Biblio

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Ishwar, V. (2014).  Pitch Estimation of the Predominant Vocal Melody from Heterophonic Music Audio Recordings. Abstract
application/pdf iconVignesh-Ishwar-Master-Thesis-2014.pdf
Cuesta, H. (2017).  Pitch Estimation of Choir Music using Deep Learning Strategies: from Solo to Unison Recordings. Abstract
Bittner, R. M., Salamon J., Bosch J., & Bello J. P. (2017).  Pitch Contours as a Mid-Level Representation for Music Informatics. AES International Conference on Semantic Audio.
application/pdf iconSemantic_Audio_2017_pitch_contours.pdf
Gong, R., Yang Y., & Serra X. (2016).  Pitch Contour Segmentation for Computer-aided Jingju Singing Training. 13th Sound and Music Computing Conference (SMC 2016). 172-178. Abstract
Mealla, S., Jordà S., & Väljamäe A. (2016).  Physiopucks: Increasing User Motivation by Combining Tangible and Implicit Physiological interaction. Transactions on Computer-Human Interaction (TOCHI). 23(1),  Abstract
Sparato, D. M. M. (2012).  A Physiological Approach for User Experience Evaluation. Case Study: Interaction with Tabletop Systems for Music Creation. Abstract
application/pdf iconMundo-Diana-MasterThesis-2012.pdf
Ortega, F. J. M., Giraldo S. I., & Ramirez R. (2017).  Phrase-Level Modeling of Expression in Violin Performances. Proceedings of the 10th International Workshop on Machine Learning and Music. 49–54. Abstract
Ortega, F. J. M., Giraldo S. I., Perez A., & Ramírez R. (2019).  Phrase-Level Modeling of Expression in Violin Performances. Frontiers in Psychology. 10, 776. Abstract
Gulati, S., Serrà J., Ishwar V., Şentürk S., & Serra X. (2016).  Phrase-based Rāga Recognition Using Vector Space Modeling. 41st IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP 2016). 66-70. Abstract
application/pdf iconPresentation slides
Serra, X., & Brncic G. (1994).  Phonos: Studio Report. International Computer Music Conference. 488-489. Abstract
Janer, J., & Maestre E. (2007).  Phonetic-based mappings in voice-driven sound synthesis. International Conference on Signal Processing and Multimedia Applications. Abstract
Gómez, E., Grachten M., Hanjalic A., Janer J., Jordà S., Julià C. F., et al. (2013).  PHENICX: Performances as Highly Enriched aNd Interactive Concert Experiences. SMAC Stockholm Music Acoustics Conference 2013, SMC Sound and Music Computing Conference 2013.
application/pdf iconPHENICX-smac2013-6.0.pdf
Laurier, C., Sordo M., Bozzon A., Brambilla M., & Fraternali P. (2009).  Pharos: An Audiovisual Search Platform using Music Information Retrieval Techniques. Conference of the International Society for Music Information Research (ISMIR), Demo session. Abstract
Bozzon, A., Laurier C., Pihlajamaa O., Aichroth P., Nejdl W., Debald S., et al. (2009).  Pharos: an audiovisual search platform. International Conference on Special Interest Group on Information Retrieval (SIGIR). 841. Abstract
Schedl, M., Melenhorst M., Liem C., Martorell A., Mayor O., & Tkalčič M. (2016).  A personality-based adaptive system for visualizing classical music performances. 7th International Conference on Multimedia Systems (MMSys'16). Abstract
application/pdf iconA personality-based adaptive system for visualizing classical music performances
Durand, N., & Gómez E. (2001).  Periodicity Analysis using An Harmonic Matching method and Bandwise Processing. Abstract
Hazan, A. (2005).  Performing expressive rhythms with billaboop voice-driven drum generator. Abstract
Ramirez, R., Pérez A., Kersten S., & Maestre E. (2008).  Performer Identification in Celtic Violin Recordings. International Conference on Music Information Retrieval. Abstract
Janer, J., Bonada J., & Blaauw M. (2006).  Performance-driven control for sample-based singing voice synthesis. Abstract
Ramirez, R., Maestre E., Pertusa A., Gómez E., & Serra X. (2007).  Performance-based Interpreter Identification in Saxophone Audio Recordings. IEEE Transactions on Circuits and Systems for Video Technology. 17, 356-364. Abstract
Mayor, O., Bonada J., & Loscos A. (2009).  Performance Analysis and Scoring of the Singing Voice. AES 35th International Conference: Audio for Games. Abstract
Canadas-Quesada, F. J., Vera-Candeas P., Ruiz-Reyes N., Carabias-Orti J. J., & Cabanas-Molero P. (2014).  Percussive/harmonic sound separation by non-negative matrix factorization with smoothness/sparseness constraints. EURASIP Journal on Audio, Speech, and Music Processing 2014. Abstract
application/pdf iconFullText
Gómez-Marín, D. (2014).  Percussive spaces: Definition and use of percussive spaces for analysis and interaction. Abstract
application/pdf iconDaniel-Gomez-Master-Thesis-2014.pdf
Vamvakousis, Z., & Ramirez R. (2015).  A PERCUSSIVE MUSICAL INTERFACE FOR A QUADRIPLEGIC PATIENT. International Symposium on Performance Science 2015. 60-61.
Herrera, P., Sandvold V., & Gouyon F. (2004).  Percussion-related Semantic Descriptors of Music Audio Files. AES 25th International Conference. Abstract
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