Biblio

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Conference Paper
Arcos, J. L., Lopez de Mantaras R., & Serra X. (1998).  Integrating background musical knowledge in a CBR system for generating expressive musical performances. AAAI'98 Workshop on CBR Integrations. Abstract
Serra, X., Bonada J., Herrera P., & Loureiro R. (1997).  Integrating Complementary Spectral Models in the Design of a Musical Synthesizer. International Computer Music Conference. Abstract
Kaltenbrunner, M. (2005).  Interactive Music for Mobile Digital Music Players. Abstract
Jordà, S. (2003).  Interactive music systems for everyone exploring visual feedback as a way for creating more intuitive, efficient and learnable instruments. Abstract
Uyar, B., & Bozkurt B. (2015).  An Interactive Rhythm Training Tool for Usuls of Turkish Makam Music. 5th Int. Workshop on Folk Music Analysis (FMA). Abstract
Nuanáin, C. Ó., Jordà S., & Herrera P. (2016).  An Interactive Software Instrument for Real-time Rhythmic Concatenative Synthesis. 16th International Conference on New Interfaces for Musical Expression (NIME 2016). 383-387. Abstract
Barbosa, A., Kaltenbrunner M., & Geiger G. (2003).  Interface Decoupled Applications for Geographically Displaced Collaboration in Music. Abstract
Alonso, M., Geiger G., & Jordà S. (2004).  An Internet Browser Plug-in for Real-time Audio Synthesis. Abstract
Geiger, G. (2002).  An Interpreted Language for Real Time Signal Processing. Abstract
Weigl, D. M., Goebl W., Crawford T., Gkiokas A., Gutierrez N. F., Porter A., et al. (2019).  Interweaving and Enriching Digital Music Collections for Scholarship, Performance, and Enjoyment. 6th International Conference on Digital Libraries for Musicology. Abstract
Ramirez, R., Hazan A., & Maestre E. (2005).  Intra-note Features Prediction Model for Jazz Saxophone Performance. International Computer Music Conference. Abstract
Herrera, P. (2008).  Investigació i educació en tecnologia musical a Catalunya. 2n Congrés Internacional de Música a Catalunya. Abstract
Marchini, M., Papiotis P., & Maestre E. (2013).  Investigating the relationship between expressivity and synchronization in ensemble performance: an exploratory study. International Symposium on Performance Science, Vienna.
Vamvakousis, Z., & Ramirez R. (2015).  Is an auditory P300-based Brain-Computer Musical Interface feasible?. CMMR2015: International Workshop on BCMI.
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Book Chapter
Jordà, S. (2007).  Interactivity and Live Computer Music. (Nick Collins, Julio d'Escrivan, Ed.).The Cambridge Companion to Electronic Music. 312. Abstract
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