Biblio

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2013
Gómez, E., Grachten M., Hanjalic A., Janer J., Jordà S., Julià C. F., et al. (2013).  PHENICX: Performances as Highly Enriched aNd Interactive Concert Experiences. SMAC Stockholm Music Acoustics Conference 2013, SMC Sound and Music Computing Conference 2013.
application/pdf iconPHENICX-smac2013-6.0.pdf
2008
Purwins, P., Herrera P., Grachten M., Hazan A., Marxer R., & Serra X. (2008).  Computational Models of Music Perception and Cognition I: The Perceptual and Cognitive Processing Chain. Physics of Life Reviews. 5(3), 151-168. Abstract
Purwins, P., Grachten M., Herrera P., Hazan A., Marxer R., & Serra X. (2008).  Computational Models of Music Perception and Cognition II: Domain-Specific Music Processing. Physics of Life Reviews. 5(3), 169-182. Abstract
2007
Grachten, M., Marxer R., Hazan A., & Purwins H. (2007).  Attention as musical interplay of bottom-up accents and expectation. GOSPEL Workshop. Abstract
Hazan, A., Herrera P., Marxer R., Grachten M., & Purwins H. (2007).  Computational Modeling of Statistical Learning of Tone Sequences (Poster). International Conference on Cognitive and Neural Systems (ICCNS 2007). Abstract
2006
Grachten, M. (2006).  Expressivity-aware Tempo Transformations of Music Performances Using Case Based Reasoning. Department of Information and Communication Technologies. Abstract
application/pdf iconDissertation-MGrachten-2006.pdf
Hazan, A., Grachten M., & Ramirez R. (2006).  Evolving performance models by performance similarity beyond note-to-note transformations. Abstract
2003
Gómez, E., Grachten M., Amatriain X., & Arcos J. L. (2003).  Melodic characterization of monophonic recordings for expressive tempo transformations. Abstract
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