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Rāga Recognition based on Pitch Distribution Methods. Journal of New Music Research. 41, 337-350.(2012).
The reactable. ( , Ed.).Sound to Sense, Sense to Sound – A state of the art in Sound and Music Computing. 490.(2007).
The reacTable. International Conference on Computer Graphics and Interactive Techniques, ACM SIGGRAPH.(2006).
The Reactable : Tangible and Tabletop Music Performance. CHI 2010: 28th ACM Conference on Human Factors in Computing Systems. 2989-2994 .(2010).
The reacTable Exploring the Synergy between Live Music Performance and Tabletop Tangible Interfaces. Conference on tangible and embeded interaction.(2007).
The Reactable: A Collaborative Musical Instrument for Playing and Understanding Music. Her&Mus. Heritage & Museography. 36-43.(2010).
Real Time Modeling of Emotions by Linear Regression. MML 2013: Internatinal Workshop on Machine Learning and Music, ECML/PKDD .(2013).
Recurrence Quantification Analysis Features for Environmental Sound Recognition. IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA).(2013).
Relevance Feedback in An Adaptive Space with One-Class SVM for Content-Based Music Retrieval. IEEE International Conference on Audio, Language and Image Processing 2008.(2008).
repoVizz: a Framework for Remote Storage, Browsing, Annotation, and Exchange of Multi-modal Data. ACM International Conference on Multimedia (MM'13).(2013).
RepoVizz: A multimodal on-line database and browsing tool for music performance research. 12th International Society for Music Information Retrieval Conference (ISMIR 2011).(2011).
Residual minimization in a musical signal model based on a deterministic plus stochastic decomposition. 128th meeting of the Acoustical Society of America.(1994).