Biblio
] Filters: Author is Purwins, P. [Clear All Filters]
(2006). Closing the loop of sound evaluation and design.
Perceptual Quality of Systems. Abstract
(2011). Sparse Approximations for Drum Sound Classification.
IEEE Journal of Selected Topics in Signal Processing. 5(5), 933 - 940. Abstract
(2010). Sparse Coding for Drum Sound Classification and its Use as a Similarity Measure.
3rd International Workshop on Machine Learning and Music (MML’10) at ACM Multimedia 2010 . Abstract
(2008). The Development of Melodic Representations at Early Age: Towards a Computational Model..
Music, Language and the Mind 2008. Abstract
(2000). Computing auditory perception.
Organised Sound. 5(3), 159-171. Abstract
(2009). Polynomial Extrapolation for Prediction of Surprise Based on Loudness - A Preliminary Study .
Sound and Music Computing Conference. Abstract
(2007). Toroidal Models in Tonal Theory and Pitch-Class Analysis.
Computing in Musicology (Tonal Theory for the Digital Age ). 15, 73–98. Abstract
(2000). A new method for tracking modulations in tonal music in audio data format.
International Joint Conference on Neural Network (IJCNN'00). 6, 270-275. Abstract
(2008). Computational Models of Music Perception and Cognition I: The Perceptual and Cognitive Processing Chain.
Physics of Life Reviews. 5(3), 151-168. Abstract
(2004). Scale Degree Profiles from Audio Investigated with Machine Learning.
Audio Engineering Society Convention. Abstract
(2004). Correspondence analysis for visualizing interplay of pitch class, key, and composer.
(, Ed.).Perspectives in Mathematical and Computational Music Theory. 432-454. Abstract
(2001). Constant Q Profiles for Tracking Modulations in Audio Data.
International Computer Music Conference. 407-410.
(2008). Computational Models of Music Perception and Cognition II: Domain-Specific Music Processing.
Physics of Life Reviews. 5(3), 169-182. Abstract
(2009). Trends and Perspectives in Music Cognition Research and Technology.
Connection Science. 21(2-3), 85-88. Abstract
(2002). Automated Harmonic Music Analysis.
International Neuroscience Summit.
(2005). Unendlichkeit - Konstruktion akustischer Paradoxien.
(, Ed.).Mikrotöne und mehr – Auf György Ligetis Hamburger Pfaden. 39-80.
(2010). We Perceive Music before we Understand Speech.
Physics of Life Reviews. 7(1), 46. Abstract
(2010). Real-time Accompaniment using lyrics-matching QBH.
7th International Symposium on Computer Music Modeling and Retrieval (CMMR). 279-280. Abstract
(2010). A Lyrics-Matching QBH System for Interactive Environments.
Sound and Music Computing Conference. Abstract
(2001). Spectrum of Pitch Differences Models the Perception of Octave Ambiguous Tones.
International Computer Music Conference. 274-276. Abstract
(2010). Unsupervised Incremental Learning and Prediction of Audio Signals.
International Symposium on Music Acoustics. Abstract
