Biblio

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Gouyon, F., & Dixon S. (2004).  Dance music classification A tempo-based approach. Abstract
Arumí, P., Garcia D., & Amatriain X. (2006).  A Data Flow Pattern Language for Audio and Music Computing. Abstract
Serra, X. (2012).  Data Gathering for a Culture Specific Approach in MIR. 21st International World Wide Web Conference (WWW 2012): 4th International Workshop on Advances in Music Information Research (AdMIRe 2012). 867-868. Abstract
application/pdf iconAdMIRe-2012.pdf
Wüst, O. (2003).  Database-Driven Systems and Applications for Music Information Management. Abstract
Serra, X. (2008).  De la Cultura Musical a la Cultura del So en la Societat Tecnològica. 2n Congrés Internacional de Música a Catalunya. Abstract
Vinyes, M., Bonada J., & Loscos A. (2006).  Demixing Commercial Music Productions via Human-Assisted Time-Frequency Masking. Abstract
Herrera, P. (1999).  Descriure els sons un marc conceptual per al desenvolupament d'aplicacions de processament del contingut sonor. Abstract
Bonada, J. (1997).  Desenvolupament d'un entorn gràfic per a l`anàlisi, transformació i síntesi de sons mitjançant models espectrals. Abstract
Mora, A. (2003).  Desenvolupament d'un entorn per a l'anàlisi, transformaciò i síntesi de sons usant la llibreria CLAM.
Casasnovas, I. (2004).  Desenvolupament d'un mòdul interactiu de visualització d'àudio en temps real. Abstract
Font, F. (2010).  Design and Evaluation of a Visualization Interface for Querying Large Unstructured Sound Databases. Abstract
Bencina, R., & Kaltenbrunner M. (2005).  The Design and Evolution of Fiducials for the reacTIVision System. Abstract
San Agustín, A. (2008).  Design and implementation of new communication channels between public and an artistic performance. Abstract
Casanovas, O. (2012).  Design of a nonlinear music playback system for nonprogrammer musicians. Abstract
Haro, M. (2008).  Detecting and Describing Percussive Events in Polyphonic Music. Abstract
Fuhrmann, F., Herrera P., & Serra X. (2009).  Detecting Solo Phrases in Music using Spectral and Pitch-related Descriptors. Journal of New Music Research. 38(4), 343 - 356. Abstract
application/pdf iconfuhrmann2009JNMR_AV.pdf
Gouyon, F. (1999).  Detection and Modeling of transient regions in musical signals. Abstract
Román Echeverri, C. G. (2011).  Detection of genre-specific musical instruments: The case of the mellotron. Abstract
application/pdf iconRoman-Carlos-Master-thesis-2011.pdf
Holonowicz, P., & Herrera P. (2010).  Detection of polyphonic music note onsets by application of the Bayesian Theory of Surprise. ISCA Tutorial and Research Workshop on Statistical And Perceptual Audition. Abstract
Gouyon, F., & Herrera P. (2003).  Determination of the Meter of musical audio signals Seeking recurrences in beat segment descriptors. Abstract
Streich, S., & Herrera P. (2005).  Detrended Fluctuation Analysis of Music Signals Danceability Estimation and further Semantic Characterization. Abstract
Dimitrov, S., Alonso M., & Serafin S. (2008).  Developing block-movement, physical-model based objects for the Reactable. NIME08. Abstract
Amatriain, X., & Arumí P. (2005).  Developing Cross-platform Audio and Music Applications with the CLAM Framework. Abstract
Salselas, I. (2007).  The Development of Melodic Representations at Early Age Facts Towards a Computational Model. Abstract
Salselas, I., Hazan A., Herrera P., & Purwins H. (2008).  The Development of Melodic Representations at Early Age: Towards a Computational Model.. Music, Language and the Mind 2008. Abstract
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