haitsma J. (2002).  A Review of Algorithms for Audio Fingerprinting. Abstract
Gomes, L., Gómez E., & Moreau N. (2001).  Resynchronization methods for audio watermarking. Abstract
Serra, X. (1994).  Residual minimization in a musical signal model based on a deterministic plus stochastic decomposition. 128th meeting of the Acoustical Society of America.
Adiloglu, K., Anniés R., Purwins H., & Obermayer K. (2008).  Representations and Predictors for Everyday Sounds .
Mayor, O., Llop J., & Maestre E. (2011).  RepoVizz: A multimodal on-line database and browsing tool for music performance research. 12th International Society for Music Information Retrieval Conference (ISMIR 2011). Abstract
application/pdf iconRepoVizz_ISMIR_2011_v5.pdf
Chen, G., Wang T. - G., & Herrera P. (2008).  Relevance Feedback in An Adaptive Space with One-Class SVM for Content-Based Music Retrieval. IEEE International Conference on Audio, Language and Image Processing 2008. Abstract
Hinojosa, R. (2003).  Realtime Algorithmic Music Systems From Fractals and Chaotic Functions Toward an Active Musical Instrument. Abstract
Mayor, O., Loscos A., & Bonada J. (2004).  Real-Time Spectral Synthesis For Wind Instruments. Abstract
Jordà, S. (1991).  A Real-Time MIDI Composer and Interactive Improviser by Means of Feedback Systems. Abstract
Papiotis, P. (2010).  Real-time Accompaniment Using Lyrics-Matching Query-by-Humming (QBH). Abstract
Papiotis, P., & Purwins H. (2010).  Real-time Accompaniment using lyrics-matching QBH. 7th International Symposium on Computer Music Modeling and Retrieval (CMMR). 279-280. Abstract
application/pdf iconPapiotis_CMMR2010_QBHDemo.pdf
Kaltenbrunner, M., & Bencina R. (2007).  reacTIVision A Computer-Vision Framework for Table-Based Tangible Interaction. Abstract
Geiger, G., Alber N., Jordà S., & Alonso M. (2010).  The Reactable: A Collaborative Musical Instrument for Playing and Understanding Music. Her&Mus. Heritage & Museography. 36-43. Abstract
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