Biblio
] Filters: Author is E. Maestre [Clear All Filters]
(2008). Measuring Violin Sound Radiation for Sound Equalization .
Acoustics08. Abstract
(2007). Measuring the bow pressing force in a real violin performance.
International Symposium on Musical Acoustics. Abstract
(2011). Measuring ensemble synchrony through violin performance parameters: a preliminary progress report.
2nd Workshop of Social Behavior in Music (SBM-2011/INTETAIN-2011). Abstract
(2014). Measuring ensemble interdependence in a string quartet through analysis of multidimensional performance data.
Frontiers in Psychology. 5, Abstract
(2008). Mapping phonetic features for voice-driven sound synthesis.
eBusiness and Telecommunication Networks. CCIS Series. Abstract
(2011). Mapping Blowing Pressure and Sound Features in Recorder Playing.
DAFX. 357-360. Abstract
(2004). A machine learning approach to expressive performance in jazz standards.
ACM SIGKDD International Conference on Knowledge Discovery & Data Mining. Abstract
(2006). A Machine Learning Approach to Expressive Performance in Jazz Standards.
(, Ed.).Multimedia Data Mining and Knowledge Discovery. Abstract
(2013). Investigating the relationship between expressivity and synchronization in ensemble performance: an exploratory study.
International Symposium on Performance Science, Vienna.
(2005). Intra-note Features Prediction Model for Jazz Saxophone Performance.
International Computer Music Conference. Abstract
(2013). Inducing rules of ensemble music performance: a machine learning approach.
3rd international conference on Music & Emotion, Jyväskylä.
(2007). Identifying saxophonists from their playing styles.
30th AES Conference. Abstract
(2011). A hair ribbon deflection model for low-intrusiveness measurement of bow force in violin performance..
New Interfaces for Musical Creation (NIME 2011). Abstract
(2010). Gesture sampling for instrumental sound synthesis: violin bowing as a case study.
International Computer Music Conference. Abstract
(2008). A Genetic Rule-based Expressive Performance Model for Jazz Saxophone.
Computer Music Journal. 32, 38-50. Abstract
(2009). A Framework for Performer Identification in Audio Recordings.
International Workshop on Machine Learning and Music - ECML-PKDD 09. Abstract
(2008). Expressive Irish Fiddle Performance Model Informed with Bowing.
International Computer Music Conference. Abstract
(2009). Expressive Concatenative Synthesis by Reusing Samples from Real Performance Recordings.
Computer Music Journal. 33(4), 23-42. Abstract
(2017). Enriched Multimodal Representations of Music Performances: Online Access and Visualization.
IEEE MultiMedia. 24(1), 24-34. Abstract
(2009). Embodied music listening and making in context-aware mobile applications: the EU-ICT SAME Project.
Gesture Workshop 2009..
(2005). Discovering Expressive Transformation Rules from Saxophone Jazz Performances.
Journal of New Music Research. 34, 319-330. Abstract
(2013). Digital Modeling of Bridge Driving-Point Admittances from Measurements on Violin-Family Instruments.
Stockholm Music Acoustics Conference 2013 & Sound and Music Computing Conference 2013. Abstract
(2008). Concatenative Synthesis of Expressive Saxophone Performance.
Sound and Music Computing Conference. Abstract
(2012). Computational analysis of solo versus ensemble performance in string quartets: Dynamics and Intonation.
12th International Conference on Music Perception and Cognition. Abstract
