Biblio

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Kaltenbrunner, M., O'Modhrain S., & Costanza E. (2004).  Object Design Considerations for Tangible Musical Interfaces. Abstract
Estapé, O. (2008).  Object Parameter Extraction for Control in Vision-Based Tabletop Systems. Abstract
Amatriain, X. (2005).  An Object-Oriented Metamodel for Digital Signal Processing with a focus on Audio and Music. Department of Information and Communication Technologies. Abstract
Janer, J., Gorlow S., & Arimoto K. (2014).  OBRAMUS: A System for Object-Based Retouch of Amateur Music. 137th AES Convention.
application/pdf iconpaper137_submit.pdf
Villavicencio, F., Bonada J., & Hisaminato Y. (2015).  Observation-Model Error Compensation for Enhanced Spectral Envelope Transformation in Voice Conversion. IEEE International Workshop on Machine Learning for Signal Processing. Abstract
Guaus, E., Saña O., & Llimona Q. (2013).  Observed Differences in Rhythm between Performances of Classical and Jazz Violin Students. Stockholm Music Acoustics Conference 2013 and Sound and Music Computing Conference 2013. Abstract
application/pdf iconphenicx_guaus_SMAC13.pdf
Normann, I., Purwins H., & Obermayer K. (2001).  Oktavambiguität als Konkurrenz zwischen Tonhöhe und Klangfarbe. DAGA. Abstract
Ferraro, A., & Lemstöm K. (2018).  On large-scale genre classification in symbolically encoded music by automatic identification of repeating patterns. 5th International Conference on Digital Libraries for Musicology.
Jordà, S. (2008).  On Stage: the Reactable and other Musical Tangibles go Real. International Journal of Arts and Technology. 1(3/4), 268-287. Abstract
Holzapfel, A., Davies M. E. P., Zapata J. R., Oliveira J., & Gouyon F. (2012).  On the automatic identification of difficult examples for beat tracking: towards building new evaluation datasets. The 37th International Conference on Acoustics, Speech, and Signal Processing (ICASSP). 89-92. Abstract
Schedl, M., Gómez E., Trent E., Tkalcic M., Zadeh H. E., & Martorell A. (2017).  On the Interrelation between Listener Characteristics and the Perception of Emotion in Classical Orchestra Music. IEEE Transactions on Affective Computing. Abstract
Cano, P., Kaltenbrunner M., Gouyon F., & Batlle E. (2002).  On the use of Fastmap for audio information retrieval and browsing. Abstract
Dzhambazov, G., Srinivasamurthy A., Şentürk S., & Serra X. (2016).  On the Use of Note Onsets for Improved Lyrics-to-audio Alignment in Turkish Makam Music. 17th International Society for Music Information Retrieval Conference (ISMIR 2016) . 716-722. Abstract
Gouyon, F., Pachet F., & Delerue O. (2000).  On the use of zero-crossing rate for an application of classification of percussive sounds. Abstract
Vinyes, M. (2006).  On time localization of sinusoids from the DFT of their sum.
application/pdf iconMVINYES_sinusoid_time_localization.pdf
Janer, J., Kersten S., Schirosa M., & Roma G. (2011).  An online platform for interactive soundscapes with user-contributed content. AES 41st International Conference on Audio for Games. Abstract
Rodriguez-Serrano, F. J., Duan Z., Vera-Candeas P., Pardo B., & Carabias-Orti J. J. (2015).  Online Score-Informed Source Separation with Adaptive Instrument Models. Journal of New Music Research. Abstract
application/pdf iconFullText
Caro Repetto, R., Pretto N., Chaachoo A., Bozkurt B., & Serra X. (2018).  An open corpus for the computational research of Arab-Andalusian music. 5th International Conference on Digital Libraries for Musicology (DLfM 2018). 78-86. Abstract
Speck, R., Röder M., Oramas S., Espinosa-Anke L., & Ngonga Ngomo A. (2017).  Open Knowledge Extraction Challenge 2017. Extended Semantic Web Conference (ESWC 2017).
Speck, R., Röder M., Oramas S., Espinosa-Anke L., & Ngonga Ngomo A. (2017).  Open Knowledge Extraction Challenge 2017. Extended Semantic Web Conference (ESWC 2017). Abstract
Batlle, E., Guaus E., & Masip J. (2003).  Open Position Multilingual Orchestra Conductor. Lifetime Opportunity.. 26th. annual international ACM SIGIR conference. Abstract
Gouyon, F., Wack N., & Dixon S. (2004).  An open source tool for semi-automatic rhythmic annotation. Abstract
Celma, Ò., & Mieza E. (2004).  An Opera Information System Based on MPEG-7. 5th International Conference on Music Information Retrieval (ISMIR). Abstract
Serra, X. (2012).  Opportunities for a Cultural Specific Approach in the Computational Description of Music. 2nd CompMusic Workshop. 1-4. Abstract
Giraldo, S., & Ramirez R. (2014).  Optimizing Melodic Extraction Algorithm for Jazz Guitar Recordings Using Genetic Algorithms. International Computer Music Conference/Sound and Music Computing Conference. Abstract
application/pdf iconSergio_SMC_3.pdf
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