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On the Interrelation between Listener Characteristics and the Perception of Emotion in Classical Orchestra Music. IEEE Transactions on Affective Computing.(2017).
A personality-based adaptive system for visualizing classical music performances. 7th International Conference on Multimedia Systems (MMSys'16).(2016).
Immersive Orchestras: audio processing for orchestral music VR content. VSGAMES 2016 - 8th International Conference on Virtual Worlds and Games for Serious Applications.(2016).
Digital encodings of early music: usability factors for computational analysis. International Workshop on Musicology and Informatics in Dialogue.(2015).
A tablet app to enrich the live and post-live experience of classical concerts. 3rd International Workshop on Interactive Content Consumption.(2015).
Set-class surface analysis: a hierarchical multi-scale approach. 7th Workshop on Machine Learning and Music (MML 2014).(2014).
Systematic set-class surface analysis: a hierarchical multi-scale approach. 8th European Music Analysis Conference (EuroMAC).(2014).
Hierarchical multi-scale set-class analysis. Journal of Mathematics and Music: Mathematical and Computational Approaches to Music Theory, Analysis, Composition and Performance. 1-14.(2014).
PHENICX: Performances as Highly Enriched aNd Interactive Concert Experiences. SMAC Stockholm Music Acoustics Conference 2013, SMC Sound and Music Computing Conference 2013.(2013).
Modelling tonal context dynamics by temporal multi-scale analysis. Department of Information and Communication Technologies. 153.(2013).
Temporal multi-scale considerations in the modeling of tonal cognition from continuous rating experiments. International Conference on Music Perception and Cognition.(2012).
Two-Dimensional Visual Inspection of Pitch-Space, Many Time-Scales and Tonal Uncertainty Over Time. 3rd International Conference on Mathematics and Computation in Music (MCM 2011).(2011).