Biblio

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Conference Paper
Ong, B., Gómez E., & Streich S. (2006).  Automatic Extraction of Musical Structure Using Pitch Class Distribution Features. Abstract
Gómez, E., & Herrera P. (2004).  Automatic Extraction of Tonal Metadata from Polyphonic Audio Recordings. AES. Abstract
Gómez, E., & Bonada J. (2008).  Automatic Melodic Transcription of Flamenco Singing. Fourth Conference on Interdisciplinary Musicology (CIM08). Abstract
Slizovskaia, O., Gómez E., & Haro G. G. (2016).  Automatic musical instrument recognition in audiovisual recordings by combining image and audio classification strategies. 13th Sound and Music Computing Conference (SMC 2016). Abstract
application/pdf iconpostprint version
Kroher, N., & Gómez E. (2014).  Automatic Singer Identification For Improvisational Styles Based On Vibrato, Timbre And Statistical Performance Descriptors. International Computer Music Conference/Sound and Music Computing Conference.
application/pdf iconCameraReady_SingerID.pdf
Gómez, E., Ong B., & Herrera P. (2006).  Automatic Tonal Analysis from Music Summaries for Version Identification. AES 121th Convention. Abstract
Rodríguez, S., Gómez E., & Cuesta H. (2018).  Automatic Transcription of Flamenco Guitar Falsetas. International Workshop on Folk Music Analysis.
Gómez, E., Bonada J., & Salamon J. (2012).  Automatic Transcription of Flamenco Singing from Monophonic and Polyphonic Music Recordings. III Interdisciplinary Conference on Flamenco Research (INFLA) and II International Workshop of Folk Music Analysis (FMA). Abstract
application/pdf iconINFLA-FMA-Transcription_web.pdf
Meléndez-Catalán, B., Molina E., & Gómez E. (2017).  BAT: An open-source, web-based audio events annotation tool. Web Audio Conference. Abstract
Sarasúa, Á., Melenhorst M., Julià C. F., & Gómez E. (2016).  Becoming the Maestro - A Game to Enhance Curiosity for Classical Music. 2016 8th International Conference on Games and Virtual Worlds for Serious Applications (VS-GAMES). 1-4.
Gómez, E., Guerrero A., & Rodríguez S. (2018).  CANTE FLAMENCO TECH: Aprendizaje del cante con la ayuda de la tecnología. V Congreso Interdisciplinar INVESTIGACIÓN Y FLAMENCO (INFLA). Abstract
application/pdf iconcante-flamenco-tech.pdf
Kroher, N., Gómez E., & Ramirez R. (2013).  Caracterización automática del cante flamenco a base de análisis de grabaciones.. Investigación y Flamenco (INFLA).
Salamon, J., & Gómez E. (2009).  A Chroma-based Salience Function for Melody and Bass Line Estimation from Music Audio Signals. Sound and Music Computing Conference. 331-336. Abstract
Zapata, J. R., & Gómez E. (2011).  Combination of Audio Tempo Estimation Approaches (MIREX 2011 Submission). 6th Music Information Retrieval Evaluation eXchange (MIREX). Abstract
application/pdf iconZG1_CombinationTempo_MIREX2011.pdf
application/pdf iconMIREX11 Justin Salamon Jose Zapata RESULTS.pdf
Gómez, E., & Herrera P. (2008).  Comparative analysis of music recordings from western and non-western traditions by automatic tonal feature extraction and data mining. 4th Conference on Interdisciplinary Musicology (CIM08).
Zapata, J. R., & Gómez E. (2011).  Comparative evaluation and combination of audio tempo estimation approaches. (Audio Engineering Society, Ed.).AES 42nd Conference on Semantic Audio. Abstract
application/pdf iconAudio_tempo_comparison_Zapata_Gomez.pdf
application/pdf iconPoster_AES_42_Tempo_comparison_2011.pdf
Cabrera, J. J., Díaz-Báñez J. M., Escobar Borrego F., Gómez E., & Mora J. (2008).  Comparative Melodic Analysis of A Cappella Flamenco Cantes. Fourth Conference on Interdisciplinary Musicology (CIM08). Abstract
Bosch, J., Bittner R. M., Salamon J., & Gómez E. (2016).  A Comparison of Melody Extraction Methods Based on Source-Filter Modelling. 17th International Society for Music Information Retrieval Conference (ISMIR 2016). 571-577.
application/pdf iconpostprint version
Kroher, N., Gómez E., Sordo M., Gómez-Martín F., Díaz-Báñez J. M., Mora J., et al. (2014).  Computational ethnomusicology: a study of flamenco and Arab-Andalusian vocal music. 4th International Workshop On Folk Music Analysis. Abstract
application/pdf iconFMA2014_submission_kroher_et_al.pdf
Kroher, N., Gómez E., Guastavino C., Gómez-Martín F., & Bonada J. (2014).  Computational models for perceived melodic similarity in a cappella flamenco cantes. 15th International Society for Music Information Retrieval Conference.
application/pdf iconMelodicSimilarityCameraReady.pdf
Gómez, E., Peterschmitt G., Amatriain X., & Herrera P. (2003).  Content-based melodic transformations of audio for a music processing application. Abstract
Cano, P., Koppenberger M., Wack N., G. Mahedero J., Aussenac T., Marxer R., et al. (2005).  Content-based Music Audio Recommendation. ACM Multimedia. Abstract
Bogdanov, D., Haro G. G., Fuhrmann F., Gómez E., & Herrera P. (2010).  Content-based music recommendation based on user preference examples. The 4th ACM Conference on Recommender Systems. Workshop on Music Recommendation and Discovery (Womrad 2010). Abstract
application/pdf iconrec-paper.pdf
application/pdf iconBogdanov-et-al-Womrad2010.pdf
Bogdanov, D., Haro G. G., Fuhrmann F., Xambó A., Gómez E., & Herrera P. (2011).  A Content-based System for Music Recommendation and Visualization of User Preferences Working on Semantic Notions. 9th International Workshop on Content-based Multimedia Indexing. Abstract
application/pdf iconBogdanov-et-al-CBMI2011.pdf
Trent, E. S., & Gómez E. (2015).  Correlations Between Musical Descriptors and Emotions Recognized in Beethoven’s Eroica. Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music (ESCOM). Abstract
application/pdf icon0168TrentGomez-ESCOM2015.pdf
application/pdf icon0168TrentGomezPoster.pdf
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