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OBRAMUS: A System for Object-Based Retouch of Amateur Music. 137th AES Convention.(2014).
Observed Differences in Rhythm between Performances of Classical and Jazz Violin Students. Stockholm Music Acoustics Conference 2013 and Sound and Music Computing Conference 2013.(2013).
On Cepstral and All-Pole Based Spectral Envelope Modeling with Unknown Model Order. Pattern Recognition Letters. 28(11), 1343-1350.(2007).
On Stage: the Reactable and other Musical Tangibles go Real. International Journal of Arts and Technology. 1(3/4), 268-287.(2008).
On the automatic identification of difficult examples for beat tracking: towards building new evaluation datasets. The 37th International Conference on Acoustics, Speech, and Signal Processing (ICASSP). 89-92.(2012).
An online platform for interactive soundscapes with user-contributed content. AES 41st International Conference on Audio for Games.(2011).
Online Score-Informed Source Separation with Adaptive Instrument Models. Journal of New Music Research.(2015).
Open Position Multilingual Orchestra Conductor. Lifetime Opportunity.. 26th. annual international ACM SIGIR conference.(2003).
An Opera Information System Based on MPEG-7. 5th International Conference on Music Information Retrieval (ISMIR).(2004).
Optimizing Melodic Extraction Algorithm for Jazz Guitar Recordings Using Genetic Algorithms. International Computer Music Conference/Sound and Music Computing Conference.(2014).
The Origins of DAFx and its Future within the Sound and Music Computing Field. International Conference on Digital Audio Effects.(2007).