Biblio
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(1989). A System for Sound Analysis/Transformation/Synthesis based on a Deterministic plus Stochastic Decomposition.
Dept. of Music / CCRMA. Abstract
(2009). The Discipline formerly known as MIR.
International Society for Music Information Retrieval (ISMIR) Conference, special session on The Future of MIR (fMIR). Abstract
(2006). Acoustic Cues to Beat Induction. A Machine Learning Perspective.
Music Percepcion. UCPress. 24, 177-188. Abstract
(2000). Analysis/synthesis comparison.
Organized Sound. 5, pp 173-189. Abstract
(2010). Automatic performer identification in commercial monophonic Jazz performances.
Pattern Recognition Letters. 31, 1514-1523.
(2012). Characterization and exploitation of community structure in cover song networks.
Pattern Recognition Letters. 33(1), 1032–1041. Abstract
(2008). Chroma Binary Similarity and Local Alignment Applied to Cover Song Identification.
IEEE Transactions on Audio, Speech and Language Processing. 16(6), 1138-1151. Abstract
(2008). Computational Models of Music Perception and Cognition I: The Perceptual and Cognitive Processing Chain.
Physics of Life Reviews. 5(3), 151-168. Abstract
(2008). Computational Models of Music Perception and Cognition II: Domain-Specific Music Processing.
Physics of Life Reviews. 5(3), 169-182. Abstract
(2009). Cross recurrence quantification for cover song identification.
New Journal of Physics. 11, 093017. Abstract
(1997). Current Perspectives in the Digital Synthesis of Musical Sounds.
Formats. 1, Abstract
(2009). Detecting Solo Phrases in Music using Spectral and Pitch-related Descriptors.
Journal of New Music Research. 38(4), 343 - 356. Abstract
(2005). Discovering Expressive Transformation Rules from Saxophone Jazz Performances.
Journal of New Music Research. 34, 319-330. Abstract
(2010). Ecological acoustics perspective for content-based retrieval of environmental sounds.
EURASIP Journal on Audio, Speech, and Music Processing. 2010, Abstract
(1999). Els nous mitjans per a l'experimentació musical quan la tecnologia esdevé quelcom més que una eina.
Transversal. 8,
(In Press). Evaluation in Music Information Retrieval.
Journal of Intelligent Information Systems. Abstract
(2009). Expressive Concatenative Synthesis by Reusing Samples from Real Performance Recordings.
Computer Music Journal. 33(4), 23-42. Abstract
(2008). A Genetic Rule-based Expressive Performance Model for Jazz Saxophone.
Computer Music Journal. 32, 38-50. Abstract
(2010). Indexing Music by Mood: Design and Integration of an Automatic Content-based Annotator.
Multimedia Tools and Applications. 48(1), 161-184. Abstract
(1992). L'ordinador nova eina per a la música.
Revista Musical Catalana. 88, 34-38. Abstract
(1998). Modelos estructurales para una educación musical superior.
CODEXXI. 1,
(2007). Performance-based Interpreter Identification in Saxophone Audio Recordings.
IEEE Transactions on Circuits and Systems for Video Technology. 17, 356-364. Abstract
(2011). Predictability of music descriptor time series and its application to cover song detection.
IEEE Transactions on Audio, Speech, and Language Processing. 20(2), 514-525. Abstract
(2012). Rāga Recognition based on Pitch Distribution Methods.
Journal of New Music Research. 41, 337-350. Abstract
