Biblio
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(2009). Modeling instrumental gestures: an analysis/synthesis framework for violin bowing.
Department of Information and Communication Technologies. Abstract
(2010). An approach to predicting bowing control parameter contours in violin performance.
Intelligent Data Analysis. 14(5), 587-599.
(2010). Automatic performer identification in commercial monophonic Jazz performances.
Pattern Recognition Letters. 31, 1514-1523.
(2005). Discovering Expressive Transformation Rules from Saxophone Jazz Performances.
Journal of New Music Research. 34, 319-330. Abstract
(2009). Expressive Concatenative Synthesis by Reusing Samples from Real Performance Recordings.
Computer Music Journal. 33(4), 23-42. Abstract
(2008). A Genetic Rule-based Expressive Performance Model for Jazz Saxophone.
Computer Music Journal. 32, 38-50. Abstract
(2008). Mapping phonetic features for voice-driven sound synthesis.
eBusiness and Telecommunication Networks. CCIS Series. Abstract
(2007). Performance-based Interpreter Identification in Saxophone Audio Recordings.
IEEE Transactions on Circuits and Systems for Video Technology. 17, 356-364. Abstract
(2012). A Rule-Based Evolutionary Approach to Music Performance Modeling.
IEEE Transactions on Evolutionary Computation. 16(1), 96 - 107. Abstract
(2010). Statistical Modeling of Bowing Control applied to Violin Sound Synthesis.
IEEE Transactions on Audio, Speech, and Language Processing .
(2007). Acquisition of violin instrumental gestures using a commercial EMF device.
International Computer Music Conference. Abstract
(2011). Adding Dynamic Smoothing to Mixture Mosaicing Synthesis.
Spars11: Workshop on Signal Processing with Adaptive Sparse Structured Representations. Abstract
(2010). Augmenting Sound Mosaicing with Descriptor-driven Transformation.
Digital Audio Effects. Abstract
(2013). Aural-based detection and assessment of real versus artificially synchronized string quartet performance.
3rd International Conference on Music & Emotion. Abstract
(2005). Automatic characterization of dynamics and articulation of expressive monophonic recordings.
AES 118th Convention. Abstract
(2009). Calibration method to measure accurate bow force for real violin performances .
(, Ed.).International Computer Music Conference. 251-254. Abstract
(2007). Combining Performance Actions with Spectral Models for Violin Sound Transformation.
International Congress on Acoustics. Abstract
(2012). Computational analysis of solo versus ensemble performance in string quartets: Dynamics and Intonation.
12th International Conference on Music Perception and Cognition. Abstract
(2008). Concatenative Synthesis of Expressive Saxophone Performance.
Sound and Music Computing Conference. Abstract
(2009). Embodied music listening and making in context-aware mobile applications: the EU-ICT SAME Project.
Gesture Workshop 2009..
(2008). Expressive Irish Fiddle Performance Model Informed with Bowing.
International Computer Music Conference. Abstract
(2009). A Framework for Performer Identification in Audio Recordings.
International Workshop on Machine Learning and Music - ECML-PKDD 09. Abstract
(2010). Gesture sampling for instrumental sound synthesis: violin bowing as a case study.
International Computer Music Conference. Abstract
