Biblio

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Vamvakousis, Z. (2011).  The EyeHarp: A Gaze-Controlled Musical Instrument. Abstract
application/pdf iconVamvakousis-Zacharias-Master-thesis-2011.pdf
Gouyon, F. (1998).  Extraction de hauteur perçue dans les enregistrements musicaux numeriques.
Gouyon, F. (2000).  Extraction de descripteurs rythmiques dans des extraits de musiques populaires polyphoniques. Abstract
Sordo, M., Serrà J., Koduri G. K., & Serra X. (2012).  Extracting Semantic Information from an Online Carnatic Music Forum. 13th International Society for Music Information Retrieval Conference (ISMIR 2012). 355-360. Abstract
application/pdf iconmsordo_ismir2102.pdf
Garcia, D., Arumí P., & Amatriain X. (2006).  Extracció d'acords amb l'Anotador de Música de CLAM. Abstract
Janer, J., & De Boer M. (2008).  Extending voice-driven synthesis to audio mosaicing. 5th Sound and Music Computing Conference . Abstract
Martínez, E., Celma Ò., Sordo M., De Jong, B, & Serra X. (2009).  Extending the folksonomies of freesound.org using content-based audio analysis. Sound and Music Computing Conference. Abstract
Katsaprakakis, A. (2011).  Extending the control of a musical tangible tabletop with mobile phones. Abstract
application/pdf iconKatsaprakakis-Alexandros-Master-thesis-2011.pdf
Font, F., & Serra X. (2011).  Extending Sound Sample Descriptions through the Extraction of Community Knowledge. User Modeling, Adaptation and Personalization. LNCS 6787, 418-421. Abstract
application/pdf iconumap_final.pdf
Bosi, M. (2009).  Extending Physical Computing On The Reactable. Abstract
Villavicencio, F., Röbel A., & Rodet X. (2008).  Extending Efficient Spectral Envelope Modeling to Mel-Frequency Based Representation. IEEE 2008 International Conference on Acoustics, Speech, and Signal processing, 2008 (ICASSP'08). 1625 - 1628 . Abstract
Grachten, M. (2006).  Expressivity-aware Tempo Transformations of Music Performances Using Case Based Reasoning. Abstract
Ortolà, J. (2000).  Expressivitat musical en un sintetitzador de veu cantada. Abstract
Alonso, M. (2005).  Expressive Performance Model for a Singing Voice Synthesizer. Abstract
Marinescu, M., & Ramírez R. (2008).  Expressive Performance in the Human Tenor Voice. Sound and Music Computing Conference. Abstract
Neocleous, A. (2010).  Expressive Music Performance Modeling. Abstract
Pérez, A., Maestre E., Ramírez R., & Kersten S. (2008).  Expressive Irish Fiddle Performance Model Informed with Bowing. International Computer Music Conference. Abstract
Maestre, E., Ramírez R., Kersten S., & Serra X. (2009).  Expressive Concatenative Synthesis by Reusing Samples from Real Performance Recordings. Computer Music Journal. 33(4), 23-42. Abstract
Merchán, F. (2008).  Expressive characterization of flamenco singing. Abstract
Comajuncosas, J. M. (2010).  Expressive Breath Modeling. Abstract
Ozäslan, T. (2009).  Expressive Analysis of Violin Performers. Abstract
Catala, A., Jaen J., van Dijk B., & Jordà S. (2012).  Exploring tabletops as an effective tool to foster creativity traits. Proceedings of the Sixth International Conference on Tangible, Embedded and Embodied Interaction. 143–150.
Laurier, C., Lartillot O., Eerola T., & Toiviainen P. (2009).  Exploring Relationships between Audio Features and Emotion in Music. ESCOM, Conference of European Society for the Cognitive Sciences of Music. Abstract
Salselas, I. (2013).  Exploring interactions between music and language during the early development of music cognition. A computational modelling approach. Department of Information and Communication Technologies. 137. Abstract
application/pdf iconSalselas-Ines-PhD-Thesis-2013.pdf
Schmele, T. (2011).  Exploring 3D Audio as a New Musical Language. Abstract
application/pdf iconSchmele-Timothy-Master-thesis-2011.pdf
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