Biblio

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Report
Villavicencio, F., Bonada J., Yamagishi J., & Pucher M. (2015).  Efficient Pitch Estimation on Natural Opera-Singing by a Spectral Correlation based Strategy. SIG Technical Reports.
application/pdf iconEfficient_Pitch_Estimation_on_Natural_Op.pdf
Gómez Cañón, J. S., Herrera P., Gómez E., & Cano E. (2019).  The emotions that we perceive in music: the influence of language and lyrics comprehension on agreement. Workshop-Symposium on Research Methods in Music and Emotion. Abstract
Serra, X. (1988).  An Environment for the Analysis, Transformation and Resynthesis of Music Sounds. Abstract
Lizarraga Seijas, X. (2013).  Evaluación y mejora de la invarianza al timbre de descriptores tonales para el uso efectivo en aplicaciones musicales.
application/pdf iconMaster thesis document
PhD Thesis
Pérez, A. (2009).  Enhancing Spectral Synthesis Techniques with Performance Gestures using the Violin as a Case Study. Department of Information and Communication Technologies. 165. Abstract
Gallardo, D. (2015).  Expanding tangible tabletop interfaces beyond the display. Information and Communication Technologies. 194. Abstract
Salselas, I. (2013).  Exploring interactions between music and language during the early development of music cognition. A computational modelling approach. Department of Information and Communication Technologies. 137. Abstract
Umbert, M. (2016).  Expression Control of Singing Voice Synthesis: Modeling Pitch and Dynamics with Unit Selection and Statistical Approaches. (Bonada, J., Xavier Serra, Ed.).Department of Information and Communication Technologies. 177. Abstract
Grachten, M. (2006).  Expressivity-aware Tempo Transformations of Music Performances Using Case Based Reasoning. Department of Information and Communication Technologies. Abstract
Miscellaneous
Laurier, C. (2009).  Estimating Tonal Tension from Audio Content. Workshop on Music, Emotions, and Brain plasticity. Abstract
Ortolà, J. (2000).  Expressivitat musical en un sintetitzador de veu cantada. Abstract
Master Thesis
Forteza, M. (2013).  An EEG-based Emotion-driven Music Control System. Abstract
application/pdf iconMacia-Forteza-Master-Thesis-2013.pdf
Mealla, S. (2010).  Effects of Physiology-Based Interaction on Collaborative Performance. Abstract
Sesmero, J. (2008).  Electronic dance music genre classification. Abstract
Melidis, P. (2012).  Electronic Music Artist Identification. Abstract
Yurci, E. (2014).  Emotion detection from EEG signals: correlating cerebral cortex activity with musicEMOTION. Abstract
application/pdf iconErim-Yurci-Master-Thesis-2014.pdf
Umbert, M. (2010).  Emotional Speech Synthesis for a Radio DJ: Corpus Design and Expression Modeling. Abstract
Sánchez-Mendoza, D. (2005).  Emulating Electric Guitar Effects With Neural Networks. Abstract
Ioannidis, L. (2010).  Estimating the Makam of Polyphonic Music Signals: Template-Matching vs. Class-Modeling. Abstract
Gómez, V. (2002).  Estudi de diferents algorismes d'entrenament de xarxes neuronals de funció de base radial.
Ferradans, S. (2004).  Estudio y desarrollos de un sistema de segmentación musical mediante voz cantada.
Kaltenbrunner, M. (2002).  Evaluation of Auditory Interface Metaphors. Abstract
Harley, N. (2014).  Evaluation of set-class similarity measures for tonal analysis. Abstract
application/pdf iconNicholas-Harley-Master-Thesis-2014.pdf
Bajpai, V. (2018).  Evaluation of state of the art for genre classification in large datasets. Abstract
Rossi, A. (2018).  Event Recognition of Domestic Sounds using Semi-Supervised Learning. Abstract
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