Biblio

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Pérez, A., Bonada J., Pätynen J., & Välimäki V. (2011).  Method for measuring violin sound radiation based on bowed glissandi and its application to sound synthesis. Journal of the Acoustical Society of America. 130(2), 1020-1029. Abstract
Sordo, M., Gouyon F., & Sarmento L. (2010).  A Method for Obtaining Semantic Facets of Music Tags. 1st Workshop On Music Recommendation And Discovery (WOMRAD), ACM RecSys, 2010, Barcelona, Spain. Abstract
application/pdf iconwomrad2010_submission_18.pdf
Şentürk, S., & Serra X. (2016).  A Method for Structural Analysis of Ottoman-Turkish Makam Music Scores. 6th International Workshop on Folk Music Analysis (FMA 2016). 39-46. Abstract
Atlı, H. S., Bozkurt B., & Şentürk S. (2015).  A method for tonic frequency identification of Turkish makam music recordings. 5th International Workshop on Folk Music Analysis (FMA). 119-122. Abstract
application/pdf iconpost-print
Serra, X., Williams C., Gross R., & Wold E. (1996).  Method of and Apparatus for Analyzing and Synthesizing a Sound by Extracting and Controlling a Sound Parameter. Abstract
application/pdf iconUS5536902.pdf
Gomes, L., Gómez E., Bonnet M., & Moreau N. (2001).  Méthodes de resynchronisation pour le tatouage audio. Abstract
Jordà, S., & Mealla S. (2014).  A Methodological Framework for Teaching, Evaluating and Informing NIME Design with a Focus on Expressiveness and Mapping. 14th International Conference on New Interfaces for Musical Expression. 233-238. Abstract
application/pdf icon472_paper.pdf
Giné, E. (2013).  A methodology for audio ingestion, restoration and analysis in the sound archiving field. Abstract
application/pdf iconEnric-Gine-Master-Thesis-2013.pdf
Holzapfel, A., & Bozkurt B. (2012).  Metrical Strength and Contradiction in Turkish Makam Music. 2nd CompMusic Workshop.
application/pdf icon2012_2_CMW_Holzapfel_Bozkurt.pdf
Dzhambazov, G., Holzapfel A., Srinivasamurthy A., & Serra X. (2017).  Metrical-accent Aware Vocal Onset Detection in Polyphonic Audio. The 18th International Society for Music Information Retrieval Conference. Abstract
Amatriain, X., Bonada J., & Serra X. (1998).  METRIX A Musical Data Definition Language and Data Structure for a Spectral Modeling Based Synthesizer. International Conference on Digital Audio Effects. Abstract
Amatriain, X. (1999).  Metrix A musical description language for a spectral modeling based synthesizer. Abstract
Tamer, Y. B., & Bozkurt B. (2013).  A microtonal tuning method: Test & discussion on the use of microtonal intervals for the performance of traditional Turkish music. Journal of Interdisciplinary Music Studies (JIMS). 7(1-2), 73-88. Abstract
Gulati, S., Serrà J., Ishwar V., & Serra X. (2014).  Mining Melodic Patterns in Large Audio Collections of Indian Art Music. International Conference on Signal Image Technology & Internet Based Systems - Multimedia Information Retrieval and Applications. 264-271. Abstract
application/pdf iconPresentation slides
Porter, A., Bogdanov D., & Serra X. (2016).  Mining metadata from the web for AcousticBrainz. 3rd International Digital Libraries for Musicology workshop. 53-56. Abstract
Schedl, M., Sordo M., Koenigstein N., & Weinsberg U. (2014).  Mining User Generated Data for Music Information Retrieval. (Moens, Marie-Francine, Li, Juanzi, Chua, Tat-Seng, Ed.).Mining User Generated Content.
Salamon, J., & Gómez E. (2014).  MIR.EDU: AN OPEN-SOURCE LIBRARY FOR TEACHING SOUND AND MUSIC DESCRIPTION. International Society for Music Information Retrieval conference. Late Breaking Demo.
application/pdf iconLBD_LBD23.pdf
Herrera, P. (2018).  MIRages: an account of music audio extractors, semantic description and context-awareness, in the three ages of MIR. Information and Communication Technologies. 241+xiii. Abstract
Zapata, J. R., Davies M. E. P., & Gómez E. (2012).  MIREX 2012: MULTI FEATURE BEAT TRACKER (ZDG1 AND ZDG2). 7th Music Information Retrieval Evaluation eXchange (MIREX). Abstract
application/pdf iconMultiFT_BT_Mirex_2012.pdf
application/pdf iconPoster_BT_MIREX2012.pdf
Urbano, J. (2013).  MIREX 2013 Symbolic Melodic Similarity: A Geometric Model supported with Hybrid Sequence Alignment. 9th Music Information Retrieval Evaluation eXchange (MIREX).
application/pdf icon060-mirex-2013-symbolic-melodic-similarity-geometric-model-supported-hybrid-sequence-alignment.pdf
Herrera, P., & Gouyon F. (2013).  MIRrors: Music Information Research reflects on its future. Journal of Intelligent Information Systems. 41(3), 339-343.
Gómez, E., Cano P., Gomes L., Batlle E., & Bonnet M. (2002).  Mixed Watermarking-Fingerprinting Approach for Integrity Verification of Audio Recordings. Abstract
Clouth, R. (2013).  Mobile Augmented Reality as a Control Mode for Real-time Music Systems. Abstract
application/pdf iconRobert-Clouth-Master-Thesis-2013.pdf
Ramírez, M., Martinez J., & Santosa A. (2004).  Model checking constraint-based concurrent Java programs. International Workshop on Constructive Methods for Parallel Programming. Abstract
Coath, M., Denham S. L., Smith L. M., Honing H., Hazan A., Holonowicz P., et al. (2009).  Model cortical responses for the detection of perceptual onsets and beat tracking in singing. Connection Science. 21(2-3), 193-205. Abstract
application/pdf iconCoathEtAl08ConnSciPreprint.pdf
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