Biblio

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Koduri, G. K., Gulati S., Rao P., & Serra X. (2012).  Rāga Recognition based on Pitch Distribution Methods. Journal of New Music Research. 41, 337-350. Abstract
Pons, J., & Serra X. (2019).  Randomly weighted CNNs for (music) audio classification. 44th IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP2019). Abstract
Freixes, M. (2012).  Rapaloid: Adapting an Existing Framework for Emotional Speech Prosody Generation. Abstract
Garcia, D. (2007).  Rapid Prototyping for Audio Applications. Abstract
Jordà, S. (2007).  The reactable. (Polotti, P., Rocchesso, D., Ed.).Sound to Sense, Sense to Sound – A state of the art in Sound and Music Computing. 490. Abstract
Jordà, S. (2006).  The reacTable. International Conference on Computer Graphics and Interactive Techniques, ACM SIGGRAPH.
Jordà, S. (2010).  The Reactable : Tangible and Tabletop Music Performance. CHI 2010: 28th ACM Conference on Human Factors in Computing Systems. 2989-2994 . Abstract
application/pdf iconreactable_music_performance.pdf
Jordà, S., Geiger G., Alonso M., & Kaltenbrunner M. (2007).  The reacTable Exploring the Synergy between Live Music Performance and Tabletop Tangible Interfaces. Conference on tangible and embeded interaction. Abstract
Jordà, S. (2003).  Reactable Kick Off.
application/pdf iconreacTableKickOff2003.pdf
Jordà, S., Kaltenbrunner M., Geiger G., & Bencina R. (2005).  The reacTable*. Abstract
Kaltenbrunner, M., Jordà S., Geiger G., & Alonso M. (2006).  The reacTable* A Collaborative Musical Instrument. Abstract
Geiger, G., Alber N., Jordà S., & Alonso M. (2010).  The Reactable: A Collaborative Musical Instrument for Playing and Understanding Music. Her&Mus. Heritage & Museography. 36-43. Abstract
Parra-Damborenea, J. (2014).  Reactblocks: A 3D Tangible Interface for Music Learning. Abstract
application/pdf iconJaime-Parra-Master-Thesis-2014.pdf
Kaltenbrunner, M., & Bencina R. (2007).  reacTIVision A Computer-Vision Framework for Table-Based Tangible Interaction. Abstract
Giraldo, S., & Ramirez R. (2013).  Real Time Modeling of Emotions by Linear Regression. MML 2013: Internatinal Workshop on Machine Learning and Music, ECML/PKDD .
application/pdf iconGiraldo_mml13proceedings.pdf
Pérez-López, A. (2014).  Real-Time 3D Audio Spatialization Tools for Interactive Performance. Abstract
Papiotis, P., & Purwins H. (2010).  Real-time Accompaniment using lyrics-matching QBH. 7th International Symposium on Computer Music Modeling and Retrieval (CMMR). 279-280. Abstract
application/pdf iconPapiotis_CMMR2010_QBHDemo.pdf
Papiotis, P. (2010).  Real-time Accompaniment Using Lyrics-Matching Query-by-Humming (QBH). Abstract
Nuanáin, C. Ó., & Sullivan L. O. ' (2014).  Real-time Algorithmic Composition with a Tabletop Musical Interface: A First Prototype and Performance. Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. 9:1–9:7. Abstract
application/pdf iconcarthach_AM_CameraReady.pdf
Gong, R., Cuvillier P., Obin N., & Cont A. (2015).  Real-Time Audio-to-Score Alignment of Singing Voice Based on Melody and Lyric Information. Interspeech 2015. Abstract
application/pdf iconInterspeech_RG_2015.pdf
Jordà, S. (1991).  A Real-Time MIDI Composer and Interactive Improviser by Means of Feedback Systems. Abstract
Jiménez-Sauma, J. (2018).  Real-Time Multi-Track Mixing For Live Performance. Abstract
Mayor, O., Loscos A., & Bonada J. (2004).  Real-Time Spectral Synthesis For Wind Instruments. Abstract
Romaní Picas, O., Parra Rodriguez H., Dabiri D., Tokuda H., Hariya W., Oishi K., et al. (2015).  A real-time system for measuring sound goodness in instrumental sounds. AES 138th Convention. Abstract
Hinojosa, R. (2003).  Realtime Algorithmic Music Systems From Fractals and Chaotic Functions Toward an Active Musical Instrument. Abstract
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