Biblio
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Rāga Recognition based on Pitch Distribution Methods.
Journal of New Music Research. 41, 337-350. Abstract
(2012).
Randomly weighted CNNs for (music) audio classification.
44th IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP2019). Abstract
(2019).
The reactable.
( , Ed.).Sound to Sense, Sense to Sound – A state of the art in Sound and Music Computing. 490. Abstract
(2007).
The reacTable.
International Conference on Computer Graphics and Interactive Techniques, ACM SIGGRAPH.
(2006).
The Reactable : Tangible and Tabletop Music Performance.
CHI 2010: 28th ACM Conference on Human Factors in Computing Systems. 2989-2994 . Abstract
(2010).
The reacTable Exploring the Synergy between Live Music Performance and Tabletop Tangible Interfaces.
Conference on tangible and embeded interaction. Abstract
(2007).
(2005).
The Reactable: A Collaborative Musical Instrument for Playing and Understanding Music.
Her&Mus. Heritage & Museography. 36-43. Abstract
(2010).
(2014).
Real Time Modeling of Emotions by Linear Regression.
MML 2013: Internatinal Workshop on Machine Learning and Music, ECML/PKDD .
(2013).
Real-time Accompaniment using lyrics-matching QBH.
7th International Symposium on Computer Music Modeling and Retrieval (CMMR). 279-280. Abstract
(2010).
Real-time Algorithmic Composition with a Tabletop Musical Interface: A First Prototype and Performance.
Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound. 9:1–9:7. Abstract
(2014).
(2015).
A real-time system for measuring sound goodness in instrumental sounds.
AES 138th Convention. Abstract
(2015).