Biblio
] Filters: Author is Obermayer, Klaus [Clear All Filters]
(2007). Classification Schemes for Step Sounds Based on Gammatone-Filters.
NIPS-Workshop Music, Brain, & Cognition. Abstract
(2006). Closing the loop of sound evaluation and design.
Perceptual Quality of Systems. Abstract
(2000). Computing auditory perception.
Organised Sound. 5(3), 159-171. Abstract
(2001). Constant Q Profiles for Tracking Modulations in Audio Data.
International Computer Music Conference. 407-410.
(2004). Correspondence analysis for visualizing interplay of pitch class, key, and composer.
(, Ed.).Perspectives in Mathematical and Computational Music Theory. 432-454. Abstract
(2012). A Graphical Representation and Dissimilarity Measure for Basic Everyday Sound Events.
IEEE Transactions on Audio, Speech, and Language Processing. 20(5), 1542-52. Abstract
(2000). A new method for tracking modulations in tonal music in audio data format.
International Joint Conference on Neural Network (IJCNN'00). 6, 270-275. Abstract
(2007). Perceptual Representations for Classification of Everyday Sounds.
Audio Mostly . Abstract
(2004). Scale Degree Profiles from Audio Investigated with Machine Learning.
Audio Engineering Society Convention. Abstract
(2001). Spectrum of Pitch Differences Models the Perception of Octave Ambiguous Tones.
International Computer Music Conference. 274-276. Abstract
(2007). Toroidal Models in Tonal Theory and Pitch-Class Analysis.
Computing in Musicology (Tonal Theory for the Digital Age ). 15, 73–98. Abstract
(1999). Toroidal models of inter-key relations in tonal music.
VI. International Conference on Systematic and Comparative Musicology. Abstract
(2005). Unendlichkeit - Konstruktion akustischer Paradoxien.
(, Ed.).Mikrotöne und mehr – Auf György Ligetis Hamburger Pfaden. 39-80.
