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Multidimensional analysis of interdependence in a string quartet. International Symposium on Performance Science.(2013).
Aural-based detection and assessment of real versus artiﬁcially synchronized string quartet performance. 3rd International Conference on Music & Emotion.(2013).
Digital Modeling of Bridge Driving-Point Admittances from Measurements on Violin-Family Instruments. Stockholm Music Acoustics Conference 2013 & Sound and Music Computing Conference 2013.(2013).
repoVizz: a Framework for Remote Storage, Browsing, Annotation, and Exchange of Multi-modal Data. ACM International Conference on Multimedia (MM'13).(2013).
Computational analysis of solo versus ensemble performance in string quartets: Dynamics and Intonation. 12th International Conference on Music Perception and Cognition.(2012).
A Rule-Based Evolutionary Approach to Music Performance Modeling. IEEE Transactions on Evolutionary Computation. 16(1), 96 - 107.(2012).
A hair ribbon deflection model for low-intrusiveness measurement of bow force in violin performance.. New Interfaces for Musical Creation (NIME 2011).(2011).
Adding Dynamic Smoothing to Mixture Mosaicing Synthesis. Spars11: Workshop on Signal Processing with Adaptive Sparse Structured Representations.(2011).
Measuring ensemble synchrony through violin performance parameters: a preliminary progress report. 2nd Workshop of Social Behavior in Music (SBM-2011/INTETAIN-2011).(2011).
RepoVizz: A multimodal on-line database and browsing tool for music performance research. 12th International Society for Music Information Retrieval Conference (ISMIR 2011).(2011).
Synchronization of intonation adjustments in violin duets: towards an objective evaluation of musical interaction. Proc. of the 14th Int. Conference on Digital Audio Effects (DAFx-11).(2011).
Augmenting Sound Mosaicing with Descriptor-driven Transformation. Digital Audio Effects.(2010).
An approach to predicting bowing control parameter contours in violin performance. Intelligent Data Analysis. 14(5), 587-599.(2010).
Automatic performer identiﬁcation in commercial monophonic Jazz performances. Pattern Recognition Letters. 31, 1514-1523.(2010).
Gesture sampling for instrumental sound synthesis: violin bowing as a case study. International Computer Music Conference.(2010).
Statistical Modeling of Bowing Control applied to Violin Sound Synthesis. IEEE Transactions on Audio, Speech, and Language Processing .(2010).
Calibration method to measure accurate bow force for real violin performances . ( , Ed.).International Computer Music Conference. 251-254.(2009).
Expressive Concatenative Synthesis by Reusing Samples from Real Performance Recordings. Computer Music Journal. 33(4), 23-42.(2009).
Embodied music listening and making in context-aware mobile applications: the EU-ICT SAME Project. Gesture Workshop 2009..(2009).
A Framework for Performer Identification in Audio Recordings. International Workshop on Machine Learning and Music - ECML-PKDD 09.(2009).
Modeling instrumental gestures: an analysis/synthesis framework for violin bowing. Department of Information and Communication Technologies.(2009).
Statistical Modeling of Violin Bowing Parameter Contours. International Computer Music Conference.(2009).
User-centric context-aware mobile applications for embodied music listening. International ICST Conference on User Centric Media.(2009).