Biblio
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(2011). Identification of versions of the same musical composition by processing audio descriptions.
Department of Information and Communication Technologies. 154. Abstract
(2007). Identifying saxophonists from their playing styles.
30th AES Conference. Abstract
(2011). Implicit Interaction in Collaborative Music Performances.
FutureBNCI. 1.
(2012). Improving Beat Tracking in the presence of highly predominant vocals using source separation techniques: Preliminary study.
The 9th International Symposium on Computer Music Modeling and Retrieval (CMMR) . 583-590.
(2008). Improving binary similarity and local alignment for cover song detection.
Music Information Retrieval Evaluation eXchange (MIREX) extended abstract. Abstract
(2006). Improving LPC Spectral Envelope Extraction of Voiced Speech by True-Envelope Estimation.
IEEE International Conference on Acoustics, Speech, and Signal Processing, 2006 (ICASSP'06). 1, Abstract
(2002). Improvising with Computers A Personal Survey (1989-2001).
Journal of New Music Research. 31, pp 1-10. Abstract
(2010). Indexing Music by Mood: Design and Integration of an Automatic Content-based Annotator.
Multimedia Tools and Applications. 48(1), 161-184. Abstract
(2004). Industrial audio fingerprinting distributed system with CORBA and Web Services.
5th International Conference on Music Information Retrieval. 337-340. Abstract
(2005). An Industrial-Strength Content-based Music Recommendation System.
28th Annual International ACM SIGIR Conference. Abstract
(Submitted). Inferring Semantic Facets of a Music Folksonomy with Wikipedia.
Journal of Web Semantics. Abstract
(2005). Instruments and Players Some thoughts on digital lutherie.
Journal of New Music Research. 33, Abstract
(1998). Integrating background musical knowledge in a CBR system for generating expressive musical performances.
AAAI'98 Workshop on CBR Integrations. Abstract
(1997). Integrating Complementary Spectral Models in the Design of a Musical Synthesizer.
International Computer Music Conference. Abstract
(2011). Integrating Different Knowledge Sources for the Computational Modeling of Flamenco Music.
(, Ed.).Multimodal Music Processing (Dagstuhl Seminar 11041) - Dagstuhl Reports. 1(1), 82-83. Abstract

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