Biblio

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Bonada, J. (2005).  F-2 Voice Solo to Unison Choir Transformation. Abstract
Marxer, R., & Purwins H. (2008).  An F-Measure for Evaluation of Unsupervised Clustering with Non-Determined Number of Clusters. Abstract
Özer, S. (2015).  F0 Modeling For Singing Voice Synthesizers with LSTM Recurrent Neural Networks. Abstract
application/pdf iconSerkan-Ozer-Master-thesis-2015.pdf
Favory, X., Fonseca E., Font F., & Serra X. (2018).  Facilitating the Manual Annotation of Sounds When Using Large Taxonomies. 23rd IEEE FRUCT Conference. Abstract
Roma, G., Xambó A., Herrera P., & Laney R. (2012).  Factors in human recognition of timbre lexicons generated by data clustering. Sound and Music Computing Conference (SMC2012). Abstract
application/pdf iconsmc2012_submission_199.pdf
Jordà, S. (1999).  Faust Music On Line (FMOL) An approach to Real-time Collective Composition on the Internet. Leonardo Music Journal. 9, 5-12. Abstract
Janer, J. (2005).  Feature Extraction for Voice-driven Synthesis. Abstract
Bozkurt, B. (2012).  Features for Analysis of Makam Music. 2nd CompMusic Workshop.
application/pdf icon2012_3_CMW_Bozkurt.pdf
Espinosa-Anke, L., Oramas S., Camacho-Collados J., & Saggion H. (2016).  Finding and Expanding Hypernymic Relations in the Music Domain. 19th International Conference of the Catalan Association for Artificial Intelligence (CCIA). Abstract
application/pdf iconCCIA16.pdf
Kersten, S., & Purwins P. (2012).  Fire Texture Sound Re-Synthesis Using Sparse Decomposition and Noise Modelling. International Conference on Digital Audio Effects (DAFx12). Abstract
application/pdf iconkersten_purwins_dafx_2012.pdf
Oramas, S., Gómez F., Gómez E., & Mora J. (2015).  FlaBase: Towards the Creation of a Flamenco Music Knowledge Base. 16th International Society for Music Information Retrieval Conference. Abstract
application/pdf iconflabase.pdf
Thornburg, H., & Gouyon F. (2000).  A Flexible Analysis/Synthesis Method for Transients. Abstract
Jordà, S., & Aguilar T. (1998).  FMOL a graphical and net oriented approach to interactive sonic composition and real-time synthesis for low cost computer systems. International Conference on Digital Audio Effects (DAFX). Abstract
Jordà, S., & Wüst O. (2001).  FMOL A System for Collaborative Music Composition over the Web. Abstract
Jordà, S. (2002).  FMOL Toward User-Friendly, Sophisticated New Musical Instruments. Computer Music Journal. 26, pp 23-39. Abstract
Gómez Rubio, I. (2011).  fMRI Sonification & Brain Activity Prediction. Abstract
Ramirez, R. (2008).  An fMRI Study on Attentive Music Listening. The Neurosciences and Music. Abstract
Celma, Ò. (2006).  Foafing the Music Bridging the semantic gap in music recommendation. 5th International Semantic Web Conference (ISWC). Abstract
Celma, Ò., Ramirez R., & Herrera P. (2005).  Foafing the music: A music recommendation system based on RSS feeds and user preferences. 6th International Conference on Music Information Retrieval (ISMIR). 464-467. Abstract
Font, F., Serrà J., & Serra X. (2013).  Folksonomy-based tag recommendation for collaborative tagging systems. International Journal on Semantic Web and Information Systems. 9(2), 1-30. Abstract
Font, F., Serrà J., & Serra X. (2012).  Folksonomy-based tag recommendation for online audio clip sharing. 13th International Society for Music Information Retrieval Conference (ISMIR 2012). 73-78. Abstract
Stanyek, J., Benadon F., Browner T., Chordia P., Danielsen A., Gómez E., et al. (2014).  Forum on transcription. Twentieth-Century Music. 11(1), 101-161.
Cuesta, H., Gómez E., & Chandna P. (2019).  A Framework for Multi-f0 Modeling in SATB Choir Recordings. Sound and Music Computing Conference. 447-453. Abstract
Ramirez, R., & Maestre E. (2009).  A Framework for Performer Identification in Audio Recordings. International Workshop on Machine Learning and Music - ECML-PKDD 09. Abstract
Amatriain, X., & Griffiths D. (2004).  Free Software in Education Is it a Viable Alternative?. Abstract
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