Biblio

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A
Amatriain, X. (2005).  An Object-Oriented Metamodel for Digital Signal Processing with a focus on Audio and Music. Department of Information and Communication Technologies. Abstract
B
Batlle, E., Guaus E., & Masip J. (2003).  Open Position Multilingual Orchestra Conductor. Lifetime Opportunity.. 26th. annual international ACM SIGIR conference. Abstract
C
Cano, P., Kaltenbrunner M., Gouyon F., & Batlle E. (2002).  On the use of Fastmap for audio information retrieval and browsing. Abstract
Caro Repetto, R., Pretto N., Chaachoo A., Bozkurt B., & Serra X. (2018).  An open corpus for the computational research of Arab-Andalusian music. 5th International Conference on Digital Libraries for Musicology (DLfM 2018). 78-86. Abstract
Celma, Ò., & Mieza E. (2004).  An Opera Information System Based on MPEG-7. 5th International Conference on Music Information Retrieval (ISMIR). Abstract
D
Dzhambazov, G., Srinivasamurthy A., Şentürk S., & Serra X. (2016).  On the Use of Note Onsets for Improved Lyrics-to-audio Alignment in Turkish Makam Music. 17th International Society for Music Information Retrieval Conference (ISMIR 2016) . 716-722. Abstract
E
Estapé, O. (2008).  Object Parameter Extraction for Control in Vision-Based Tabletop Systems. Abstract
F
Ferraro, A., & Lemstöm K. (2018).  On large-scale genre classification in symbolically encoded music by automatic identification of repeating patterns. 5th International Conference on Digital Libraries for Musicology.
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Giraldo, S., & Ramirez R. (2014).  Optimizing Melodic Extraction Algorithm for Jazz Guitar Recordings Using Genetic Algorithms. International Computer Music Conference/Sound and Music Computing Conference. Abstract
application/pdf iconSergio_SMC_3.pdf
Gouyon, F., Wack N., & Dixon S. (2004).  An open source tool for semi-automatic rhythmic annotation. Abstract
Gouyon, F., Pachet F., & Delerue O. (2000).  On the use of zero-crossing rate for an application of classification of percussive sounds. Abstract
Guaus, E., Saña O., & Llimona Q. (2013).  Observed Differences in Rhythm between Performances of Classical and Jazz Violin Students. Stockholm Music Acoustics Conference 2013 and Sound and Music Computing Conference 2013. Abstract
application/pdf iconphenicx_guaus_SMAC13.pdf
H
Holzapfel, A., Davies M. E. P., Zapata J. R., Oliveira J., & Gouyon F. (2012).  On the automatic identification of difficult examples for beat tracking: towards building new evaluation datasets. The 37th International Conference on Acoustics, Speech, and Signal Processing (ICASSP). 89-92. Abstract
J
Janer, J., Kersten S., Schirosa M., & Roma G. (2011).  An online platform for interactive soundscapes with user-contributed content. AES 41st International Conference on Audio for Games. Abstract
Janer, J., Gorlow S., & Arimoto K. (2014).  OBRAMUS: A System for Object-Based Retouch of Amateur Music. 137th AES Convention.
application/pdf iconpaper137_submit.pdf
Jordà, S. (2008).  On Stage: the Reactable and other Musical Tangibles go Real. International Journal of Arts and Technology. 1(3/4), 268-287. Abstract
K
Kaltenbrunner, M., O'Modhrain S., & Costanza E. (2004).  Object Design Considerations for Tangible Musical Interfaces. Abstract
M
Meléndez-Catalán, B., Molina E., & Gómez E. (2019).  Open Broadcast Media Audio from TV: A Dataset of TV Broadcast Audio with Relative Music Loudness Annotations. Transactions of the International Society for Music Information Retrieval (TISMIR). 2(1), 43-51. Abstract
N
Normann, I., Purwins H., & Obermayer K. (2001).  Oktavambiguität als Konkurrenz zwischen Tonhöhe und Klangfarbe. DAGA. Abstract
R
Rodriguez-Serrano, F. J., Duan Z., Vera-Candeas P., Pardo B., & Carabias-Orti J. J. (2015).  Online Score-Informed Source Separation with Adaptive Instrument Models. Journal of New Music Research. Abstract
application/pdf iconFullText
S
Schedl, M., Gómez E., Trent E., Tkalcic M., Zadeh H. E., & Martorell A. (2017).  On the Interrelation between Listener Characteristics and the Perception of Emotion in Classical Orchestra Music. IEEE Transactions on Affective Computing. Abstract
Serra, X. (2007).  The Origins of DAFx and its Future within the Sound and Music Computing Field. International Conference on Digital Audio Effects. Abstract
Serrà, J., Suris D., Miron M., & Karatzoglou A. (2018).  Overcoming catastrophic forgetting with hard attention to the task. The 35th International Conference on Machine Learning (ICML 2018) . Abstract
Serra, X. (2012).  Opportunities for a Cultural Specific Approach in the Computational Description of Music. 2nd CompMusic Workshop. 1-4. Abstract
Speck, R., Röder M., Oramas S., Espinosa-Anke L., & Ngonga Ngomo A. (2017).  Open Knowledge Extraction Challenge 2017. Extended Semantic Web Conference (ESWC 2017).
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