Biblio
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(2006). Closing the loop of sound evaluation and design.
Perceptual Quality of Systems. Abstract
(2005). Unendlichkeit - Konstruktion akustischer Paradoxien.
(, Ed.).Mikrotöne und mehr – Auf György Ligetis Hamburger Pfaden. 39-80.
(2000). Computing auditory perception.
Organised Sound. 5(3), 159-171. Abstract
(2000). A new method for tracking modulations in tonal music in audio data format.
International Joint Conference on Neural Network (IJCNN'00). 6, 270-275. Abstract
(2004). Scale Degree Profiles from Audio Investigated with Machine Learning.
Audio Engineering Society Convention. Abstract
(2001). Constant Q Profiles for Tracking Modulations in Audio Data.
International Computer Music Conference. 407-410.
(2004). Correspondence analysis for visualizing interplay of pitch class, key, and composer.
(, Ed.).Perspectives in Mathematical and Computational Music Theory. 432-454. Abstract
(2007). Toroidal Models in Tonal Theory and Pitch-Class Analysis.
Computing in Musicology (Tonal Theory for the Digital Age ). 15, 73–98. Abstract
(2001). Spectrum of Pitch Differences Models the Perception of Octave Ambiguous Tones.
International Computer Music Conference. 274-276. Abstract
(2007). Perceptual Representations for Classification of Everyday Sounds.
Audio Mostly . Abstract
(1999). Toroidal models of inter-key relations in tonal music.
VI. International Conference on Systematic and Comparative Musicology. Abstract
(2007). Classification Schemes for Step Sounds Based on Gammatone-Filters.
NIPS-Workshop Music, Brain, & Cognition. Abstract
(2012). A Graphical Representation and Dissimilarity Measure for Basic Everyday Sound Events.
IEEE Transactions on Audio, Speech, and Language Processing. 20(5), 1542-52. Abstract
