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ESSENTIA: an Open-Source Library for Sound and Music Analysis. ACM International Conference on Multimedia (MM'13).(2013).
Recurrence Quantification Analysis Features for Environmental Sound Recognition. IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA).(2013).
Automatic Description of Music for Analyzing Music Productions: A Study Case in Detecting Mellotron Sounds in Recordings. Art of Record Production Conference.(2013).
The roles of superficial amygdala and auditory cortex in music-evoked fear and joy. NeuroImage. 81(1), 49-60.(2013).
Aural-based detection and assessment of real versus artiﬁcially synchronized string quartet performance. 3rd International Conference on Music & Emotion.(2013).
Computational Ethnomusicology: perspectives and challenges. Journal of New Music Research. 42(2), 111-112.(2013).
ESSENTIA: an Audio Analysis Library for Music Information Retrieval. International Society for Music Information Retrieval Conference (ISMIR'13). 493-498.(2013).
Semantic audio content-based music recommendation and visualization based on user preference examples. Information Processing & Management. 49(1), 13-33.(2013).
Automatic Description Of Music For Analyzing Music Productions: A Case Study In Detecting Mellotron Sounds In Recordings. Journal on the Art of Record Production.(2013).
MIRrors: Music Information Research reflects on its future. Journal of Intelligent Information Systems. 41(3), 339-343.(2013).
Characterization of the Freesound Online Community. Third International Workshop on Cognitive Information Processing. 279-284.(2012).
Taking Advantage of Editorial Metadata to Recommend Music. 9th International Symposium on Computer Music Modeling and Retrieval (CMMR).(2012).
Music Retagging Using Label Propagation and Robust Principal Component Analysis. 21st International World Wide Web Conference (WWW 2012): 4th International Workshop on Advances in Music Information Research (AdMIRe 2012).(2012).
Power-Law Distribution in Encoded MFCC Frames of Speech, Music, and Environmental Sound Signals. 21st International World Wide Web Conference (WWW 2012): 4th International Workshop on Advances in Music Information Research (AdMIRe 2012). 895-902.(2012).
Factors in human recognition of timbre lexicons generated by data clustering. Sound and Music Computing Conference (SMC2012).(2012).
A Comparison of Sound Segregation Techniques for Predominant Instrument Recognition in Musical Audio Signals. 13th International Society for Music Information Retrieval Conference (ISMIR 2012). 559-564.(2012).
Zipf's Law in Short-Time Timbral Codings of Speech, Music, and Environmental Sound Signals. PLoS ONE. 7(3), e33993.(2012).
Characterization and exploitation of community structure in cover song networks. Pattern Recognition Letters. 33(1), 1032–1041.(2012).
Small world networks and creativity in audio clip sharing. International Journal of Social Network Mining (IJSNM). 1(1), 112-127.(2012).
Support Vector Machine Active Learning for Music Mood Tagging. 9th International Symposium on Computer Music Modeling and Retrieval (CMMR).(2012).
How much metadata do we need in music recommendation? A subjective evaluation using preference sets. International Society for Music Information Retrieval Conference (ISMIR).(2011).
Quantifying the relevance of locally extracted information for musical instrument recognition from entire pieces of music. International Society for Music Information Retrieval Conference (ISMIR).(2011).