Biblio

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Sandvold, V., Gouyon F., & Herrera P. (2004).  Percussion Classification in polyphonic audio recordings using localized sound models. 5th International Conference on Music Information Retrieval (ISMIR'04). Abstract
Cuarón-Sánchez, J. A. (2014).  Perceptual Validation of Chord Estimation Evaluation Standards. Abstract
application/pdf iconJorge-Cuaron-Master-Thesis-2014.pdf
Martínez, E., Adiloglu K., Anniés R., Purwins H., & Obermayer K. (2007).  Perceptual Representations for Classification of Everyday Sounds. Audio Mostly . Abstract
Tizón, M., Gómez F., & Oramas S. (2013).  Perceived Emotions in Phrygian Mode In Musically Trained Children. 3rd International Conference in Music & Emotion. Abstract
Geiger, G. (2003).  PDa Real Time Signal Processing and Sound Generation on Handheld Devices (DEMO). Abstract
Oramas, S., & Cornelis O. (2012).  Past, Present and Future in Ethnomusicology: The Computational challenge. ISMIR late breaking demo session, 13th International Society of Music Information Retrieval. Abstract
application/pdf iconLBD11.pdf
Srinivasamurthy, A., Holzapfel A., Cemgil A. T., & Serra X. (2015).  Particle Filters for Efficient Meter Tracking with Dynamic Bayesian Networks. 16th International Society for Music Information Retrieval (ISMIR) Conference. 197-203. Abstract
Smith, J., & Serra X. (1987).  PARSHL An Analysis/Synthesis Program for non- Harmonic Sounds Based on a Sinusoidal Representation. International Computer Music Conference. 290-297. Abstract
Wright, M., Dannenberg R., Pope S., Rodet X., Serra X., & Wessel D. (2004).  Panel: Standards from the Computer Music Community. International Computer Music Conference. 711-714. Abstract
Gómez-Marín, D., Jordà S., & Herrera P. (2015).  PAD and SAD: Two awareness-weighted rhythmic similarity distances. 16th International Society for Music Information Retrieval (ISMIR) Conference. Abstract
application/pdf iconpad and sad.pdf
Vamvakousis, Z., & Ramirez R. (2014).  P300 Harmonies: A Brain-Computer Musical Interface. International Computer Music Conference/Sound and Music Computing Conference. Abstract
application/pdf iconP300 Harmonies: A Brain-Computer Musical Interface
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