Biblio

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A
Aldrey, L. (2011).  Interactive music system based on pitch quantization and tonal navigation.
application/pdf iconAldrey-Leonardo-Master-thesis-2011.pdf
Alonso, M., Geiger G., & Jordà S. (2004).  An Internet Browser Plug-in for Real-time Audio Synthesis. Abstract
Arcos, J. L., Lopez de Mantaras R., & Serra X. (1998).  Integrating background musical knowledge in a CBR system for generating expressive musical performances. AAAI'98 Workshop on CBR Integrations. Abstract
B
Barbosa, A., Kaltenbrunner M., & Geiger G. (2003).  Interface Decoupled Applications for Geographically Displaced Collaboration in Music. Abstract
Bencina, R., Kaltenbrunner M., & Jordà S. (2005).  Improved Topological Fiducial Tracking in the reacTIVision System. Abstract
Bonada, J., Blaauw M., & Loscos A. (2006).  Improvements to a Sample-Concatenation Based Singing Voice Synthesizer. Abstract
C
Cano, P., Koppenberger M., Wack N., G. Mahedero J., Masip J., Celma Ò., et al. (2005).  An Industrial-Strength Content-based Music Recommendation System. 28th Annual International ACM SIGIR Conference. Abstract
Cano, P., Gómez E., Gouyon F., Herrera P., Koppenberger M., Ong B., et al. (2006).  ISMIR 2004 Audio Description Contest. Abstract
E
Eakin, R. T. (2009).  An Interactive System for Visualizing and Manipulating Spectral Data. Abstract
G
G. Mahedero, J., Tarasov V., Batlle E., Guaus E., & Masip J. (2004).  Industrial audio fingerprinting distributed system with CORBA and Web Services. 5th International Conference on Music Information Retrieval. 337-340. Abstract
Geiger, G. (2002).  An Interpreted Language for Real Time Signal Processing. Abstract
Giotis, P. (2009).  Instrument Timbre Transformation using Gaussian Mixture Models. Abstract
Gómez, E. (2011).  Integrating Different Knowledge Sources for the Computational Modeling of Flamenco Music. (Müller, M., Goto, M., Dixon, S., Ed.).Multimodal Music Processing (Dagstuhl Seminar 11041) - Dagstuhl Reports. 1(1), 82-83. Abstract
Gong, R., & Serra X. (2017).  Identification of potential Music Information Retrieval technologies for computer-aided jingju singing training. The 5th China Conference on Sound and Music Technology - Chinese Traditional Music Technology Session. Abstract
Gouyon, F., & Dixon S. (2005).  Influence of input features in perceptual tempo induction. Abstract
Gulati, S., Serrà J., & Serra X. (2015).  Improving Melodic Similarity in Indian Art Music Using culture-Specific Melodic Characteristics. International Society for Music Information Retrieval Conference. 680-686. Abstract
application/pdf iconPoster
H
Herrera, P. (2008).  Investigació i educació en tecnologia musical a Catalunya. 2n Congrés Internacional de Música a Catalunya. Abstract
J
Janer, J., Gómez E., Martorell A., Miron M., & de Wit B. (2016).  Immersive Orchestras: audio processing for orchestral music VR content. VSGAMES 2016 - 8th International Conference on Virtual Worlds and Games for Serious Applications. Abstract
Jewalikar, V. (2013).  Improving automatic phonetic segmentation for creating singing voice synthesizer corpora. Abstract
Jordà, S. (2007).  Interactivity and Live Computer Music. (Nick Collins, Julio d'Escrivan, Ed.).The Cambridge Companion to Electronic Music. 312. Abstract
Jordà, S. (2003).  Interactive music systems for everyone exploring visual feedback as a way for creating more intuitive, efficient and learnable instruments. Abstract
Jordà, S. (1999).  Internet. Cap a Noves Formes d'entendre la Creació Musical?. Revista Musical Catalana. 1,
Jordà, S., Julià C. F., & Gallardo D. (2010).  Interactive surfaces and tangibles. XRDS: Crossroads, The ACM Magazine for Students. 16(4), 21-28. Abstract
Jordà, S. (2002).  Improvising with Computers A Personal Survey (1989-2001). Journal of New Music Research. 31, pp 1-10. Abstract
Jordà, S. (2001).  Improvising with Computers A Personal Survey (1989-2001). Abstract
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