Biblio
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(2013). Multidimensional analysis of interdependence in a string quartet.
International Symposium on Performance Science. Abstract
(2013). Aural-based detection and assessment of real versus artificially synchronized string quartet performance.
3rd International Conference on Music & Emotion. Abstract
(2012). Computational analysis of solo versus ensemble performance in string quartets: Dynamics and Intonation.
12th International Conference on Music Perception and Cognition. Abstract
(2011). Synchronization of intonation adjustments in violin duets: towards an objective evaluation of musical interaction.
Proc. of the 14th Int. Conference on Digital Audio Effects (DAFx-11). Abstract
(2011). RepoVizz: A multimodal on-line database and browsing tool for music performance research.
12th International Society for Music Information Retrieval Conference (ISMIR 2011). Abstract
(2013). repoVizz: a Framework for Remote Storage, Browsing, Annotation, and Exchange of Multi-modal Data.
ACM International Conference on Multimedia (MM'13). Abstract
(2013). Inducing rules of ensemble music performance: a machine learning approach.
3rd international conference on Music & Emotion, Jyväskylä.
(2011). A hair ribbon deflection model for low-intrusiveness measurement of bow force in violin performance..
New Interfaces for Musical Creation (NIME 2011). Abstract
(2013). Investigating the relationship between expressivity and synchronization in ensemble performance: an exploratory study.
International Symposium on Performance Science, Vienna.
(2014). The Sense of Ensemble: a Machine Learning Approach to Expressive Performance Modelling in String Quartets.
Journal of New Music Research. 43, 303-317.
(2006). Modeling musical articulation gestures in singing voice performances.
AES 121th Convention. Abstract
(2013). Digital Modeling of Bridge Driving-Point Admittances from Measurements on Violin-Family Instruments.
Stockholm Music Acoustics Conference 2013 & Sound and Music Computing Conference 2013. Abstract
(2010). An approach to predicting bowing control parameter contours in violin performance.
Intelligent Data Analysis. 14(5), 587-599.
(2007). Acquisition of violin instrumental gestures using a commercial EMF device.
International Computer Music Conference. Abstract
(2010). Gesture sampling for instrumental sound synthesis: violin bowing as a case study.
International Computer Music Conference. Abstract
(2009). Expressive Concatenative Synthesis by Reusing Samples from Real Performance Recordings.
Computer Music Journal. 33(4), 23-42. Abstract
(2005). Automatic characterization of dynamics and articulation of expressive monophonic recordings.
AES 118th Convention. Abstract
(2009). Statistical Modeling of Violin Bowing Parameter Contours.
International Computer Music Conference. Abstract
(2009). Modeling instrumental gestures: an analysis/synthesis framework for violin bowing.
Department of Information and Communication Technologies. Abstract
(2006). Using concatenative synthesis for expressive performance in jazz saxophone.
International Computer Music Conference. Abstract
(2010). Statistical Modeling of Bowing Control applied to Violin Sound Synthesis.
IEEE Transactions on Audio, Speech, and Language Processing .
(2017). Enriched Multimodal Representations of Music Performances: Online Access and Visualization.
IEEE MultiMedia. 24(1), 24-34. Abstract
(2008). Concatenative Synthesis of Expressive Saxophone Performance.
Sound and Music Computing Conference. Abstract
