Biblio

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Robledo, E., Hinojosa R., & De Boer M. (2002).  A C++ Development platform for Real-time audio processing and synthesis applications. Abstract
Guaus, E., Bonada J., Maestre E., Pérez A., & Blaauw M. (2009).  Calibration method to measure accurate bow force for real violin performances . (Scavone, G., Ed.).International Computer Music Conference. 251-254. Abstract
Gómez, E., Guerrero A., & Rodríguez S. (2018).  CANTE FLAMENCO TECH: Aprendizaje del cante con la ayuda de la tecnología. V Congreso Interdisciplinar INVESTIGACIÓN Y FLAMENCO (INFLA). Abstract
application/pdf iconcante-flamenco-tech.pdf
Kritsis, K. (2016).  Capturing Violin Performance Gestures with a Single Camera System. Abstract
Kroher, N., Gómez E., & Ramirez R. (2013).  Caracterización automática del cante flamenco a base de análisis de grabaciones.. Investigación y Flamenco (INFLA).
Serrà, J., Zanin M., Herrera P., & Serra X. (2012).  Characterization and exploitation of community structure in cover song networks. Pattern Recognition Letters. 33(1), 1032–1041. Abstract
Özaslan, T., Serra X., & Arcos J. L. (2012).  Characterization of Embellishments in Ney Performances of Makam Music in Turkey. 13th International Society for Music Information Retrieval Conference (ISMIR 2012). 13-18. Abstract
Koduri, G. K., Serrà J., & Serra X. (2012).  Characterization of Intonation in Carnatic Music by Parametrizing Pitch Histograms. International Society for Music Information Retrieval Conference (ISMIR 2012). 199-204. Abstract
Koduri, G. K., Serrà J., & Serra X. (2012).  Characterization of Intonation in Karṇāṭaka Music by Parametrizing Context-based Svara Distributions. 2nd CompMusic Workshop. Abstract
Chen, K. (2013).  Characterization of Pitch Intonation of Beijing Opera. Abstract
application/pdf iconKainan-Chen-Master-Thesis-2013.pdf
Togias, S. (2012).  Characterization of Rhythm of Folk Music in the Mediterranean. Abstract
Font, F., Roma G., Herrera P., & Serra X. (2012).  Characterization of the Freesound Online Community. Third International Workshop on Cognitive Information Processing. 279-284. Abstract
Addessi, A. R., Ferrari L., Benghi D., Regazzi F., Marchini M., & Pachet F. (2009).  The children and the Continuator. 4th Conference of the European Network of Music Educators an Researchers of Young Children. 597-608.
Serrà, J., Gómez E., Herrera P., & Serra X. (2008).  Chroma Binary Similarity and Local Alignment Applied to Cover Song Identification. IEEE Transactions on Audio, Speech and Language Processing. 16(6), 1138-1151. Abstract
Salamon, J. (2008).  Chroma-based Predominant Melody and Bass Line Extraction from Music Audio Signals. Abstract
Salamon, J., & Gómez E. (2009).  A Chroma-based Salience Function for Melody and Bass Line Estimation from Music Audio Signals. Sound and Music Computing Conference. 331-336. Abstract
Amatriain, X., Arumí P., & Garcia D. (2006).  CLAM A Framework for Efficient and Rapid Development of Cross-platform Audio Applications. Abstract
Amatriain, X., De Boer M., Robledo E., & Garcia D. (2002).  CLAM An OO Framework for Developing Audio and Music Applications. Abstract
Amatriain, X., Massaguer J., Garcia D., & Mosquera I. (2005).  The CLAM Annotator A Cross-platform Audio Descriptors Editing Tool. Abstract
Arumí, P. (2002).  CLAM C++ Library for Audio and Music.
Blaauw, M. (2003).  The CLAM Framework - An Overview and Considerations for Potential Users. Abstract
Ramírez, M. (2002).  CLAM Visualization Module Disseny d'un mòdul de visualització OO per a un entorn de processament d'àudio independent de plataforma. Abstract
Arumí, P., & Amatriain X. (2005).  CLAM, An Object-Oriented Framework for Audio and Music. Abstract
Arumí, P., Garcia D., & Amatriain X. (2003).  CLAM, Una llibreria lliure per Audio i Música. Abstract
Amatriain, X., Arumí P., & Ramírez M. (2002).  CLAM, Yet Another Library for Audio and Music Processing?. Proceedings of 17th Annual ACM Conference on Object-Oriented Programming, Systems, Languages and Applications; Seattle (USA). Abstract
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