Filters: Author is Purwins, P. [Clear All Filters]
Hybrid sparse models of water stream texture sounds. Audio-graphic Sound Synthesis Workshop at the 14th International Conference on Digital Audio Effects (DAFx).(2011).
Constant Q profiles and toroidal models of inter-key relations. CCRMA affiliates meeting.(1999).
The Development of Melodic Representations at Early Age: Towards a Computational Model.. Music, Language and the Mind 2008.(2008).
Computational Models of Music Perception and Cognition I: The Perceptual and Cognitive Processing Chain. Physics of Life Reviews. 5(3), 151-168.(2008).
Computational Models of Music Perception and Cognition II: Domain-Specific Music Processing. Physics of Life Reviews. 5(3), 169-182.(2008).
Computing auditory perception. Organised Sound. 5(3), 159-171.(2000).
A Graphical Representation and Dissimilarity Measure for Basic Everyday Sound Events. IEEE Transactions on Audio, Speech, and Language Processing.(2012).
Model cortical responses for the detection of perceptual onsets and beat tracking in singing. Connection Science. 21(2-3), 193-205.(2009).
Sparse Approximations for Drum Sound Classification. IEEE Journal of Selected Topics in Signal Processing. 5(5), 933 - 940.(2011).
Toroidal Models in Tonal Theory and Pitch-Class Analysis. Computing in Musicology (Tonal Theory for the Digital Age ). 15, 73–98.(2007).
Trends and Perspectives in Music Cognition Research and Technology. Connection Science. 21(2-3), 85-88.(2009).
We Perceive Music before we Understand Speech. Physics of Life Reviews. 7(1), 46.(2010).
What/when causal expectation modelling applied to percussive audio. The Journal of the Acoustical Society of America, vol. 123, issue 5, p. 3800.(2008).
What/when causal expectation modelling applied to audio signals. Connection Science. 21(2-3), 119 – 143.(2009).
A Lyrics-Matching QBH System for Interactive Environments. Sound and Music Computing Conference.(2010).
Attention as musical interplay of bottom-up accents and expectation. GOSPEL Workshop.(2007).
Automated Harmonic Music Analysis. International Neuroscience Summit.(2002).
Classification Schemes for Step Sounds Based on Gammatone-Filters. NIPS-Workshop Music, Brain, & Cognition.(2007).
Closing the loop of sound evaluation and design. Perceptual Quality of Systems.(2006).