Biblio
Filters: Author is Obermayer, Klaus [Clear All Filters]
Toroidal models of inter-key relations in tonal music.
VI. International Conference on Systematic and Comparative Musicology. Abstract
(1999).
Computing auditory perception.
Organised Sound. 5(3), 159-171. Abstract
(2000).
A new method for tracking modulations in tonal music in audio data format.
International Joint Conference on Neural Network (IJCNN'00). 6, 270-275. Abstract
(2000).
Constant Q Profiles for Tracking Modulations in Audio Data.
International Computer Music Conference. 407-410.
(2001).
Spectrum of Pitch Differences Models the Perception of Octave Ambiguous Tones.
International Computer Music Conference. 274-276. Abstract
(2001).
Correspondence analysis for visualizing interplay of pitch class, key, and composer.
( , Ed.).Perspectives in Mathematical and Computational Music Theory. 432-454. Abstract
(2004).
Scale Degree Profiles from Audio Investigated with Machine Learning.
Audio Engineering Society Convention. Abstract
(2004).
Unendlichkeit - Konstruktion akustischer Paradoxien.
( , Ed.).Mikrotöne und mehr – Auf György Ligetis Hamburger Pfaden. 39-80.
(2005).
Closing the loop of sound evaluation and design.
Perceptual Quality of Systems. Abstract
(2006).
Classification Schemes for Step Sounds Based on Gammatone-Filters.
NIPS-Workshop Music, Brain, & Cognition. Abstract
(2007).
(2007).
Toroidal Models in Tonal Theory and Pitch-Class Analysis.
Computing in Musicology (Tonal Theory for the Digital Age ). 15, 73–98. Abstract
(2007).
A Graphical Representation and Dissimilarity Measure for Basic Everyday Sound Events.
IEEE Transactions on Audio, Speech, and Language Processing. 20(5), 1542-52. Abstract
(2012).