Biblio
Filters: Author is E. Maestre [Clear All Filters]
(2011).
Acquisition of violin instrumental gestures using a commercial EMF device.
International Computer Music Conference. Abstract
(2007).
Adding Dynamic Smoothing to Mixture Mosaicing Synthesis.
Spars11: Workshop on Signal Processing with Adaptive Sparse Structured Representations. Abstract
(2011).
An approach to predicting bowing control parameter contours in violin performance.
Intelligent Data Analysis. 14(5), 587-599.
(2010).
Augmenting Sound Mosaicing with Descriptor-driven Transformation.
Digital Audio Effects. Abstract
(2010).
Aural-based detection and assessment of real versus artificially synchronized string quartet performance.
3rd International Conference on Music & Emotion. Abstract
(2013).
(2005).
Automatic Performer Identification in Celtic Violin Audio Recordings.
Journal of New Music Research. 40(2), 165-174. Abstract
(2011).
Automatic performer identification in commercial monophonic Jazz performances.
Pattern Recognition Letters. 31(12), 1514-1523.
(2010).
Calibration method to measure accurate bow force for real violin performances .
( , Ed.).International Computer Music Conference. 251-254. Abstract
(2009).
(2006).
Combining Performance Actions with Spectral Models for Violin Sound Transformation.
International Congress on Acoustics. Abstract
(2007).
Computational analysis of solo versus ensemble performance in string quartets: Dynamics and Intonation.
12th International Conference on Music Perception and Cognition. Abstract
(2012).
(2016).
Concatenative Synthesis of Expressive Saxophone Performance.
Sound and Music Computing Conference. Abstract
(2008).
Digital Modeling of Bridge Driving-Point Admittances from Measurements on Violin-Family Instruments.
Stockholm Music Acoustics Conference 2013 & Sound and Music Computing Conference 2013. Abstract
(2013).
Discovering Expressive Transformation Rules from Saxophone Jazz Performances.
Journal of New Music Research. 34, 319-330. Abstract
(2005).
Embodied music listening and making in context-aware mobile applications: the EU-ICT SAME Project.
Gesture Workshop 2009..
(2009).
Enriched Multimodal Representations of Music Performances: Online Access and Visualization.
IEEE MultiMedia. 24(1), 24-34. Abstract
(2017).
Expressive Concatenative Synthesis by Reusing Samples from Real Performance Recordings.
Computer Music Journal. 33(4), 23-42. Abstract
(2009).
Expressive Irish Fiddle Performance Model Informed with Bowing.
International Computer Music Conference. Abstract
(2008).
A Framework for Performer Identification in Audio Recordings.
International Workshop on Machine Learning and Music - ECML-PKDD 09. Abstract
(2009).
A Genetic Rule-based Expressive Performance Model for Jazz Saxophone.
Computer Music Journal. 32, 38-50. Abstract
(2008).
Gesture sampling for instrumental sound synthesis: violin bowing as a case study.
International Computer Music Conference. Abstract
(2010).