Biblio
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(2006). Closing the loop of sound evaluation and design.
Perceptual Quality of Systems. Abstract
(2004). Scale Degree Profiles from Audio Investigated with Machine Learning.
Audio Engineering Society Convention. Abstract
(2001). Constant Q Profiles for Tracking Modulations in Audio Data.
International Computer Music Conference. 407-410.
(2004). Correspondence analysis for visualizing interplay of pitch class, key, and composer.
(, Ed.).Perspectives in Mathematical and Computational Music Theory. 432-454. Abstract
(2007). Toroidal Models in Tonal Theory and Pitch-Class Analysis.
Computing in Musicology (Tonal Theory for the Digital Age ). 15, 73–98. Abstract
(2005). Unendlichkeit - Konstruktion akustischer Paradoxien.
(, Ed.).Mikrotöne und mehr – Auf György Ligetis Hamburger Pfaden. 39-80.
(2000). Computing auditory perception.
Organised Sound. 5(3), 159-171. Abstract
(2000). A new method for tracking modulations in tonal music in audio data format.
International Joint Conference on Neural Network (IJCNN'00). 6, 270-275. Abstract
(2001). Spectrum of Pitch Differences Models the Perception of Octave Ambiguous Tones.
International Computer Music Conference. 274-276. Abstract
(2007). Perceptual Representations for Classification of Everyday Sounds.
Audio Mostly . Abstract
(1999). Toroidal models of inter-key relations in tonal music.
VI. International Conference on Systematic and Comparative Musicology. Abstract
(2007). Classification Schemes for Step Sounds Based on Gammatone-Filters.
NIPS-Workshop Music, Brain, & Cognition. Abstract
(2012). A Graphical Representation and Dissimilarity Measure for Basic Everyday Sound Events.
IEEE Transactions on Audio, Speech, and Language Processing. 20(5), 1542-52. Abstract
