Biblio
Filters: First Letter Of Title is I [Clear All Filters]
Industrial audio fingerprinting distributed system with CORBA and Web Services.
5th International Conference on Music Information Retrieval. 337-340. Abstract
(2004).
An Industrial-Strength Content-based Music Recommendation System.
28th Annual International ACM SIGIR Conference. Abstract
(2005).
Inferring Semantic Facets of a Music Folksonomy with Wikipedia.
Journal of New Music Research. 42(4), 346-363. Abstract
(2013).
Information Extraction for Knowledge Base Construction in the Music Domain.
Data & Knowledge Engineering. 106, 70-83. Abstract
(2016).
Information Extraction Grammars.
37th European Conference on Information Retrieval. 265-270. Abstract
(2015).
Informed Automatic Meter Analysis of Music Recordings.
18th International Society for Music Information Retrieval (ISMIR) Conference. 679-685. Abstract
(2017).
(2013).
Instruments and Players Some thoughts on digital lutherie.
Journal of New Music Research. 33, Abstract
(2005).
(2013).
Integrating background musical knowledge in a CBR system for generating expressive musical performances.
AAAI'98 Workshop on CBR Integrations. Abstract
(1998).
Integrating Complementary Spectral Models in the Design of a Musical Synthesizer.
International Computer Music Conference. Abstract
(1997).
Integrating Different Knowledge Sources for the Computational Modeling of Flamenco Music.
( , Ed.).Multimodal Music Processing (Dagstuhl Seminar 11041) - Dagstuhl Reports. 1(1), 82-83. Abstract
(2011).
An Intelligent Interface for Drum Pattern Variation and Comparative Evaluation of Algorithms.
Journal of the Audio Engineering Society. 64(7/8), 503-513.
(2016).
(2011).
(2003).
An Interactive Rhythm Training Tool for Usuls of Turkish Makam Music.
5th Int. Workshop on Folk Music Analysis (FMA). Abstract
(2015).
An Interactive Software Instrument for Real-time Rhythmic Concatenative Synthesis.
16th International Conference on New Interfaces for Musical Expression (NIME 2016). 383-387. Abstract
(2016).
Interactive surfaces and tangibles.
XRDS: Crossroads, The ACM Magazine for Students. 16(4), 21-28. Abstract
(2010).
Interactivity and Live Computer Music.
( , Ed.).The Cambridge Companion to Electronic Music. 312. Abstract
(2007).