Biblio

Export 30 results:
Sort by: [ Author (Desc)] Title Type Year
Filters: Author is Justin Salamon  [Clear All Filters]
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
V
Valero-Mas, J. J., Salamon J., & Gómez E. (2015).  Analyzing the influence of pitch quantization and note segmentation on singing voice alignment in the context of audio-based Query-by-Humming. Sound and Music Computing Conference.
application/pdf iconValero-Salamon-Gomez-SMC2015.pdf
S
Salamon, J., Rocha B., & Gómez E. (2012).  Musical Genre Classification using Melody Features Extracted from Polyphonic Music Signals. IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). Abstract
application/pdf iconSalamonRochaGomezICASSP2012.pdf
Salamon, J., & Gómez E. (2014).  MIR.EDU: AN OPEN-SOURCE LIBRARY FOR TEACHING SOUND AND MUSIC DESCRIPTION. International Society for Music Information Retrieval conference. Late Breaking Demo.
application/pdf iconLBD_LBD23.pdf
Salamon, J., & Gómez E. (2011).  Melody Extraction from Polyphonic Music: MIREX 2011. 6th Music Information Retrieval Evaluation eXchange (MIREX 2011) extended abstract. Abstract
application/pdf iconSalamonGomezMIREX2011.pdf
Salamon, J. (2013).  Melody Extraction from Polyphonic Music Signals. Department of Information and Communication Technologies. Abstract
Salamon, J., Serrà J., & Gómez E. (2013).  Tonal Representations for Music Retrieval: From Version Identification to Query-by-Humming. International Journal of Multimedia Information Retrieval, special issue on Hybrid Music Information Retrieval. 2(1), 45-58. Abstract
Salamon, J. (2008).  Chroma-based Predominant Melody and Bass Line Extraction from Music Audio Signals. Abstract
Salamon, J., & Urbano J. (2012).  Current Challenges in the Evaluation of Predominant Melody Extraction Algorithms. 13th International Society for Music Information Retrieval Conference (ISMIR 2012). Abstract
application/pdf iconSalamonUrbanoMelodyMetaeval_ISMIR12.pdf
Salamon, J., Bittner R., Bonada J., Bosch J. J., Gómez E., & Bello J. P. (2017).  An Analysis/Synthesis Framework for Automatic F0 Annotation of Multitrack Datasets. 18th International Society for Music Information Retrieval Conference. Abstract
application/pdf icon164_Paper.pdf
Salamon, J., Serrà J., & Gómez E. (2012).  Melody, Bass Line, and Harmony Representations for Music Version Identification. 21st International World Wide Web Conference (WWW 2012): 4th International Workshop on Advances in Music Information Research (AdMIRe 2012). Abstract
application/pdf iconsalamonAdMIRe2012.pdf
Salamon, J., & Gómez E. (2010).  Melody Extraction from Polyphonic Music Audio. 5th Music Information Retrieval Evaluation eXchange (MIREX 2010) extended abstract.
Salamon, J., Gómez E., & Bonada J. (2011).  Supplementary Graphs: Sinusoid Extraction and Salience Function Design for Predominant Melody Estimation.
application/pdf iconSGB_Graphs.pdf
Salamon, J., Gómez E., Ellis D., & Richard G. (2014).  Melody Extraction from Polyphonic Music Signals: Approaches, Applications and Challenges. IEEE Signal Processing Magazine. 31(2), 118-134. Abstract
Salamon, J., & Gómez E. (2009).  A Chroma-based Salience Function for Melody and Bass Line Estimation from Music Audio Signals. Sound and Music Computing Conference. 331-336. Abstract
Salamon, J., Peeters G., & Röbel A. (2012).  Statistical Characterisation of Melodic Pitch contours and its Application for Melody Extraction. 13th International Society for Music Information Retrieval Conference (ISMIR 2012). Abstract
application/pdf iconSalamonMelodicContourISMIR12.pdf
Salamon, J., & Gómez E. (2012).  Melody Extraction from Polyphonic Music Signals using Pitch Contour Characteristics. IEEE Transactions on Audio, Speech and Language Processing. 20(6), 1759-1770. Abstract
Salamon, J., Gómez E., & Bonada J. (2011).  Sinusoid Extraction and Salience Function Design for Predominant Melody Estimation. Proc. of the 14th Int. Conference on Digital Audio Effects (DAFx-11). 73-80. Abstract
application/pdf iconSalamonGomezBonada_DAFx11.pdf
Salamon, J., & Rohrmeier M. (2009).  A Quantitative Evaluation of a Two Stage Retrieval Approach for a Melodic Query by Example System. 10th International Society for Music Information Retrieval Conference (ISMIR 2009). Abstract
Salamon, J., Gulati S., & Serra X. (2012).  A Multipitch Approach to Tonic Identification in Indian Classical Music. 13th International Society for Music Information Retrieval Conference (ISMIR 2012). 499-504. Abstract
P
Pikrakis, A., Gómez F., Oramas S., Díaz-Báñez J. M., Mora J., Escobar Borrego F., et al. (2012).  Tracking Melodic Patterns in Flamenco Singing by Analyzing Polyphonic Music Recordings. 13th International Society for Music Information Retrieval Conference (ISMIR 2012). Abstract
application/pdf iconPattern-Flamenco-ISMIR2012.pdf
G
Gulati, S., Bellur A., Salamon J., Ranjani H. G., Ishwar V., Murthy H., et al. (2014).  Automatic Tonic Identification in Indian Art Music: Approaches and Evaluation. Journal of New Music Research. 43(1), 53-71. Abstract
Gulati, S., Salamon J., & Serra X. (2012).  A Two-stage Approach for Tonic Identification in Indian Art Music. 2nd CompMusic Workshop. Abstract
Gómez, E., Cañadas F., Salamon J., Bonada J., Vera P., & Cabañas P. (2012).  Predominant Fundamental Frequency Estimation vs Singing Voice Separation for the Automatic Transcription of Accompanied Flamenco Singing. 13th International Society for Music Information Retrieval Conference (ISMIR 2012). Abstract
application/pdf iconMTGUJA-ISMIR2012-FINAL.pdf
Gómez, E., Bonada J., & Salamon J. (2012).  Automatic Transcription of Flamenco Singing from Monophonic and Polyphonic Music Recordings. III Interdisciplinary Conference on Flamenco Research (INFLA) and II International Workshop of Folk Music Analysis (FMA). Abstract
application/pdf iconINFLA-FMA-Transcription_web.pdf
Gómez, P., Pikrakis A., Mora J., Díaz-Báñez J. M., Gómez E., Escobar Borrego F., et al. (2012).  Automatic Detection of Melodic Patterns in Flamenco Singing by Analyzing Polyphonic Music Recordings. III Interdisciplinary Conference on Flamenco Research (INFLA) and II International Workshop of Folk Music Analysis (FMA). Abstract
intranet