Biblio

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Vamvakousis, Z., & Ramirez R. (2011).  THE EYEHARP: AN EYE-TRACKING-BASED MUSICAL INSTRUMENT. 8th Sound and Music Computing Conference.
E
Vamvakousis, Z. (2011).  The EyeHarp: A Gaze-Controlled Musical Instrument. Abstract
application/pdf iconVamvakousis-Zacharias-Master-thesis-2011.pdf
Vamvakousis, Z., & Ramirez R. (2016).  The EyeHarp: A Gaze-Controlled Digital Musical Instrument. Frontiers in Psychology . 7,
Gouyon, F. (1998).  Extraction de hauteur perçue dans les enregistrements musicaux numeriques.
Gouyon, F. (2000).  Extraction de descripteurs rythmiques dans des extraits de musiques populaires polyphoniques. Abstract
Sordo, M., Serrà J., Koduri G. K., & Serra X. (2012).  Extracting Semantic Information from an Online Carnatic Music Forum. 13th International Society for Music Information Retrieval Conference (ISMIR 2012). 355-360. Abstract
Sordo, M., Oramas S., & Espinosa-Anke L. (2015).  Extracting Relations from Unstructured Text Sources for Music Recommendation. 20th International Conference on Applications of Natural Language to Information Systems. Abstract
application/pdf iconnldb2015_msordo_soramas_lespinosa.pdf
Garcia, D., Arumí P., & Amatriain X. (2006).  Extracció d'acords amb l'Anotador de Música de CLAM. Abstract
Janer, J., & De Boer M. (2008).  Extending voice-driven synthesis to audio mosaicing. 5th Sound and Music Computing Conference . Abstract
Martínez, E., Celma Ò., Sordo M., De Jong, B, & Serra X. (2009).  Extending the folksonomies of freesound.org using content-based audio analysis. Sound and Music Computing Conference. Abstract
Katsaprakakis, A. (2011).  Extending the control of a musical tangible tabletop with mobile phones. Abstract
application/pdf iconKatsaprakakis-Alexandros-Master-thesis-2011.pdf
Font, F., Oramas S., Fazekas G., & Serra X. (2014).  Extending Tagging Ontologies with Domain Specific Knowledge. International Semantic Web Conference. 209-2012. Abstract
application/pdf iconFull text
Font, F., & Serra X. (2011).  Extending Sound Sample Descriptions through the Extraction of Community Knowledge. User Modeling, Adaptation and Personalization. LNCS 6787, 418-421. Abstract
Bosi, M. (2009).  Extending Physical Computing On The Reactable. Abstract
Grachten, M. (2006).  Expressivity-aware Tempo Transformations of Music Performances Using Case Based Reasoning. Department of Information and Communication Technologies. Abstract
application/pdf iconDissertation-MGrachten-2006.pdf
Ortolà, J. (2000).  Expressivitat musical en un sintetitzador de veu cantada. Abstract
Floría, H. (2013).  Expressive speech synthesis for a Radio DJ using Vocaloid and HMM's. Abstract
application/pdf iconHector-Floria-Master-Thesis-2013.pdf
Bonada, J., Umbert M., & Blaauw M. (2016).  Expressive Singing Synthesis Based on Unit Selection for the Singing Synthesis Challenge 2016. Interspeech. Abstract
application/pdf iconinterspeech-singing-challenge.pdf
Alonso, M. (2005).  Expressive Performance Model for a Singing Voice Synthesizer. Abstract
Marinescu, M., & Ramirez R. (2008).  Expressive Performance in the Human Tenor Voice. Sound and Music Computing Conference. Abstract
Neocleous, A. (2010).  Expressive Music Performance Modeling. Abstract
Pérez, A., Maestre E., Ramirez R., & Kersten S. (2008).  Expressive Irish Fiddle Performance Model Informed with Bowing. International Computer Music Conference. Abstract
Maestre, E., Ramirez R., Kersten S., & Serra X. (2009).  Expressive Concatenative Synthesis by Reusing Samples from Real Performance Recordings. Computer Music Journal. 33(4), 23-42. Abstract
Merchán, F. (2008).  Expressive characterization of flamenco singing. Abstract
Comajuncosas, J. M. (2010).  Expressive Breath Modeling. Abstract
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