Biblio

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Kaltenbrunner, M., O'Modhrain S., & Costanza E. (2004).  Object Design Considerations for Tangible Musical Interfaces. Abstract
Estapé, O. (2008).  Object Parameter Extraction for Control in Vision-Based Tabletop Systems. Abstract
Amatriain, X. (2005).  An Object-Oriented Metamodel for Digital Signal Processing with a focus on Audio and Music.
Normann, I., Purwins H., & Obermayer K. (2001).  Oktavambiguität als Konkurrenz zwischen Tonhöhe und Klangfarbe. DAGA. Abstract
Röbel, A., Villavicencio F., & Rodet X. (2007).  On Cepstral and All-Pole Based Spectral Envelope Modeling with Unknown Model Order. Pattern Recognition Letters. 28(11), 1343-1350. Abstract
Jordà, S. (2008).  On Stage: the Reactable and other Musical Tangibles go Real. International Journal of Arts and Technology. 1(3/4), 268-287. Abstract
Holzapfel, A., Davies M. E. P., Zapata J., Oliveira J., & Gouyon F. (2012).  On the automatic identification of difficult examples for beat tracking: towards building new evaluation datasets. The 37th International Conference on Acoustics, Speech, and Signal Processing (ICASSP). 89-92. Abstract
application/pdf iconHolzapfel-icassp.pdf
Cano, P., Kaltenbrunner M., Gouyon F., & Batlle E. (2002).  On the use of Fastmap for audio information retrieval and browsing. Abstract
Gouyon, F., Pachet F., & Delerue O. (2000).  On the use of zero-crossing rate for an application of classification of percussive sounds. Abstract
Vinyes, M. (2006).  On time localization of sinusoids from the DFT of their sum.
Janer, J., Kersten S., Schirosa M., & Roma G. (2011).  An online platform for interactive soundscapes with user-contributed content. AES 41st International Conference on Audio for Games. Abstract
Batlle, E., Guaus E., & Masip J. (2003).  Open Position Multilingual Orchestra Conductor. Lifetime Opportunity.. 26th. annual international ACM SIGIR conference. Abstract
Gouyon, F., Wack N., & Dixon S. (2004).  An open source tool for semi-automatic rhythmic annotation. Abstract
Celma, Ò., & Mieza E. (2004).  An Opera Information System Based on MPEG-7. 5th International Conference on Music Information Retrieval (ISMIR). Abstract
Serra, X. (2012).  Opportunities for a Cultural Specific Approach in the Computational Description of Music. 2nd CompMusic Workshop. Abstract
application/pdf icon1-Xavier-Serra-2nd-CompMusic-Workshop-2012.pdf
Serra, X. (2007).  The Origins of DAFx and its Future within the Sound and Music Computing Field. International Conference on Digital Audio Effects. Abstract
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